Jurnal Gendang Alam (GA)最新文献

{"title":"KELAMAT-KEOMBO’AN: PERMAINAN WATAK MELALUI PENYATUAN ELEMEN KELIMA DALAM PERSEMBAHAN TEATER RITUAL IGAL ETNIK BAJAU PANTAI TIMUR SABAH","authors":"Sharifuddin Zainal, Mohd Kipli Abdul Rahman, Esterlina Moo Chin Len Lazarus, Muhamed Syafiq Salleh, Yeon Amsalie @ Amsalib Pisali, Patta Arifin Hussin, Mohamad Nor Hisyam bin Musa","doi":"10.51200/ga.v11i2.2293","DOIUrl":"https://doi.org/10.51200/ga.v11i2.2293","url":null,"abstract":"Bajau Laut adalah pecahan daripada etnik besar Bajau yang kebanyakannya mendiami pesisir pantai timur Sabah, Malaysia. Bersesuaian dengan persekitaran penempatan mereka, kepercayaan dan sosiobudaya etnik ini adalah terpusat ke lautan. “Kelamat” adalah istilah yang digunakan oleh kelompok etnik merujuk kepada dukun, manakala keombo’an pula istilah yang merujuk kepada semangat pelindung dan roh nenek moyang. Berlatarbelakangkan sejarah yang mempelbagaikan jenis keombo’an-kelamat pula merupakan satu elemen yang paling bersignifikasi dalam melengkapkan kitaran kosmos dalam persembahan teater ritual Igal. Kelompok etnik percaya kelamat merupakan penjaga kunci yang menghubungkan dua alam yang terpisah (mikro kosmos - alam manusia dan makro kosmos- alam semangat metafizik). Ketika persembahan ritual dijalankan, pelbagai keombo’an akan melintasi kosmos dan masuk ke dalam badan kelamat untuk berkomunikasi dan merestui kelompok etnik tersebut. Tanpa kehadiran keombo’an, kelompok etnik percaya persembahan ritual yang dijalankan tersebut telah gagal dan objektif persembahan dilaksanakan tidak dapat dicapai. Walau bagaimanapun, amalan kepercayaan keombo’an adalah satu amalan yang bertentangan dengan syariat Islam, iaitu hal yang memerangkap kelompok etnik dalam konflik di antara dua kepercayaan yang mereka pegang. Oleh itu, makalah ini merungkaikan signifikasi lestari kelamat-keombo’an terhadap kepercayaan kosmologi etnik melalui persembahan teater-ritual Igal. Pendekatan etnografi dan teori persembahanRichard Scherchner digunakan untuk mensintesiskan signifikasi kepelbagaian watak dan perwatakan keombo’an- melalui permainan watak di tahap liminal persembahan ritual pengubatan Igal, sebagai sebuah dasar bagi pembentukan dan pembangunan teater tradisional etnik Bajau Pantai Timur Sabah.\u0000 \u0000Bajau Laut or Sama Dilaut is seafarer’s ethnics of east coast Sabah, Malaysia. Accordingly, to their settlements, Bajau Laut belief and socialcultural are centered to the sea. Kelamat is a term by the communities referring to the shaman-whiles keombo'an is a term denotes to the holy spirits and the spirits of the ancestors. With a history of myth in diverted the keombo’an- Kelamat is highly significant element in order to complete the cosmos circle in the healing ritual performances. The communities’ belief, Kelamat is the key holder to connect the two separated worlds- (micro cosmos-the human world and macro cosmos-the spirit world). During the performances of the healing ritual, variouskeombo’an will cross over and embodied into the shaman to communicate and to bless the community. Without the embodiments of the keombo’an, the communities’ belief that the ritual performed has failed and the objective of the healing rituals performance could not be achieved. However, keombo’an is the Islamic religiously contradict belief which put them into the conflict of two different faiths they devote. Hence, this paper focus in unfold the surviving significant of Kelamat and Keombo’an t","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"135 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123234677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PROSPECTS OF MUSIC AS A FORM OF HEALING IN TIMES OF A GLOBAL PANDEMIC","authors":"Pravina Manoharan","doi":"10.51200/ga.v11i2.3333","DOIUrl":"https://doi.org/10.51200/ga.v11i2.3333","url":null,"abstract":"The COVID-19 pandemic has brought about rapid changes to all forms of human interaction and mobility from travel, work