Jurnal Gendang Alam (GA)最新文献

{"title":"CERITA RAKYAT, TRANS-LOKALITI DAN PEMBINAAN NILAI SOSIAL OLEH KANAK-KANAK","authors":"Mumtaz Begum, Aboo Backer","doi":"10.51200/ga.v13i1.4407","DOIUrl":"https://doi.org/10.51200/ga.v13i1.4407","url":null,"abstract":"Sejauh manakah kepentingan cerita rakyat dan warisan seni persembahan dalam menyampaikan nilai budaya dan sosial sesebuah masyarakat kepada kanak-kanak? Sejak dahulu lagi, pandangan dunia kanak-kanak (worldview) sebahagian besarnya dibentuk oleh cerita rakyat yang membawa nilai sosial, kepercayaan dan falsafah yang unik kepada rakyat dan komuniti sesebuah negara. Dalam konteks translokaliti, kajian ini akan membincangkan dua cerita rakyat popular yang dikongsi dalam kalangan masyarakat di Kepulauan Melayu, terutamanya, Indonesia dan Malaysia, \"Bawang Merah Bawang Putih \" dan kisah anak derhaka yang dikenali sebagai \"Si Tanggang\" di Malaysia atau “Malin Kundang” di Indonesia. Kajian ini akan melihat; i) persamaan dan perbezaan dalam pembinaan cerita ini, ii) nilai moral yang dikongsi di kalangan masyarakat di Kepulauan Melayu yang disebarkan melalui cerita rakyat dan iii) bagaimana nilai moral yang dikongsikan ini mampu memberi kesan positif kepada kanak-kanak Malaysia yang terdedah kepada cerita-cerita ini. Kajian ini berpendapat bahawa cerita rakyat yang berbeza budaya dengan kanak-kanak tidak menjadi masalah bagi mereka untuk membina nilai sosial yang berkaitan dengan masyarakat dan persekitaran kontemporari mereka. Kertas ini juga menunjukkan bahawa dengan mempersembahkan kanak-kanak sebagai pelakon dan pencerita melalui platform seni persembahan secara amnya dan Wayang Kulit, khususnya, mereka bukan sahaja dapat mempersembahkan pemahaman yang lebih baik tentang nilai sosial daripada versi cerita yang berbeza ini tetapi juga dapat mengkontekstualisasikan semula nilai ini dalam kehidupan seharian mereka. Hasilnya, mereka memperoleh kemahiran dan pemahaman baharu dalam membina nilai sosial baharu sambil mewujudkan hubungan analogi antara situasi trans-lokal yang dibayangkan dalam cerita rakyat ini serta realiti hidup mereka. \u0000Kata kunci: cerita rakyat, kanak-kanak, translokaliti, nilai sosial \u0000  \u0000ABSTRACT \u0000What role do folklore and performing arts play in teaching children a society's cultural and social values? Since time immemorial, children's worldviews (worldviews) have been primarily shaped by folk tales, which impart distinctive social values, beliefs, and philosophies to a country's people and communities. In the context of translocality, this study will examine two popular folk tales shared by the Malay Islands, particularly Indonesia and Malaysia: \"Bawang Merah Bawang Putih\" and the tale of the rebellious child known as \"Si Tanggang\" in Malaysia or \"Malin Kundang\" in Indonesia. This study will examine i) similarities and differences in the construction of this story, ii) shared moral values among the Malay Islands community that are spread through folk tales, and iii) how these shared moral values can have a positive effect on Malaysian children who are exposed to this story. This study contends that children's exposure to culturally diverse folklore does not hinder their ability to develop social values related to their contemporary so","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132905122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PENGGUNAAN “M DOH” DALAM MEMBANTU MURID MENGHASILKAN CORAK PUALAMAN YANG JELAS DAN MENARIK","authors":"Yek Rong Ing, Humin Jusilin, Zaimie Sahibil","doi":"10.51200/ga.v13i1.4406","DOIUrl":"https://doi.org/10.51200/ga.v13i1.4406","url":null,"abstract":"Penyelidikan tindakan yang dijalankan ini adalah untuk mengkaji sama ada penggunaan “M Doh” dalam membantu murid Tahun 4 menghasilkan corak pualaman yang jelas dan menarik yang serupa dengan batu marmar. Seramai 3 orang murid di sebuah sekolah jenis kebangsaan daerah Miri, Sarawak telah dijadikan sebagai responden penyelidikan tindakan ini. Konsep bermain sambil belajar turut diaplikasikan dalam pengajaran dan pembelajaran aktiviti pualaman dengan menggunakan “M Doh” supaya murid mudah mengenal unsur seni dan meningkatkan minat mereka. Kajian ini dijalankan berdasarkan kaedah kualitatif dengan menggunakan instrumen pemerhatian, senarai semak, rakaman video dan temu