Filosofska dumka (Philosophical Thought)最新文献

{"title":"Artificial intelligence as an anthropotechnology","authors":"Mykhailo Bogachov","doi":"10.15407/fd2021.03.180","DOIUrl":"https://doi.org/10.15407/fd2021.03.180","url":null,"abstract":"Artificial intelligence is a computer system that thinks or acts like humans. Features of AI systems embody implicit beliefs concerning the human nature that AI developers have. “Strong” AI, which has the general cognitive abilities of an adult, has not yet been created, while “weak” AI is already part of the planetary computation infrastructure. Neural network AI mimics specific types of human behavior, generalizing data about the everyday lives of its users. This AI approach corresponds to the philosophical mainstream of the 20th century, when everyday life was seen as a source of the linguistic and the social pre-given that yields mutual understanding. This approach is also based on the traditional human-machine dichotomy and the corresponding idea that human nature is stable and independent of the technological condition. However, in the post-metaphysical age, when human interaction with technology is communicative rather than instrumental, data on everyday life cannot be an independent paragon of the human nature. AI systems do not only codify the descriptive features of human nature, but also discipline their users, as the digital environment in which everyday data can be collected is already organized by AI. Accordingly, in the digital environment, people are forced to reproduce new norms of behavior, codified by AI, which became one of the forms of human self-mastery, or anthropotechnology. The impact of AI is rarely noted, as the digital environment in which people interact with AI is not organized in a way that is clearly understandable. The anthropotechnological nature of AI is a side effect of the development of platforms, so AI developers rarely take responsibility for the norms embodied in the systems they create.","PeriodicalId":315902,"journal":{"name":"Filosofska dumka (Philosophical Thought)","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134136698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Political populism and popular culture","authors":"A. Guzhva","doi":"10.15407/fd2021.03.125","DOIUrl":"https://doi.org/10.15407/fd2021.03.125","url":null,"abstract":"The article provides a comparative analysis of the cultural practices of political populism and the popular culture. The leading role of the media in the formation and promotion of popular movements and leaders is emphasized. There is a difference in the understanding of a leader's charisma that brings new values, according to Max Weber, and the pseudo-charisma of modern populist leaders that is created by their regular presence in the media. Populist politician is seen as a sign in cultural communication, where the politician’s personality is put as the signifier, and the ideology that the politician promotes — as the signified. Based on this analysis, three ideal types of populists have been identified: a blank sign that is focused on the present and represents populists without ideology; a sign that is oriented on the past and represents a populist national ideology; the sign that is oriented on the future and represents the reformers, the bearers of new social values. Theoretical approaches to the interpretation of popular culture are analyzed and it is pointed out that a mass society emerging is necessary both for the phenomenon of popular culture and for political populism to perform the quantitative indicator of public preferences. Common characteristics in the functioning of popular culture and populism are revealed — symbolism, emotionality, \"origin from people\", resistance against the system. The decisive role of the media in cultural communication for both popular culture and political populism is emphasized. However, there are significant differences between popular culture and political populism. Popular culture has its own values, while political populism uses values of others. Comparing popular culture and its impact on culture in general on one hand and political popularization and its impact on the political system on the other, a scrutator could expect for some renewal and diversification of current political institutions that would be a positive factor for the global political system and global society.","PeriodicalId":315902,"journal":{"name":"Filosofska dumka (Philosophical Thought)","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123920627","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Social drama of independence","authors":"Sergii Proleiev","doi":"10.15407/fd2021.03.064","DOIUrl":"https://doi.org/10.15407/fd2021.03.064","url":null,"abstract":"The article analyzes the problem of Ukraine's development since independence. A comparison of the way of organizing social reality in modern Ukraine and in the Soviet period is carried out. The main regulatory factor in the life of Soviet society was the principle of domination. Ukraine has inherited the principle of domination and retains its leading role in the current social order. Its various manifestations that determine the structure of Ukrainian society, in particular the growth of the bureaucratic class and bureaucratic pressure on all spheres and sections of life, are analyzed. The dominance of bureaucracy contains latent violence, feeds corruption and minimizes social dynamics. It is also a phenomenon of power rent, which finds its expression in a kind of \"privatization of the state.