Գրականագիտական հանդես=Literary Journal最新文献_第6页

«Սասնա ծռեր» հերոսավեպի Մոկաց պատումների գրառման և հրատարակման պատմությունը

Գրականագիտական հանդես=Literary Journal Pub Date : 2022-09-13 DOI: 10.54503/1829-0116-2022.1-168

Աննա Վազգենի Պողոսյան

引用次数: 0

Միֆը և իրականությունը Ավետիք Իսահակյանի «ռոտմիստր Վ. Պավլովիչի երազը» պատմվածքում

Գրականագիտական հանդես=Literary Journal Pub Date : 2022-09-13 DOI: 10.54503/1829-0116-2022.1-59

Արմեն Լևոնի Մանուկյան

{"title":"Միֆը և իրականությունը Ավետիք Իսահակյանի «ռոտմիստր Վ. Պավլովիչի երազը» պատմվածքում","authors":"Արմեն Լևոնի Մանուկյան","doi":"10.54503/1829-0116-2022.1-59","DOIUrl":"https://doi.org/10.54503/1829-0116-2022.1-59","url":null,"abstract":"In the original and colorful gallery of heroes, created by the great Armenian poet and prose writer Avetik Isahakyan, a Russian emigrant officer, the main hero of the story “The Dream of Captain V. Pavlovich”, occupies s special place. The former captain of the tsarist, and then the Kolchak army, Vladimir Pavlovich visits the Paris restaurant of his old acquaintance, the former Moscow restaurateur Kuzma Matfeich, to pour out his longing. The action develops through dialogue, and Isahakyan skillfully reveals step by step the folds of the captain’s soul, illuminates the darkest corners of this “mysterious Russian soul”, thereby revealing the tragedy of Russian emigrants. In Vladimir Pavlovich’s long monologues intertwine the past, present and future, myth and reality, and this two play a significant role in all three periods of time, transform into each other or are compared to each other, thereby helping the author to complete what he said. With its cruel truthfulness, the depth of penetration into the soul of a Russian person, a Russian emigrant and artistic qualities, Isahakyan’s story “The Dream of Captain V. Pavlovich” is one of the best examples of Armenian prose and at the same time one of the best works written on this topic in general. It is high time to translate it into Russian and other languages and present it to a foreign reader so that it takes its rightful plase among the well-known works on the theme of Russian emigrants.","PeriodicalId":313969,"journal":{"name":"Գրականագիտական հանդես=Literary Journal","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125709522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ոսկրի խորհրդապաշտությունը Ա. Բակունցի «Կարմրաքար» վեպում

Գրականագիտական հանդես=Literary Journal Pub Date : 2022-09-13 DOI: 10.54503/1829-0116-2022.1-330

Մհեր Քումունց

{"title":"Ոսկրի խորհրդապաշտությունը Ա. Բակունցի «Կարմրաքար» վեպում","authors":"Մհեր Քումունց","doi":"10.54503/1829-0116-2022.1-330","DOIUrl":"https://doi.org/10.54503/1829-0116-2022.1-330","url":null,"abstract":"In the novel “Karmrakar” of A. Bakunts are mystic not only village Karmrakar, but also bone. Author speaks much of bone’s symbol and strength in the novel’s different parts. It is possible to discover objectives of A. Bakunts by investigating means and formations of word bone in Syunik-Artsakh dialectical vocabulary. From this it is important the expression of past values lost idea, which author completed in bone and it’s spiritual and physical means. Through linguistic and ethnographic topic and literary parallels mystery of bone is discovered, which also completes the range of values of the novel “Karmrakar”. It is among the native Armenian words bone, the initial versions of which are: * ost (h) -, * ost (h) i-, * ost (h) r (g) - etc. The semantic forms of the word bone have been preserved in the languages of the Indo-European language family. There are also many beliefs and rituals associated with bone. For example, items made of bone magic are very common. With the help of bone, according to beliefs, people were able to control the forces of nature. Episodes expressing the mystical phenomena related to bone have been preserved in different genres of Armenian and foreign folklore. In Syunik-Artsakh there are curses, blessings, proverbs, the origin of which is ancient և related to bone beliefs. Some of the human beliefs about bone are found in the Bible. The great Armenian writer Axel Bakunts was able to bring prose to the popular notions related to bone by means of artistic, stylistic, word-formation and semantic means and to breathe new life into the content of the artistic work.","PeriodicalId":313969,"journal":{"name":"Գրականագիտական հանդես=Literary Journal","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114734243","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 4