bual untuk mengumpul data yang berkaitan dan kemudian dianalisis untuk mengesahkan keberkesanan pengguanaan “M Doh”. Instrumen ujian diagnostik dan analisis dokumen dipilih adalah untuk mendapatkan data dalam kajian ini manakala pemerhatian dan temu bual adalah untuk mengukuhkan lagi dapatan kajian yang didapati. Semua data dan maklumat telah dikumpul, dianalisis dan dipersembahkan dalam bentuk jadual. Hasil karya menunjukkan berbeza yang ketara sebelum dan selepas menjalani rawatan. Dapatkan kajian mendapati hasil pualaman adalah lebih cantik dan menarik selepas menjalani rawatan. \u0000Kata kunci: corak pualaman, minat murid, pendekatan “M Doh”, pembelajaran seni \u0000  \u0000ABSTRACT \u0000This action research was conducted to examine whether the use of M Doh in helping Year 4 students produces a clear and attractive marbling pattern similar to marble. A total of 3 students in a national type school in Miri district, Sarawak were made as respondents for this action research. The concept of playing while learning is also applied in teaching and learning activities using M Doh so that students can easily recognize the elements of art and increase their interest. This study was conducted based on qualitative methods by using observation instruments, checklists, video recordings, and interviews to collect relevant data and then analyzed to confirm the effectiveness of the use of \"M Doh\". Diagnostic test instruments and document analysis were selected to obtain data in this study, while observation was to further strengthen the findings of the study. All data and information have been collected, analyzed, and presented in tabular form. The results of the work show a significant difference before and after undergoing treatment. Get a study to find that the results of whitening are more beautiful and attractive after undergoing treatment. \u0000Keywords:  marbling pattern, student interest, “M Doh Approach”, art learning","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"92 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126544853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"DESIGNING A HOSPITAL SIGNAGE GUIDANCE SYSTEM USING ENVIRONMENTAL DESIGN ELEMENTS","authors":"J. Dolah, Cao YeeFang, L. Lee, Shiau Gee","doi":"10.51200/ga.v13i1.4391","DOIUrl":"https://doi.org/10.51200/ga.v13i1.4391","url":null,"abstract":"This project analyses hospital signage and navigation systems utilising the collaborative design. It's a new \"human-centered\" design theory. Community design provides equal, safe, and easy access to the medical environment for all, especially for hospital patients with special needs. In medical facilities, the communal design lets us build passenger flow-directing systems and better signs and guides. Design thinking drives medical signage and counseling. Second, it provides a framework for constructing medical institution signage and orientation systems based on audience needs, signage placement, and environmental design. Applying this design theory and approach to medical institution signs and guiding systems increases audience, sign recognition, patient guidance, treatment flow optimisation, and efficiency. A case study examined the Second People's Hospital of Henan Province's signage and guiding system, patients' physiological and psychological qualities, and their needs and expectations. This project studies and implements signage and guidance system design guidelines. This new initiative aims to encourage researchers and professionals to utilise the common design and present more effective design examples.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124872023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TEACHING THE SHENYUN DANCE TECHNIQUE: A STUDY ON UNIVERSITI SAINS MALAYSIA STUDENTS","authors":"Xiaochen Jing, Nurazleena Ramli","doi":"10.51200/ga.v13i1.4390","DOIUrl":"https://doi.org/10.51200/ga.v13i1.4390","url":null,"abstract":"Chinese dance is a culturally rich and popular art form worldwide. However, its teaching needs to be improved in Malaysia, despite its multicultural population and significant Chinese community. In the last century, ShenYun technique emerged as one of the primary schools that have been used in teaching Chinese classical dance to ensure its form and type standardization. Nevertheless, there have yet to be any attempts to teach Chinese classical dance overseas using the original teaching materials of the ShenYun technique. This paper focuses on measuring the effectiveness of teaching ShenYun dance technique to international students. 