通科南木雕意义的符号学分析

Soekarno Buhari Pasyah
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引用次数: 0

摘要

托拉加族传统房屋木雕上的符号是其建筑的重要组成部分,因此本文的目的是对权力符号进行描述和分析。这一探索使用主观解释性检查技术,分解并描述了考虑到实地现实的事物的重要性,将关键证人作为信息来源,通过自上而下的会议、现场感知、行动文件和与此检查相关的参考资料利用必要和可选的信息。本研究的数据分析方法采用了Charles Sanders Peirce提出的符号学模型。托拉加传统的房子有67种木雕,但只有四种代表了现在和未来的东咖南主人的力量的象征。此外,铜锣南雕刻图案代表了托拉加人的社会地位。从所获得的信息来看,可以说通科南上的雕刻描绘了托拉哈人身上存在的物体和动物的形象。切割通科南所包含的信息是对托拉贾人自己生活的一种思考方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
SEMIOTIC ANALYSIS OF THE MEANING OF WOOD CARVINGS IN TONGKONAN
The symbol on the wooden carving of the Toraja traditional house (Tongkonan) is an important part of its construction, so the purpose of this article is to describe and analyze the symbol of power. This exploration uses subjective interpretive examination techniques, breaks down and describes the significance of things that are concentrated considering the reality on the ground, involves key witnesses as sources of information, utilizes essential and optional information through top-down meetings, field perceptions, action documentation, and references related to this examination. The semiotic model developed by Charles Sanders Peirce is used in this research data analysis method. The Toraja traditional house has sixty-seven types of wood carvings, but only four represent the symbol of the strength of the Tongkonan owner for the present and the future. In addition, the Tongkonan carving patterns represent the social status of the Toraja people. From the underlying information From information obtained, it can be said that the carvings on the Tongkonan depict images of objects and animals that exist in the Toraja people. The message contained in cutting the Tongkonan is a way of thinking about the life of the Toraja people themselves.
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