SONG ANALYSIS ON THE PRESENTATION OF POMPANG MUSIC

Andi Ihsan
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Abstract

This study aims to analyze the song on the presentation of Pompang music in Mamasa district. The research approach is to use descriptive qualitative research methods where data collection, is done through document studies, observations, and interviews, including recording research activities. This study focuses on the intra-musical analysis of the presentation of pumping music, especially the type and structure of the song and how the composition of the musical aspects. Data analysis is done by reduction, display, and verification. The results of the research are the types of songs that are played in the presentation of Pompang music, namely songs in the form of Maras and Hymns. The song Maras is presented without lyrics and vocals, while the hymn uses poetry with the main melody dominated by a flute. In the presentation of the music, each group of instruments has a pattern of rhythm, harmony, and melody that influence each other and form the uniqueness of pumping music. 
歌曲分析对蓬蓬音乐的呈现
本研究旨在分析这首歌对玛玛萨地区蓬舞音乐呈现的影响。研究方法是使用描述性定性研究方法,通过文献研究、观察和访谈来收集数据,包括记录研究活动。本研究侧重于对抽风音乐的表现形式进行音乐内部的分析,特别是歌曲的类型和结构以及如何在音乐方面进行作曲。数据分析通过还原、显示和验证来完成。研究的结果是在弹丸音乐的呈现中所演奏的歌曲类型,即Maras和hyms形式的歌曲。歌曲《马拉斯》没有歌词和人声,而赞美诗则以诗歌为主,主旋律以长笛为主。在音乐的呈现中,每一组乐器都有自己的节奏、和声和旋律模式,这些模式相互影响,形成了抽风音乐的独特性。
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