conditions, learning environments, to social activities. Around the world, individuals and communities had to deal with both health-related fears and stress, prompted by social distancing and isolation. While the health advantages of the quarantine order have been well documented, its emotional strain on people has had far reaching consequences. As a coping mechanism to deal with the stress of quarantine, the internet was suddenly flooded with posts and videos of people turning to music as a form of individual and communal healing. This paper looks at how communities around the world found solace in music as a form of solidarity that united people regardless of age, gender, nationality, creed and political affiliation. The prospects of music in presenting people with a sense of belonging in times of solitude is explored through the various accounts around the world on the healing power of music. Findings further strengthen previous works on the effects of music on a person’s emotional stability and as a means of communal solidarity.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121596308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"RESILIEN DAN ADAPTASI 2 PENGGIAT SENI DALAM MEMBUDAYAKAN 3 PERSEMBAHAN SENI SECARA TALIAN (DIGITAL) SEBAGAI 4 NORMAL BAHARU PASCA COVID-19","authors":"Sri Ningsih Sukirman, Patricia Jipoh","doi":"10.51200/ga.v11i2.3582","DOIUrl":"https://doi.org/10.51200/ga.v11i2.3582","url":null,"abstract":"Penularan pandemik COVID-19 di Malaysia yang mula dikesan pada akhir bulan Januari 2020 lalu telah memaksa kerajaan melaksanakan Perintah Kawalan Pergerakan (PKP) yang seterusnya dilanjutkan kepada Perintah Kawalan Pergerakan Bersyarat (PKPB) dan disusuli dengan Perintah Kawalan Pergerakan Pemulihan (PKPP) mulai 18 Mac 2020. Bukan itu sahaja, Perintah Kawalan Pergerakan Diperketatkan (PKPD) di beberapa kawasan juga dilaksanakan. Memandangkan pengalaman PKP ini adalah pertama kali bagi kebanyakan penduduk dan tempohnya yang panjang sehingga memberikan impak terhadap pelbagai sektor ekonomi negara. Salah satu sektor berkenaan ialah industri media, seni dan hiburan. Penularan pandemik COVID-19 dan pelaksanaan PKP didapati memberikan kesan yang mendalam terutamanya terhadap penggiat seni (profesional dan tidak formal) di negeri Sabah. Asas permasalahan kajian ini didasarkan pada dua isu, iaitu (i) bagaimanakah tahap dan ciri-ciri resilien penggiat seni (profesional dan tidak formal) sepanjang PKP (termasuk PKPB, PKPP dan PKPD) yang berlangsung? dan (ii) bagaimanakah mereka mengadaptasi pendekatan persembahan (seni tari, seni teater dan seni muzik) dari normal biasa bersifat fizikal ke normal baharu, iaitu ‘pentas’ digital dan cabaran yang terpaksa dihadapi dalam tempoh PKP, PKPB, PKPP, PKPD dan pasca COVID-19 nanti? Oleh itu, objektif kajian ini adalah (i) mengenal pasti tahap dan ciri-ciri resilien (daya tahan) penggiat seni sepanjang tempoh PKP termasuk PKPB, PKPP dan PKPD yang dikaji di negeri Sabah (ii) meneliti kepelbagaian strategi adaptasi yang dilakukan oleh pengiat seni persembahan dalam tempoh PKP (termasuk PKPB, PKPD dan PKPP) dalam konteks perubahan daripada amalan normal biasa kepada amalan normal baharu yang dilakukan oleh penggiat seni persembahan di negeri ini (iii) mencadangkan strategi semerta, jangka pendek, jangka sederhana dan jangka panjang yang boleh dilaksanakan dalam memperkasa penggiat seni persembahan dengan mengambil kira perubahan kepada amalan normal baharu dan budaya aplikasi digital pasca COVID-19. Kajian ini menggunakan pendekatan kuantitatif yang disokong oleh kaedah kualitatif. Kaedah kuantitatif melibatkan temu bual penggiat seni tari menggunakan borang soal selidik. Kajian fundamental ini dijangka dapat menyumbang dalam penyediaan pelan pengurusan risiko dan krisis penularan pandemik dan pembuatan polisis berkaitan dengan bidang seni tari. \u0000The COVID-19 pandemic in Malaysia which was first detected at the end of January 2020 has forced the government