Ժամանակը և մարդիկ Հովհաննես Երանյանի «Զինադադար» վիպակի գեղարվեստական համակարգում

Գագիկ Խաչիկյան, Անահիտ Նահապետյան
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Abstract

The article analyzes the novel “The Ceasefire” by modern prose writer Hovhannes Yeranyan. This work realistically depicts some aspects of the cultural life of Moscow, the capital of the Russian Federation during the first years of independence (the 1990s) from the point of view of an Armenian student, and especially the situation in the Republic of Armenia. In the first years of the collapse of the Soviet Union, the reality of Armenia is revealed through the eyes of the main character Mher Yepremyan, who acts as a narrator, and through direct contact and sharing life experiences with people. With transparent artistic images are presented moral values in everyday morals, distorted human relations, and moral values in cultural life in Moscow, about which is told through recollection, and the real events take place in the newly independent Republic of Armenia and Artsakh. Through the main character, the author presented the artistic environment in the context, especially in a part of the liberated territory of Artsakh, which was known as the Kovsakan period of historical Armenia, some truth, typical aspects of the ceasefire period and the situation in the country.
ԺամանակըևմարդիկՀովհաննեսԵրանյանի“Զինադադար”վիպակիգեղարվեստականհամակարգում
本文分析了现代散文家耶拉扬的小说《停火》。这部作品从亚美尼亚学生的角度,真实地描绘了俄罗斯联邦首都莫斯科在独立初期(20世纪90年代)文化生活的某些方面,特别是亚美尼亚共和国的情况。在苏联解体的头几年里,通过主人公Mher Yepremyan作为叙述者的眼睛,通过与人们的直接接触和分享生活经历,揭示了亚美尼亚的现实。以透明的艺术形象呈现了日常道德中的道德价值,扭曲的人际关系,莫斯科文化生活中的道德价值,通过回忆讲述了这些,以及发生在新独立的亚美尼亚共和国和阿尔察赫共和国的真实事件。通过主角,作者呈现了背景下的艺术环境,特别是在Artsakh的一部分被解放的领土上,被称为历史上亚美尼亚的科夫萨坎时期,一些真相,停火时期的典型方面和该国的局势。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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