\" Another universal effect of the principle of domination is the doubling of social reality into apparent and hidden. The apparent reality becomes a space for the existence of ordinary citizens and the implementation of legal procedures, while the hidden one contains a system of real circulation of power, which is not regulated by any legal regulations, instead, controls all movements of the social body. The systemic role in the hidden society is played by cliques — informal groups of influential people who really control the course of events. The con- sequence of the principle of domination is the passivity and marginalization of the Ukrainian citizen, associated with the defect of political participation. Such non-participation in power is embodied in such forms of consciousness as hope, liking, and despair. Today, independence is not a given, but a chance that must be realized. The way to this is through the restoration of the role of the people as a sovereign power and the development of non-dominant regulatory factors of sociality.","PeriodicalId":315902,"journal":{"name":"Filosofska dumka (Philosophical Thought)","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130813821","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Phenomenological justification of psychoanalysis","authors":"Yehor Butsykin","doi":"10.15407/fd2021.03.149","DOIUrl":"https://doi.org/10.15407/fd2021.03.149","url":null,"abstract":"The article is a preliminary sketch of the phenomenological description of the experience of psychoanalysis, in order to phenomenologically justify the fundamental psychoanalytic concepts and phenomena. The phase structure experience of the psychoanalysis is considered, namely: analyst’s anxiety, psychoanalytic reduction, psychoanalytic analysis and interpretation. In addition, the first part of the article is devoted to the main aspects of logical-phenomenological critique of psychoanalysis. First of all, the critique of the associative, mechanistic, speculative theory of psychoanalytic practice that its phenomenological inadequacy leads to a gap between psychoanalytic theory and practice. This fact is especially emphasized in the phenomenological psychology of Arthur Kronfeld and the Daseinanalysis of Ludwig Binswanger and Medard Boss. Hence, the article is an attempt to outline another way to bridge this gap, by phenomenological justification of the experience of psychoanalysis.","PeriodicalId":315902,"journal":{"name":"Filosofska dumka (Philosophical Thought)","volume":"117 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132623620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Uniformity vs pluralism: an ontological basis of conflict","authors":"O. Komarov","doi":"10.15407/fd2021.03.166","DOIUrl":"https://doi.org/10.15407/fd2021.03.166","url":null,"abstract":"The article considers the phenomena of unified and plural rationality, and hence the possibility or its absence to unify experience, culture, politics, economics, etc. To illustrate the problem, it is suggested to consider the differences between the modern and postmodern eras. It is attempted to deduce the ontological basis of cultural differences and the dynamics of knowledge development in general. Author of the article reflects upon contemporary challenges related to the instability of the state of knowledge, and propose possible solutions of modern social and philosophical problems on the basis of phenomenology.","PeriodicalId":315902,"journal":{"name":"Filosofska dumka (Philosophical Thought)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121043565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Some actual problems of mastering of Hegel's legacy: “phenomenology of spirit” in ukrainian translations of Hegel's legacy","authors":"Ihor Burkovskyi","doi":"10.15407/fd2021.02.114","DOIUrl":"https://doi.org/10.15407/fd2021.02.114","url":null,"abstract":"The paper deals with two Ukrainian translations of Hegel's Phenomenology of Spirit (on the example of Introduction): a contrastive critical review is presented (involving a number of translations of the book into other languages), numerous errors were found in both (as well as, although not in such a concentration, in other translations). Given the well-known extreme difficulty of Hegel's Phenomenology, it is quite