to implement the Movement Control Order (MCO) which was subsequently extended to conditional Movement Control Order (CMCO) and followed by the Recovery Movement Control Order (RMCO) starting 18 March 2020. Not only that, but the Enhanced Movement Control Order (EMCO) in some areas was also implemented. Considering that the experience of MCO is the first time for most residents and its long duration until it is found to have an impact on various sectors of the country’","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125804085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"INTEGRATING LITERATURE AND MUSIC FOR CLASSROOM TEACHING WITH AN INTERACTIVE STORY BOOK","authors":"Jinky Jane C Simeon, Jacqueline Pugh-Kitingan","doi":"10.51200/ga.v11i2.3581","DOIUrl":"https://doi.org/10.51200/ga.v11i2.3581","url":null,"abstract":"This paper focuses on the development of an interactive story book based on a Rungus children’s folk song (longoi tanganak). The book was developed to encourage children to express their ideas through storytelling, music and movement. This study aims to explore how an interactive book can be used in the music classroom and outlines ways in which music and movement can be integrated while reading a story. Field trips were conducted in Kudat and Pitas, Sabah to collect longoi tanganak from elderly Rungus singers recommended by village heads. Following that, a Sabah-based story was written and a song containing musical characteristics suitable for children’s singing activities were incorporated into the story. Finally, a survey was sent to 12 selected music teachers to answer the following questions: (1) What age group could use this storybook? (2) What genres of children’s literature do you use in your lessons? (3) How would you use this storybook in your music classroom? and (4) Why do you use children’s literature in your music lessons? In addition to that, two music teachers were selected from the pool of respondents and were video recorded teaching a music lesson that incorporated this story book. The results of this study revealed that children were highly engaged in the lesson, responding and actively participating in the reading of the story. This included vocal, movement and instrument exploration. Young children also learned extra skills in sign language and memorising words through the composed song, adapted from a Rungus longoi tanganak (children’s song). This product is an innovation that is suitable to be used as a teaching aid among preschool, kindergarten, and primary school children.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126619093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"SENIMAN VISUAL MALAYSIA: KEPUASAN KERJA, KOMITMEN DAN PRODUKTIVITI DALAM PROSES PENGHASILAN KARYA","authors":"Syed Alwi Syed Abu Bakar, Mohd Fawazie Arshad, Azian Tahir, Aznan Omar, Noor Enfendi Desa","doi":"10.51200/ga.v11i2.3574","DOIUrl":"https://doi.org/10.51200/ga.v11i2.3574","url":null,"abstract":"Menghasilkan karya seni adalah aktiviti utama seniman visual yang melibatkan budaya kerja seniman visual. Komitmen dan kepuasan kerja merupakan dua perkara yang mempengaruhi produktiviti seniman visual. Untuk meningkatkan produktiviti, seniman visual harus mempunyai perancangan yang baik dalam pengurusan sumber dan manusia. Walau bagaimanapun, adalah rumit bagi seniman visual kerana mereka tidak mengeluarkan hasil secara pukal, sebaliknya menghasilkan karya mengikut keperluan. Permasalahan utama kepada seniman visual adalah dari aspek pengurusan kerana mempengaruhi komitmen, kepuasan kerja dan produktiviti seniman visual. Oleh hal yang demikian, penyelidikan ini adalah untuk mengenal pasti komitmen dan kepuasan kerja seniman visual serta melihat hubungannya dengan produktiviti. Penyelidikan ini menggunakan kaedah penyelidikan temu bual, pemerhatian dan mengkaji dokuman-dokumen sedia ada. Dapatan menunjukkan seniman visual mempunyai komitmen dan kepuasan kerja yang tinggi namun kurang dari segi pengurusan yang mengakibatkan tahap produktiviti mereka manjadi kurang memuaskan. Justeru, seniman visual harus berani untuk berubah dan mengharungi cabaran yang lebih besar dengan menjadikan bidang seni visual ini sebagai satu industri yang mempunyai sistem pengurusan yang lebih efektif.