JURNAL PAKARENA最新文献

{"title":"APPLICATION OF THE KODALY METHOD IN ANGKLUNG MUSIC LEARNING USING THE CONCEPT OF BERKAWAN AND KAWAN BERKAWAN","authors":"Irawan Sukma","doi":"10.26858/p.v7i2.37778","DOIUrl":"https://doi.org/10.26858/p.v7i2.37778","url":null,"abstract":"Currently, angklung music has become part of ensemble music that can be taught to students at the elementary, middle, and high school levels as a form of appreciation for traditional Indonesian music. Therefore, through this research, the technique of playing angklung will be developed with the Kodaly method with the concept of Berkawan and Kawan Berkawan so that later it can display a form of musical presentation packaged in the form of a similar music ensemble. This research is qualitative, using the Research and Development approach from Borg and Gall, by discussing matters related to melody science, the laws of harmony in songs applied in choirs, tone symbols (the use of fingers), the Kodaly method with the development of the concept of Berkawan and Kawan Berkawan, and song notation. The initial stage is the observation of the Kodaly Method, then analyzing the shape of the Kodaly Method symbol with the application of the concept of Berkawan and Kawan Berkawan, then trying to apply it to several grade VII students of SMP Negeri Belitang Jaya from these methods and concepts. In the end, it is hoped that the Kodaly Method with the concept of Berkawan and Kawan Berkawan can be applied and taught to students as the best solution for playing Angklung Music easily. The results of this study revealed that the application of the Kodaly (hand sign) method in angklung learning can improve the ability to read notation to students and is a practical and effective method for students of SMPN 2 Belitang Jaya. It can be seen that the concept of Berkawan with two voices and Kawan Berkawan with three voices is very effective and practical in understanding the technique of playing angklung quickly. So that the application of the Kodaly method can be developed through the concept of Berkawan and Kawan Berkawan","PeriodicalId":329266,"journal":{"name":"JURNAL PAKARENA","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133091787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"BLENDED LEARNING OF NUSANTARA DANCE TO AFFECT LEARNING DANCE PRACTICE IN THE PANDEMIC PERIOD","authors":"Sumiani Sumiani, Selfiana Saenal","doi":"10.26858/p.v7i2.37992","DOIUrl":"https://doi.org/10.26858/p.v7i2.37992","url":null,"abstract":"This research aims to design dance practice learning in the Sendratasik Education study program. Changes in the curriculum in response to the MBKM program will indirectly affect the learning process, where lecturers must develop their learning designs. This study followed up by designing a blended learning-based practice of Nusantara dance. Of course, this research is a step towards more effective learning for students of the Sendratasik Education Study Program who are heterogeneous in terms of their dancing abilities, also during the pandemic which has an impact on limiting face-to-face (offline). The research problem is focused on: How is the design of a valid Nusantara dance practice learning design in the Sendratasik Education Study Program, Department of Performing Arts, FSD UNM. The research step uses the ADDIE (Analysis, Design, Development, Insemination, and Evaluation) model, which in this research activity reaches the design stage. The results of the study: The design of learning design for the practice of Nusantara dance needed in the Sendratasik Education PS, Department of Performing Arts, FSD UNM, is a design that is following the learning objectives as implied in the learning outcomes (CPL) in the curriculum of the study program, that the practical ability, especially the practice of Nusantara dance, is limited to learning interests in primary and secondary education units. The learning design for the practice of Nusantara dance is based on the concept of the 10-stage Dick & Carey model, namely: identification of learning objectives for Nusantara dance, analysis of learning, identification of initial behavior and characteristics of students who are required to program, formulating learning objectives following CPL, developing criteria for reference test items that refer to three aspects (wiraga, wirama, wirasa), learning strategies are arranged according to the needs of MBKM, development of a selection of learning materials following the availability of human resources (competence of lecturers in the Department of Performing Arts), formative evaluation is carried out at the end of the middle of the semester, revision of learning is carried out by reflecting on the results formative evaluation, and summative evaluation carried out at the end of the semester","PeriodicalId":329266,"journal":{"name":"JURNAL PAKARENA","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129952350","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"SEMIOTIC ANALYSIS OF THE MEANING OF WOOD CARVINGS IN TONGKONAN","authors":"Soekarno Buhari Pasyah","doi":"10.26858/p.v7i2.39359","DOIUrl":"https://doi.org/10.26858/p.v7i2.39359","url":null,"abstract":"The symbol on the wooden carving of the Toraja traditional house (Tongkonan) is an important part of its construction, so the purpose of this article is to describe and analyze the symbol of power. This exploration uses subjective interpretive examination techniques, breaks down and describes the significance of things that are concentrated considering the reality on the ground, involves