22 students from Universiti Sains Malaysia and various cultural backgrounds were selected to learn the ShenYun dance technique for 12 sessions. The evaluation of the student's learning outcomes involved multiple methods. Post-class questionnaires were given to students after every class, and a final questionnaire was given at the end of the course. Local dance experts assessed the students' progress by observing a live performance, while Chinese dance experts evaluated a video recording of the final performance. The data obtained from students were analyzed using frequency, percentage, mean, and standard deviation to determine the participants' understanding level. At the same time, the data collected from experts was used to evaluate the learning outcomes. According to the study's findings, the 12 sessions of ShenYun dance technique is an effective instructional resource for international students.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125200817","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PANDEMIK COVID-19: ISU DAN IMPAK TERHADAP PENGGIAT SENI TARI DI NEGERI MELAKA","authors":"Novriadi Jamalus, Azrul Azizi Amirrul","doi":"10.51200/ga.v13i1.4383","DOIUrl":"https://doi.org/10.51200/ga.v13i1.4383","url":null,"abstract":"COVID-19 telah menjadi masalah sejagat yang masih tiada penghujungnya dan memberi kesan yang amat besar kepada ekonomi, sosial dan budaya, terutamanya terhadap aktiviti kesenian dan persembahan yang diterajui oleh penggiat seni di tanah air. Justeru, fokus kajian ini bertujuan untuk mengenal pasti isu yang diharungi serta impak yang diterima oleh skop kumpulan sasar penggiat seni tari di negeri Melaka dalam menghadapi dilema dan cabaran kerjaya mereka semasa tempoh pandemik. Hal ini demikian kerana penggiat seni tari merupakan salah satu elemen stakeholder yang penting dalam negeri Melaka yang sinonim dan terkenal dengan aktiviti pelancongan budaya. Kaedah kajian secara pendekatan kualitatif iaitu dengan melaksanakan temu bual separa berstruktur dan rujukan data sekunder melalui bahan ilmiah seperti artikel jurnal, surat khabar dalam talian, informasi portal organisasi serta memperoleh rekod data statistik daripada organisasi kerajaan menjadi sumber utama kajian dalam menghuraikan objektif secara relevan. Hasil kajian mendapati Pelaksanaan Perintah Kawalan Pergerakan (PKP) dengan pelbagai Standard Operating Procedure (SOP) yang diselaras dan ditetapkan dari semasa ke semasa oleh kerajaan memberi impak yang amat besar kepada penggiat seni tari di negeri Melaka terutamanya kepada pendapatan, kesihatan mental, emosi dan fizikal, malah mereka telah melakukan pelbagai usaha seperti eksplorasi terhadap penguasaan media sosial dan digitalisasi dalam melestarikan seni tarian di negeri Melaka semasa tempoh pandemik.\u0000Kata kunci: COVID-19, pandemik, isu dan impak, penggiat seni tari, negeri Melaka.\u0000 \u0000ABSTRACT\u0000COVID-19 has become a universal problem that still has no end and has a significant impact on the economy, society, and culture, especially on artistic activities and performances led by artists in the homeland. This research aims to better understand the difficulties encountered by dance artists in the state of Melaka during the pandemic and the effects that this has had on their careers. This is because dance artists constitute an important stakeholder group in Melaka, synonymous with and renowned for its cultural tourist activities. Conducting structured interviews, referencing secondary data from scholarly sources like journal articles, online newspapers, and organisation information portals, and obtaining statistical data records from government organisations as the primary source of research are all examples of the qualitative approach to describing the objectives in a relevant manner. Additionally, the current outcomes of implementing the Movement Control Order (MCO) with different Standard Operating Procedures (SOP), which are coordinated and set from time to time by the government, have a significant impact on the dance movement in the