\u0000 \u0000Visual artists' principal activity is to create artwork, which is important to their work culture. Commitment and job satisfaction are two characteristics that influence the output of visual artists. Visual artists should have a well-planned strategy for resource and human resource management in order to maximise production. However, more difficult for visual artists, as they do not generate work in mass, preferring to work on individual projects. Management is the key concern for visual artists, as it affects their commitment, job satisfaction, and productivity. As such, the goal of this study is to evaluate the dedication and job satisfaction of visual artists, as well as their relationship to production. Interviewing, observation, and a review of existing materials are used as research methodologies in this study. The findings indicate that visual artists exhibit a high degree of commitment and job satisfaction but a poor level of management, resulting in a decline in their level of production. Thus, visual artists must be willing to evolve and confront greater difficult issues by establishing a more effective management structure for the visual arts field.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132075028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE RECOGNITION OF ISLAMIC INFLUENCE FOR HALAL LOGO: A REVIEW","authors":"Nurul Wahidah Mahmud Zuhudi, Jasni Dolah","doi":"10.51200/ga.v11i2.3643","DOIUrl":"https://doi.org/10.51200/ga.v11i2.3643","url":null,"abstract":"The Islamic recognition and its influence are frequently associated with the features of the halal logo, which symbolize people’s trust and are thus primarily advantageous for consumers to prevent purchasing disputes and eliminate confusion during product selection. The study’s goal is to identify the impact of Islamic recognition, characters, and conceptions that are commonly seen and interpreted by consumers’ minds. The study’s content focuses on reviewing literature from the study context derived from sources of documentation and library, which has initiated deeper thinking and understanding on halal-related concerns within the society in Malaysia.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125873907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"JENIS-JENIS SENI KALIGRAFI ARAB SEBAGAI HIASAN DI MASJID-MASJID DAERAH DI SABAH","authors":"Saini Ag. Damit, Bambang Muhamad Rafadi Yusoff, Noorafini Kassim, Nor Ain Manap","doi":"10.51200/ga.v11i2.3575","DOIUrl":"https://doi.org/10.51200/ga.v11i2.3575","url":null,"abstract":"Seni kaligrafi Arab atau seni khat adalah khazanah tertua di dunia yang dimiliki oleh umat Islam. Sejarah telah membuktikan perkembangannya seiring dengan perkembangan tamadun Islam yang mempunyai kedudukan tinggi dan mulia berikutan hubung kaitnya dengan ayat al-Quran. Masyarakat Islam di Sabah masih kurang mengetahui jenis-jenis seni kaligrafi Arab yang menghiasi masjid-masjid di negeri ini. Justeru, kajian ini dijalankan bertujuan untuk mengenal pasti jenis-jenis kaligrafi Arab yang menghiasi masjid-masjid daerah di Sabah. Kajian lapangan dijalankan seperti mengunjungi masjid-masjid dan mengambil gambar seni kaligrafi Arab menggunakan kamera yang kemudiannya dianalisis secara kualitatif dan kuantitatif. Sebanyak 17 buah masjid daerah yang telah dikaji. Antara jenis-jenis kaligrafi atau khat utama yang dikenal pasti dalam masjid-masjid tersebut ialah Khat Thuluth (94.1 peratus), Khat Nasakh (5.8 peratus), Khat Dīwānī (5.8%) dan Khat Kūfī (5.8 peratus). Selain itu, terdapat juga khat tambahan seperti khat Ruq‘ah/Riq‘ah dan Khat Fārisī. Hasil kajian ini berjaya mencapai objektif yang