Ժամանակը և մարդիկ Հովհաննես Երանյանի «Զինադադար» վիպակի գեղարվեստական համակարգում ԺամանակըևմարդիկՀովհաննեսԵրանյանի“Զինադադար”վիպակիգեղարվեստականհամակարգում

Գրականագիտական հանդես=Literary Journal Pub Date : 2022-09-13 DOI: 10.54503/1829-0116-2022.1-147

Գագիկ Խաչիկյան, Անահիտ Նահապետյան

{"title":"Ժամանակը և մարդիկ Հովհաննես Երանյանի «Զինադադար» վիպակի գեղարվեստական համակարգում","authors":"Գագիկ Խաչիկյան, Անահիտ Նահապետյան","doi":"10.54503/1829-0116-2022.1-147","DOIUrl":"https://doi.org/10.54503/1829-0116-2022.1-147","url":null,"abstract":"The article analyzes the novel “The Ceasefire” by modern prose writer Hovhannes Yeranyan. This work realistically depicts some aspects of the cultural life of Moscow, the capital of the Russian Federation during the first years of independence (the 1990s) from the point of view of an Armenian student, and especially the situation in the Republic of Armenia. In the first years of the collapse of the Soviet Union, the reality of Armenia is revealed through the eyes of the main character Mher Yepremyan, who acts as a narrator, and through direct contact and sharing life experiences with people. With transparent artistic images are presented moral values in everyday morals, distorted human relations, and moral values in cultural life in Moscow, about which is told through recollection, and the real events take place in the newly independent Republic of Armenia and Artsakh. Through the main character, the author presented the artistic environment in the context, especially in a part of the liberated territory of Artsakh, which was known as the Kovsakan period of historical Armenia, some truth, typical aspects of the ceasefire period and the situation in the country.","PeriodicalId":313969,"journal":{"name":"Գրականագիտական հանդես=Literary Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124526661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Հ. Թումանյանի ուղևորությունը Պոլիս. մտավորականության արձագանքը

Գրականագիտական հանդես=Literary Journal Pub Date : 2022-09-13 DOI: 10.54503/1829-0116-2022.1-208

Եվա Մնացականյան

引用次数: 0

Առասպել, բանաստեղծություն, առասպել

Գրականագիտական հանդես=Literary Journal Pub Date : 2022-09-13 DOI: 10.54503/1829-0116-2022.1-135

Թադևոս Խաչատրյան

{"title":"Առասպել, բանաստեղծություն, առասպել","authors":"Թադևոս Խաչատրյան","doi":"10.54503/1829-0116-2022.1-135","DOIUrl":"https://doi.org/10.54503/1829-0116-2022.1-135","url":null,"abstract":"The choice of title is a reference to the abbreviated content of the book. The importance of the title in the creative process is emphasized by P. Sevak and A. Ayvazyan said. The title of the book is a sign that allows you to reduce the content of the book to one focus in the process of reading. The collection can be seen as a metaphor for transliteration. This is connected, on the one hand, with the name of the collection /«The Door of Mher»/, known in our epic as Agravavakar, and on the other hand, with the esoteric system of Eastern philosophy. The rose, again a ritual, meditative image, “on the other side” of life is expressed in the real image of the “tree”, in other words, metaphysics becomes nature, the image arises as an image. This nickname given to being is governed by the poetic «Me», which overcomes «side by side», «otherworldly» states of life, «through the labyrinth of ignorance» and «through the cracks of the word of being». Knowledge” and is established as racial memory by measuring indecision and exploration. In almost every poem-context, having a deep perspective of the mythical reality of our epic, the poem is constantly trying to overcome the temptation to become a myth, but Mher remains the “secret” hero of the poem, which Beyleryan tries to carefully hide is observed in the ancient mysteries, then in the tragedies of Dionysus, who has many in common with our Mher as his deity. In other words, when the Primordial dies in ordinary consciousness, a tragedy is born․","PeriodicalId":313969,"journal":{"name":"Գրականագիտական հանդես=Literary Journal","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126359460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ինքնության պահպանման խնդիրը Միգրացիայի դարաշրջանում ԻնքնությանպահպանմանխնդիրըՄիգրացիայիդարաշրջանում