state of Melaka, particularly with regards to the study of income, mental health, emotions, and physical health. During the epidemic phase, numerous efforts were made to preserve the art of dance in Melaka, such","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126953939","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE EVOLUTION OF GAMBUS: TRADITIONAL TO MODERN","authors":"Muhammad Asyraf, M. Bakri, Kamal Sabran","doi":"10.51200/ga.v13i1.4382","DOIUrl":"https://doi.org/10.51200/ga.v13i1.4382","url":null,"abstract":"Gambus is supposed to have evolved from an Arabic musical instrument called Oud, which means wood; flexible branches or stalks; often referred to as a piece of wood. The Malay Peninsula, comprised of Malaysia, Brunei, Indonesia, and Singapore, is home to the lute-related term gambus. Gambus Hadramauth (Johor Gambus), Hadhrami Gambus (Malaysian Gambus), and Contemporary Gambus are the traditional varieties of Gambus in Malaysia. Gambus, which is renowned for producing music that warms and soothes the spirit, is truly accessible to people of all races and genders. Consequently, the purpose of this study is to follow the evolution of gambus in Malaysia. There are two objectives of the study, which are to study the development of gambus in terms of its physical structure, and then to identify the evolution of gambus from the perspective of its performance practice and repertoire. The research strategy involves qualitative descriptive techniques, in which data is collected through library procedures, analysed depending on the stated problem, and then the findings of the analysis are reported in writing. This study's data comes from scholarly books, theses, and periodicals. According to the findings of the researcher, the performance of gambus is significant to Malays and Muslims; even this musical instrument is viewed as a source of money for performers and producers. In addition, gambus musical instruments are more popular for entertainment purposes and are accepted and relevant to society.\u0000Keywords: Gambus, Oud, traditional musical instrument, evolution, achievement.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114419351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"‘PLAY AND PLAYING’- CROSS-READING THE EAST-COAST BAJAU’S RITUAL PERFORMANCES AS A TRADITIONAL THEATER PERFORMANCE","authors":"Sharifuddin Zainal, Mohd Kipli, Alfi Rahman, Esterlina Moo, Chin Len Lazarus, Muhamed Syafiq Salleh, Amsalib Pisalie, Mohamad Nor, Hisyam Musa","doi":"10.51200/ga.v13i1.4378","DOIUrl":"https://doi.org/10.51200/ga.v13i1.4378","url":null,"abstract":"The East-Coast Bajau ethnic group is clustered into the Bajau Laut ethnic division. Having a sea centered belief, the spirits of ancestor (Keombo’an) and the spirits of nature - these formerly pagan ethnic groups have achieved a syncretism of beliefs since the emergence of Islam. These changes in beliefs have been a factor in the occurrence of liminal processes; in their practice and beliefs of the sacred traditional healing ritual performances to the more secular form of traditional theater. The terms of 'play and playing' is a familiar term and a common practice of the traditional theater performances in which instead of acting, the performers play the role in accordance with its spontaneous and improvisational features. The playing skills of the traditional theater players (instead of performers) are always tested with their ability to develop performances based only on a given storyline. The elements of ‘play and playing’ are also an important part to the performance structure of the Bajau Laut’s healing ritual, most of which consist of secular elements in the ritual performances. The ‘play and playing’ element in the ritual performance is seen as the aesthetic potential of the Sabah’s indigenous traditional theater. This paper aims to synthesize the liminal performance of the Bajau’s traditional ritual as a traditional theater performance text. Through the cross-reading towards ‘Victor Turner’s-ritual theory’ and ‘Richard Schechner-performance theory’, the discourse analysis on the elements of ‘play and playing’ was carried out to obtain and to unfold the traditional theatrical features of the Bajau.