dinyatakan dan pengetahuan jenis-jenis kaligrafi yang diperoleh dapat memberikan kefahaman yang lebih mendalam kepada masyarakat Islam di Sabah. \u0000  \u0000Arabic calligraphy or khat is the oldest treasure in the Muslim world. History has proven its development in line with the rise of noble Islamic civilization due to its relationship with the verses of the Quran. However, there is a lack of awareness in the Muslim community of Sabah regarding the types of Arabic calligraphy that adorn the mosques in the state. The purpose of this study was to identify the types of Arabic calligraphy in selected regional mosques in Sabah. Among the field studies that were carried out include observing Arabic calligraphy in the selected mosques and recording them in the form of photographs which were later analyzed qualitatively and quantitatively. A total of 17 regional mosques have been observed for the study. Among the main types of Arabic calligraphy or khat identified in these mosques were Khat Thuluth (94.1 per cent), Khat Nasakh (5.8 per cent), Khat Dīwānī (5.8 per cent) and Khat Kūfī (5.8 per cent). Furthermore, there are also additional calligraphy types such as Khat Ruq‘ah/Riq‘ah and Khat Fārisī. The outcome of this study succeeded in achieving the stated objective, hence, the knowledge regarding the types of calligraphy observed can provide a deeper understanding of khat to the Muslim community in Sabah.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133693303","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“SILK SHADOWS SPEAK:” PERFORMING THE VOICES OF CHILDREN THROUGH WAYANG KULIT AND HERITAGE FOLKTALES","authors":"M. Backer","doi":"10.51200/ga.v11i2.3335","DOIUrl":"https://doi.org/10.51200/ga.v11i2.3335","url":null,"abstract":"There is extensive literature on drama and theatre in education regarding the role, value and benefits of performative tools to enhance learning, stimulating creativity and cognitive of children. However, while there is a substantial and well-evidenced body of literature in this area, there are few studies that present the voices of those directly affected by these claims; the children involved as participants in these studies or research projects, especially in Malaysia. This article deals with a fundamental research grant funded by the Ministry of Higher Education of Malaysia carried out from January 2018 until December 2019. The research project involves six primary schools in the northern states of Malaysia; Penang, Kedah and Perlis. “Silk Shadows Speak” is an action research project that explores Wayang Kulit (shadow play) as a performative art in an attempt to portray that it is able to engage children with heritage folktales in critical and creative ways. The importance of folktales as an integral element of a child’s holistic development is an area that has received significant attention within the academic world (Kaveny, 2015; Normaliza, 2014; Nurul Fiza & Nor Azan, 2010; Zipes, 1997). The concern of the project was finding children’s voices; their thoughts and reactions towards heritage folktales in their everyday lives. The research project aimed at children’s participation in appropriating Wayang Kulit to make and communicate meaning through storytelling, interpretation and creation of characters, puppetry, sounds, textures and gestures.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133145201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KEARIFAN TRADISI ADIGURU DALAM PENGHASILAN TEMBIKAR KURON DI SABAH","authors":"Nurul Aisyah Othman, Salbiah Kindoyop, Humin Jusilin","doi":"10.51200/ga.v11i2.3637","DOIUrl":"https://doi.org/10.51200/ga.v11i2.3637","url":null,"abstract":"Tembikar kuron dihasilkan oleh masyarakat Kadazandusun di Sabah tetapi hanya aktif dihasilkan oleh etnik Dusun Tindal yang tinggal di Kampung Malangkap Kapa, Kota Belud pada hari ini. Etnik Dusun Tindal menghasilkan tembikar kuron melalui kearifan tradisi yang dimanipulasikan untuk