key witnesses as sources of information, utilizes essential and optional information through top-down meetings, field perceptions, action documentation, and references related to this examination. The semiotic model developed by Charles Sanders Peirce is used in this research data analysis method. The Toraja traditional house has sixty-seven types of wood carvings, but only four represent the symbol of the strength of the Tongkonan owner for the present and the future. In addition, the Tongkonan carving patterns represent the social status of the Toraja people. From the underlying information From information obtained, it can be said that the carvings on the Tongkonan depict images of objects and animals that exist in the Toraja people. The message contained in cutting the Tongkonan is a way of thinking about the life of the Toraja people themselves.","PeriodicalId":329266,"journal":{"name":"JURNAL PAKARENA","volume":"86 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134298767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"SONG ANALYSIS ON THE PRESENTATION OF POMPANG MUSIC","authors":"Andi Ihsan","doi":"10.26858/p.v7i2.38079","DOIUrl":"https://doi.org/10.26858/p.v7i2.38079","url":null,"abstract":"This study aims to analyze the song on the presentation of Pompang music in Mamasa district. The research approach is to use descriptive qualitative research methods where data collection, is done through document studies, observations, and interviews, including recording research activities. This study focuses on the intra-musical analysis of the presentation of pumping music, especially the type and structure of the song and how the composition of the musical aspects. Data analysis is done by reduction, display, and verification. The results of the research are the types of songs that are played in the presentation of Pompang music, namely songs in the form of Maras and Hymns. The song Maras is presented without lyrics and vocals, while the hymn uses poetry with the main melody dominated by a flute. In the presentation of the music, each group of instruments has a pattern of rhythm, harmony, and melody that influence each other and form the uniqueness of pumping music. ","PeriodicalId":329266,"journal":{"name":"JURNAL PAKARENA","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127815868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LOGO MAKER APP USER INTERFACE ANALYSIS","authors":"I. Irfan, S. Satriadi, Jalil Jalil","doi":"10.26858/p.v7i2.37752","DOIUrl":"https://doi.org/10.26858/p.v7i2.37752","url":null,"abstract":"This research seeks to provide an overview of the quality of the user interface in logo maker applications. The results of this analysis can be used to consider users in choosing applications, especially MSME actors in designing the visual identity of their products. The user interface analysis used is reviewed from the aspects of clarity, conciseness, familiarity, responsiveness, consistency,  aesthetics,  efficiency, and forgiveness.  The results of the analysis show that these criteria show good results so that the two applications are suitable for use by UMKM actors in creating logos or other visual identities for their products.","PeriodicalId":329266,"journal":{"name":"JURNAL PAKARENA","volume":"2014 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127398039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"BT BATIK TRUSMI BRAND IDENTITY STUDY","authors":"Lulu Afifah Ichsan, A. Z. Mansoor","doi":"10.26858/p.v7i2.36025","DOIUrl":"https://doi.org/10.26858/p.v7i2.36025","url":null,"abstract":"Sama halnya dengan seorang individu yang memerlukan sebuah identitas diri, sebuah perusahaan juga harus memiliki sebuah identitas yang merepresentasikan citra perusahaan tersebut agar dapat menarik perhatian konsumen. Dalam menjalankan usahanya BT Batik Trusmi telah menjalankan berbagai strategi branding yang menjadikan brand tersebut dapat dikenali tidak hanya lingkup nasional namun telah sampai ke mancanegara. Metode yang digunakan dalam penelitian ini adalah pendekatan kualitatif dengan metode deskriptif dengan mengkaji identitas merek BT Batik Trusmi berdasarkan teori brand identity prism atau prisma identitas merek oleh Kapferer. Pengumpulan data dilakukan melalui wawancara terhadap pihak perusahaan, observasi pada lingkungan sekitar serta studi pustaka. Hasil penelitian menunjukkan bahwa identitas merek BT Batik Trusmi yang telah dikaji menggunakan brand identity prism telah memenuhi keenam aspek yang ada yaitu physique, personality, culture, reflections, relationship, self image yang saling berhubungan satu sama lain. Aspek-aspek tersebut yang kemudian membantu membangun BT Batik Trusmi menjadi merek yang kuat sehingga dapat berkomunikasi dengan khalayak sasaran dengan jelas serta menjadi mudah diingat dan dikenali","PeriodicalId":329266,"journal":{"name":"JURNAL PAKARENA","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116772870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A FORMALISM CRITIQUE OF DJOKO PEKIK'S PAINTINGS ENTITLED GO TO HELL CROCODILE","authors":"A. Ayuningtari","doi":"10.26858/p.v7i2.35027","DOIUrl":"https://doi.org/10.26858/p.v7i2.35027","url":null,"abstract":"This research aims to explain the aesthetic aspects of Djoko Pekik's paintings entitled Go to Hell Crocodile. This research uses descriptive qualitative research methods. The approach step taken in this research is the art criticism approach with analytical interpretation using Feldman's formalism art criticism. The data was obtained through observation and literature