natural that the first Ukrainian attempts to interpret it, without sufficient preparation, were not successful. An adequate Ukrainian translation of this work is to be performed in the future: further considerations on this issue are transferred to the announced next article regarding other translations of Hegel.","PeriodicalId":315902,"journal":{"name":"Filosofska dumka (Philosophical Thought)","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132380833","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Lesia Ukrainka, Don Juan and Europe: ideology and eropolitics in the Stone Master","authors":"V. Yermolenko","doi":"10.15407/fd2021.02.049","DOIUrl":"https://doi.org/10.15407/fd2021.02.049","url":null,"abstract":"The article is focused on Lesia Ukrainka’s famous drama The Stone Master (Kaminnyi Hospodar), her remake of the Don Juan legend. The author of the article, Ukrainian philosopher Volodymyr Yermolenko, localizes Lesia’s masterpiece in a broader European tradition of the legend. He compares The Stone Master with the previous version of the Don Juan legend, by Tirso de Molina (The Trickster of Seville), Moli re (Dom Juan), Mozart (Don Giovanni), Hoffmann (Don Juan), Grabbe (Faust and Don Juan) and others. He analyzes Lesia’s originality within this tradition. He also reads The Stone Master in the context of the dialogue between different epochs: the Baroque, Classicism, Rococo / Enlightenment, Romanticism, Post-Romanticism. Each of the epochs develops its specific version of Don Juan legend, according to Yermolenko, which reflects a specific concept of human being and human relations developed at each particular period. While the “Baroque” Don Juan of Tirso de Molina marks the crisis of the culture of honor, the “Classicist” Don Juan of Moli re shows the development of a culture of knowledge and general concepts, and the “Romantic” Don Juan of Byron and Hoffmann is a symptorm of a new 19th century culture of will and transformation. In this respect, it is important to look at Lesia Ukrainka’s text as a battleground of “Romantic” will to freedom and “Post-Romantic” (or fin de siècle) will to power. In this context, Yermolenko reads The Stone Master (written in 1912) as a criticism of the fashionable topic of “will to power”, and as a political warning, with Lesia Ukrainka showing the upcoming horrors of the 20th century’s authoritarianism and totalitarianism. With the help of the concept of eropolitics, the author shows how, through the erotic topic, Lesia Ukrainka passed a major political message to her epoch — and ours as well.","PeriodicalId":315902,"journal":{"name":"Filosofska dumka (Philosophical Thought)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131017898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Socratic dialogue in Lesia Ukrainka's poetic and practical philosophy","authors":"A. Yermolenko","doi":"10.15407/fd2021.02.020","DOIUrl":"https://doi.org/10.15407/fd2021.02.020","url":null,"abstract":"The article is about the poetic-practical philosophy of dialog of Lesia Ukrainka, which is manifested in the dramatic creativity of the prominent poetess, her translation activity and the concept of “person-nature relations”. In the text it is shown that Lesia Ukrainka created a new genre of contemporary drama on the basis of application of “Socratic dialog”, which started an important direction in contemporary literature and coincides with a leading trend of world philosophy associated with the paradigmatic turning point from the philosophy of subjectivity to the philosophy of inter-subjectivity. The kinship of the Socratic philosophy of dialog and “Socratic drama” is also referred to. The author also showed that the meaning of Socratic dialog of Lesia Ukrainka in the resolution of the main problems of world outlook of modernity and the role of argumentation, in particular, the method of elenctics, the realization of such notions as “truth” and “verity”, which is particularly important the modern day situation of “posttruth” and “post-morality”. Against the background of the global environmental crisis, it is important to look at the way how Lesya Ukrainka suggests treating nature as a subject and partner in dialogue. This paradigm continues and deepens the Romantic concept of nature as a partner in a conversation and co-creator of the liber mundi (\"the book of the world\"). It also opens the opportunity to apply hermeneutical methods of understanding nature as a common world (Mitwelt) of communication, love and creativity. The article also analyzes the topic of dialogue between cultures, as well as perception and understanding of another culture as a subject in a dialogue. We can see this focus in Lesya Ukrainka's approach to translation of poetic texts produced by cultures from distant places and epochs.","PeriodicalId":315902,"journal":{"name":"Filosofska dumka (Philosophical