Գրականագիտական հանդես=Literary Journal Pub Date : 2022-09-13 DOI: 10.54503/1829-0116-2022.1-261

Ամալյա Սողոմոնյան

{"title":"Ինքնության պահպանման խնդիրը Միգրացիայի դարաշրջանում","authors":"Ամալյա Սողոմոնյան","doi":"10.54503/1829-0116-2022.1-261","DOIUrl":"https://doi.org/10.54503/1829-0116-2022.1-261","url":null,"abstract":"The topic of deportation has always been and will always be in the world literature. The eras are changing, so are the literary themes, new realities are emerging, but, unfortunately, there are always reasons why a person is forced to emigrate. Evidence of this is the last Artsakh war, which after some time will be reflected in fiction. The purpose of the article is to show the influence of various factors (including war) on an individual’s psychology and the desire to emigrate. In literary works, the authors do everything so that love wins, but in real life, the opposite happens. Explosions, abandoned houses, memories and an uncertain future. Loss of ideals, disappointment, alienation. War destroys everything. After the war, the individual is spiritually and morally abandoned, defenseless, without hopes and goals. During the war, the most important thing dies - love. After the war, the individual has feelings of alienation, self-alienation, self-destruction. Unfortunately, emigration often comes to the rescue of the individual. In conclusion, it should be noted that it is impossible to talk about modern literature without touching the topics of globalization and migration. To understand how the migrant feels, one must at least once feel the real danger of losing home, be displaced, live with the fate of a migrant, lose homeland and go into uncertainty.","PeriodicalId":313969,"journal":{"name":"Գրականագիտական հանդես=Literary Journal","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114282688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Художественное выражение армяно-русского военного сотрудничества в романе Хачатура Абовяна «Раны Армении»

Գրականագիտական հանդես=Literary Journal Pub Date : 2022-09-13 DOI: 10.54503/1829-0116-2022.1-344

Елена Алексеевна Шуваева-Петросян

{"title":"Художественное выражение армяно-русского военного сотрудничества в романе Хачатура Абовяна «Раны Армении»","authors":"Елена Алексеевна Шуваева-Петросян","doi":"10.54503/1829-0116-2022.1-344","DOIUrl":"https://doi.org/10.54503/1829-0116-2022.1-344","url":null,"abstract":"In Khachatur Abovyan’s novel «Wounds of Armenia», there are various passages that outwardly seem like hyperbolic descriptions, which, surprisingly, are artistic expressions of specific historical events. What has been said is more evident when we compare different parts of the novel with reports of the Russian military and official documents of the time. It should be noted that these documents and historical works were published after Abovyan’s death. Therefore, the writer could not be familiar with those studies and artistically imagine the descriptions found in them in his novel. Here we see a complex and surprising creative phenomenon,which goes beyond the scope of «Wounds of Armenia».How the same event was subjected to a fictional generalization by the writer who witnessed it more than a decade later, how it is described and interpreted by the Russian military and statesmen who participated and witnessed the same events. A comparison of «Wounds of Armenia» and reports and memoirs written by the Russian military and various officials of the time show that Abovyan’s novel is a fictional chronicle of historical events.","PeriodicalId":313969,"journal":{"name":"Գրականագիտական հանդես=Literary Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129958009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Կարուսելային շրջապտույտը որպես կոմպոզիցիոն սկզբունք (Վ. Տերյանի «Կարուսել» բանաստեղծությունը)