mencipta barang keperluan harian daripada medium tanah liat. Kearifan tradisi ini telah diwarisi diwarisi sejak turun-temurun secara tradisi lisan dari segi proses penghasilan, teknik, motif, bahan dan teknik pembakaran kuron. Tembikar kuron yang dihasilkan mempunyai fungsi yang sinonim dengan aktiviti harian etnik Dusun Tindal, sebagai alat memasak, peralatan mengangkut dan menyimpan barangan harian. Oleh itu, penghasilan tembikar kuron dipercayai kerana tuntutan keperluan hidup dan kearifan mereka sejak turun-temurun. Kajian ini akan memfokuskan kearifan tradisi penghasilan tembikar kuron oleh adiguru Puan Kantiam binti Setan yang merupakan anak kepada mendiang Adiguru Somotoi binti Lugu, iaitu seorang tokoh kraf etnik tembikar tradisional kuron. \u0000  \u0000Kuron pottery is made by the Kadazandusun people in Sabah, however it is currently only actively made by the Dusun Tindal ethnic group, who dwell in Kampung Malangkap Kapa, Kota Belud. The Dusun Tindal ethnic group crafts kuron pottery using traditional knowledge that is utilised to manufacture daily necessities out of clay. The wisdom of this heritage has been passed down orally from generation to generation in terms of manufacturing procedures, techniques, motives, materials, and kuron burning techniques. Kuron pottery is connected with the Dusun Tindal ethnic group’s daily activities, serving as cooking tools, equipment for transporting and storing daily things. As a result, the manufacture of kuron pottery is thought to be a result of the demands of their living necessities and wisdom passed down from generation to generation. The knowledge of the heritage of manufacturing kuron pottery by adiguru Puan Kantiam binti Setan, the  daughter of the late Adiguru Somotoi binti Lugu, a traditional kuron ceramic ethnic craft figure, will be the emphasis of this study. ","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115279557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ANALYSIS OF THE EXISTING HEALTHCARE SIGNAGES FOR THE ELDERLY IN KOTA KINABALU: FOR EFFECTIVE HEALTHCARE SIGNAGES","authors":"Chou En-I, Mohamad Puad bin Bebit","doi":"10.51200/ga.v11i2.3571","DOIUrl":"https://doi.org/10.51200/ga.v11i2.3571","url":null,"abstract":"Signage is a kind of graphic design, which can be in the form of symbols and words, especially for conveying directions or warning information. Malaysia will become an ageing country by year 2030. The difference between ageing and diseases lies in its ubiquity. Diseases may be deterred, cured and removed but ageing is a natural process that everyone goes through. It can not be avoided by anyone. As people age, they succumb more easily to illness and diseases. Therefore, the elderly tend to go to hospitals more often than other age groups. Hospitals have a complex setting and environment which may cause confusion for visitors with a 30 to 40 per cent rate of visitors getting lost. At present, Malaysia has carried out a large number of research related to the elderly but the information related to the use of healthcare signage in Kota Kinabalu and the perception of the elderly is limited, so it will be very important to study ways to improve the level of healthcare signage. This paper discusses the physiological characteristics of the elderly by consulting existing literatures, provides suggestions to improve the designs causing an effective display of healthcare signage and also analyses the existing healthcare signage in Kota Kinabalu. The data collection qualitative research method used in this study is walk-through observation and semi-structured interviews from the main, public and private, hospitals in Kota Kinabalu, Malaysia. Making it helpful to upgrade the existing construction of healthcare way-finding signage for the elderly and help the elderly to obtain safe, smooth and independent medical services.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127150382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}