Thought)","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115787490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Descriptive and analytical psychology of Wilhelm Dilthey as theoretical source of phenomenological psychology of Edmund Husserl","authors":"V. Kebuladze","doi":"10.15407/fd2021.02.131","DOIUrl":"https://doi.org/10.15407/fd2021.02.131","url":null,"abstract":"The article contains the critical reconstruction of descriptive and analytical psychology of Wilhelm Dilthey and its influence on the phenomenological psychology of Edmund Husserl. Dilthey describes three fundamental features of intrinsic psychic life, which make it different from external physical world: 1. Immediacy — psychic life is directly perceived as intrinsic process; physical world is indirectly perceived as external reality. 2. Connection — psychic life is organic connection of interrelated experiences, physical world is conglomeration of the separate facts. 3. Value — psychic experiences use to have the value to us, physical facts can be irrelevant to us. According to Dilthey descriptive and analytic psychology is possible since the psychic life is directly given as organic connection of experiences, which have a special value. The main method of psychology should be description of the psychic experience. Dilthey sketches out three main direction of this description: 1. Description of the main types of the psychic processes. 2. Description of the main connections of the human experiences. 3. Description of the special parts of the human experiences. On one hand, the phenomenological psychology of Edmund Husserl is grounded on the descriptive and analytic psychology of Wilhelm Dilthey. On another hand, Husserl criticizes some crucial points of Dilthey’s conception. First of all the founder of phenomenology and phenomenological psychology points out the connection of the notions “understanding” and “induction” in the psychological conception of Wilhelm Dilthey. On the contrary, according to Husserl the method of understanding should be based on the concept of intuition, which plays an important role in his phenomenological project.","PeriodicalId":315902,"journal":{"name":"Filosofska dumka (Philosophical Thought)","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128255848","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Hegel, Hölderlin and we, the ukrainians, or: is it worse to accept recommendations of the german idealism?","authors":"M. Kultaieva","doi":"10.15407/fd2021.02.099","DOIUrl":"https://doi.org/10.15407/fd2021.02.099","url":null,"abstract":"The article represents the explication of some Hegel’s ideas with coherence to Hölderlin’s philosophical reflections, all of which are dealing with the problem of making more significant the philosophy for the social life especially in the period of the national self-statement and radical cultural transformations on the crossing of the XVIII-th and XIX-th centuries. The communication between Hegel and Hölderlin shows the different ways of making philosophy more available for lower classes of population. Hölderlin’s considering on this problem was to make philosophical thinking more sensuous through its transforming into a new rational religion. Hegel perceived solving of this problem in education and teaching without reducing standards of philosophy as a science. The university philosophy with its abstract concepts and systems was criticized by Hölderlin and accepted by Hegel, because his aim was to activate the social and orientation functions of philosophical ideas. The popular philosophy with its metaphorical language was regarded by him as preparing for fundamental philosophical studies. The role of the philosophical lyric in the evolution of German Idealism is analyzed with its impulses for the renewal of philosophical thinking. Hegel shows some risks of symbiosis of the lyric and philosophy such as losing its freedom and turning into a new mythology with eclipse of reason. Hegel emphasizes the role of the grammar of philosophical thinking: its concepts and categories. The dialectical potential of concepts is illustrated on their cunning possibility what might be regarded as opening of closed systems. The adaptation possibilities of this theoretical and practical experience to the Ukrainian social and cultural contexts are regarded. Hegel’s interpretation of the dialectical interconnection existing between the philosophical creativity and the philosophical education for the foundation of the philosophical inquiring culture are actual today as well his demand to search for the truth. The causes for explaining Hegel’s intuitions about the concept’s and reason’s cunning are stating in their validity for developing strategies and practices of the spiritual renewal of the Ukrainian society.","PeriodicalId":315902,"journal":{"name":"Filosofska dumka (Philosophical Thought)","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124046729","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}