Գրականագիտական հանդես=Literary Journal Pub Date : 2022-09-13 DOI: 10.54503/1829-0116-2022.1-73

Հենրիկ Էդոյան

{"title":"Կարուսելային շրջապտույտը որպես կոմպոզիցիոն սկզբունք (Վ. Տերյանի «Կարուսել» բանաստեղծությունը)","authors":"Հենրիկ Էդոյան","doi":"10.54503/1829-0116-2022.1-73","DOIUrl":"https://doi.org/10.54503/1829-0116-2022.1-73","url":null,"abstract":"Starting from the 19th century, the Merry-go- round, which entered the European urban life, by the end of the same century became one of the favorite themes of the European poets (P. Verlaine, R.M. Rilke, F. Sologoob, V. Khodasevich, etc.), to which in 1912 the great Armenian poet Vahan Teryan addressed (it was included in the cycle «Golden Fairy Taleե). By some compositional lines, Teryan’s poem is close to Verlaine’s, however, at the poetic and philosophical level, it not only sharply differs, but also opposes it (Verlaine’s intonation is «carnival-festiveե, Teryan’s is «dramatic-tragicalե). In fact, the most significant features of Teryan’s poetry can be found in the «Merry-go-roundե, that is the desire to get closer to the «soul of the worldե (which was inherent to symbolism and, in particular, to Teryan’s poetics), the metaphysical perception of time, the internal semantic-sound musical vibrations of the verbal language, which act in the «internal formե of the language and are inaccessible to its «external formե, also the unrequited nature of personal feelings in the world (the dissatisfaction with life, abandonment, loneliness, death and decline, as well as the tragic perception of national and social states).","PeriodicalId":313969,"journal":{"name":"Գրականագիտական հանդես=Literary Journal","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126989801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Մուշեղ Իշխան. «Կյանքի և երազի սահմանագծին»

Գրականագիտական հանդես=Literary Journal Pub Date : 2022-09-13 DOI: 10.54503/1829-0116-2022.1-100

Միհրան Հովհաննիսյան

{"title":"Մուշեղ Իշխան. «Կյանքի և երազի սահմանագծին»","authors":"Միհրան Հովհաննիսյան","doi":"10.54503/1829-0116-2022.1-100","DOIUrl":"https://doi.org/10.54503/1829-0116-2022.1-100","url":null,"abstract":"Mushegh Ishkhan embodies the image of a man whose work is the direct embodiment of his lived life. A characteristic feature of his entire poetic system is that the collections were created and alternated in parallel with the stages of his life, according to the logic of the development of his inner world and worldview. He is a chronicle of his feelings, emotions, experiences, and his poetry collections are their personification and generalization. The collections are poetic manifestations of the experiences and anxieties of his generation, as well as instructions aimed not only at the Armenian wandering around the world, but also at the “strange human being” living under the sun: firstly, create your soul home in Armenian, build it in the vast space (“Song of Houses”, 1936), then kindle a flame covered with ashes, ignite the hearth (“Fire”, 1938), live your life like a dream, and dream like life (“Life and dream” 1949), accept the gifts of life (“Hello Life” 1958), and look back again and resign yourself to the fact that life is an experience, and a “strange human being” suffers (“Suffering” 1968), create, fertilize, and in the golden autumn distribute the harvest to everyone (“Golden Autumn”, 1963), and at the end of your life, realize that death is just a return to the primary, sympathize with the slow decomposition of your relatives (“Sunset”, 1986 .), before sunset, a little more, but brightly illuminate the world, praising the light and peaceful life, the meaning of life (“Evening St. under the bombs” 1991).","PeriodicalId":313969,"journal":{"name":"Գրականագիտական հանդես=Literary Journal","volume":"144 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130304739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0