studies. The subject of criticism in this research is a painting entitled Go to Hell Crocodile (2014) made by Djoko Pekik, a realist-expressive painter from Yogyakarta. To Feldman's critique structure, in this art criticism paper, there are four parts of explanations namely description, formal analysis, interpretation, and evaluation or decision. The research's results showed that there was a significant consistency in Djoko Pekik's paintings entitled Go to Hell Crocodile (2014) with his old work in 1998 entitled Berburu Celeng. This consistency is found in the concept of ideas, he brings up the phenomenon of Indonesian socio-politics issues. In addition, consistency is also found in visual concepts such as the selection of the main object's form, the supporting objects, and his unique expressive painting styles. The results of the observations also found some transformations in the visual aspects of Djoko Pekik's paintings, but some of these aspects did not change his style in a major way and this aspect could not even be known if the art enthusiast did not make in-depth observations.","PeriodicalId":329266,"journal":{"name":"JURNAL PAKARENA","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134465694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE MEANING OF THE CIRCULAR FORMATION OF MOLULO DANCE IN THE CONTEXT OF LOCAL CULTURAL VALUES OF THE TOLAKI TRIBE","authors":"Nurachmy Sahnir","doi":"10.26858/p.v7i2.35992","DOIUrl":"https://doi.org/10.26858/p.v7i2.35992","url":null,"abstract":"Knowledge of the meaning contained in the Molulo dance performance relating to the context of the local cultural values of the Tolaki Tribe in Konawe Regency is contained in the floor pattern in this case a circular formation that contains a meaning based on \"Kalo Sara\" as a cultural symbol of the Tolaki tribe. The purpose of the study is to increase knowledge that there is a philosophy of life of the Tolaki tribe in the Molulo dance which is still maintained today. The descriptive method used by this study is to collect interview data, observation, and documentation. So that Lulo traditional dance by the Tolaki tribal community has a meaning related to local cultural values ranging from the form of movement of the position of hands and feet, the shape of the floor pattern, the displacement of dancers, and the change of dancers has a symbolic meaning in daily life by the Tolaki tribal community symbolized \"Kalo sara\" which is a circle pattern in the form of hand gestures and quadrangular patterns seen in the form of horizontal-vertical foot movements. The pattern that exists in Kalo sara, namely: circles, ties, and quadrangles have the local cultural value of the Tolaki tribe about unity and unity in the shape of the rattan circle, meaning the sincerity and purity of the white cloth, as well as the meaning of prosperity and well-being of the shape of the wicker container in which the rattan circle is placed. The conclusion of this study is about the meaning contained in the circular formation in the Molulo dance performance with the local cultural values of the Tolaki Tribe into several patterns of rules that must be obeyed","PeriodicalId":329266,"journal":{"name":"JURNAL PAKARENA","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115121458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TRADITIONAL ARTISTS' EXPRESSIONS AND NEGOTIATION PRACTICES THROUGH VIRTUAL SPACES","authors":"Panakajaya Hidayatullah","doi":"10.26858/p.v7i2.31692","DOIUrl":"https://doi.org/10.26858/p.v7i2.31692","url":null,"abstract":"This ethnographic research seeks to describe the phenomenon of the artistic practices of traditional artists in looking at new technologies and media. Discourse on various performing arts events outside the mainstream, in the 'periphery' (local) areas, which are often overlooked and neglected in discussions about art. The findings in this study confirm the progressive spirit of traditional artists in Situbondo in responding to the uncertain situation due to the pandemic. Adaptation and negotiation of the technology that has been adopted, opens new perspectives, and modes of attitude towards art practices in society. Traditional artists have demonstrated good practice in terms of survival skills and a critical attitude towards modernity","PeriodicalId":329266,"journal":{"name":"JURNAL PAKARENA","volume":"36 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117324475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"GITA BAHANA NUSANTARA AS A REPRESENTATION OF BHINNEKA TUNGGAL IKA","authors":"Adira Hesti Ksvara","doi":"10.26858/p.v7i1.33540","DOIUrl":"https://doi.org/10.26858/p.v7i1.33540","url":null,"abstract":"The purpose of this study is to describe Gita Bahana Nusantara as a musical group that represents diversity and strengthens the value of patriotism for the participants involved. This research uses the descriptive qualitative method. The results of the study found that Gita Bahana Nusantara has become a space for diversity that is applied by bringing together individuals from various regions in Indonesia so as to create brotherly ties as fellow Indonesians. In addition, patriotism also emerged in the participants involved through the media of music, namely struggle songs. The lyrics and the type of song can stir the hearts and souls of the people who sing and even those who listen to the song.","PeriodicalId":329266,"journal":{"name":"JURNAL PAKARENA","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131799557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}