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129954395","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TAHAP KEFAHAMAN MAKNA SIMBOLIK PERMAINAN KERCANG DALAM KALANGAN REMAJA ORANG ASLI SUKU KAUM JAKUN","authors":"N. Sabrina, Zainudin, Mohamad Suhaizi Suhaimi, Jabatan Bahasa Melayu, Kulliyyah Bahasa, Dan Pengurusan","doi":"10.51200/ga.v13i1.4376","DOIUrl":"https://doi.org/10.51200/ga.v13i1.4376","url":null,"abstract":"Arus pemodenan telah memberi kesan yang mendalam terhadap permainan tradisional sesebuah masyarakat sama ada Melayu, Cina, India serta masyarakat Orang Asli. Oleh yang demikian, pengkaji melakukan sebuah kajian yang bertujuan untuk mengenal pasti makna simbolik permainan kercang masyarakat Orang Asli suku kaum Jakun dan menganalisis tahap kefahaman para remaja mereka terhadap makna simbolik permainan tersebut. Kajian ini dilakukan di Kampung Sentosa, Lenga dan pengkaji membataskan responden kepada sepuluh orang sahaja. Kajian ini menggunakan pendekatan kualitatif untuk menjalankan kajian ini dan kaedah temu bual, kaedah pemerhatian dan kaedah kepustakaan telah digunakan untuk mendapatkan data berkaitan objektif. Berdasarkan pengaplikasian kaedah-kaedah tersebut, dapatan kajian telah menunjukkan bahawa kercang mempunyai enam jenis iaitu Kercang Pasung, Kercang Kahwin, Kercang Tipah Tertipu, Kercang Wau, Kercang Gunting dan Kercang Dua Lubang. Hasil dapatan juga mendapati bahawa seramai tujuh orang remaja tidak memahami makna simbolik bagi kercang pasung dan empat orang remaja tidak mempunyai kefahaman tentang makna simbolik kercang kahwin. Oleh itu, hasil akhir kajian ini merumuskan bahawa para remaja suku kaum Jakun tidak mempunyai kefahaman yang baik tentang makna simbolik permainan tradisional mereka. \u0000The current of modernization has had a profound effect on the traditional games of the Malay, Chinese, Indian and Orang Asli community. Therefore, the researcher conducted a study that aims to identify the symbolic meaning of the game of keracang of the Jakun tribe's Orang Asli community and analyze the level of understanding of the Jakun tribe's Orang Asli youth on the symbolic meaning of the game of kercang. This study was conducted in Kampung Sentosa, Lenga and the researcher limited the respondents to ten people only. This study uses qualitative approaches to conduct this study and interview methods, observation methods and library methods have been used to obtain objective related data. Based on the application of these methods, the study's findings have shown that there are six types of kercang, namely Kercang Pasung, Kercang Kahwin, Kercang Tipah Tertipu, Kercang Wau, Kercang Gunting and Kercang Dua Lubang. The findings also found that a total of seven teenagers did not understand the symbolic meaning of kercang pasung and four teenagers did not have an understanding of the symbolic meaning of kercang kahwin. Therefore, the final results of this study conclude that the teenagers of the Jakun tribe do not have good knowledge of the symbolic meaning of their traditional games.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128677309","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"SLOT AKASIA: TELENOVELA PENDEK - ‘CINDERELLA MYTH’ SEBAGAI INDEKS FENOMENA (2018-2021)","authors":"Ayu Haswida, Abu Bakar","doi":"10.51200/ga.v13i1.4381","DOIUrl":"https://doi.org/10.51200/ga.v13i1.4381","url":null,"abstract":"Slot Akasia adalah salah satu slot drama bersiri di TV3. Slot Akasia mengangkat pencirian cinta sebagai plot utama baik dari adaptasi novel mahupun cerita asal, sebagai syarat atau DNA slot. Untuk kajian ini drama bersiri di slot Akasia ditermakan sebagai telenovela pendek merujuk kepada konsep telenovela yang berpenciriankan naratif percintaan. Majoriti telenovela pendek yang disiarkan melalui slot ini akan menjadi telenovela pendek fenomena semasa yang didefinisikan melalui pencirian jumlah penontonan melebihi 10 juta. Menurut pada pengkaji telenovela, faktor utama yang menyumbang kepada sambutan ini adalah konsep cerita Cinderella Myth. Sungguhpun begitu, ada berpendapat bahawa telenovela perlu bersifat kehidupan seharian, realism dan berfungsi sebagai ‘a mirror of reality.’ Persoalan kajian yang akan dibincangkan, sejauhmana konsep Cinderella Myth ini digunapakai sebagai penggerak cerita dan menjadi penyumbang kepada fenomena semasa? Kajian ini menggunakan pendekatan kualitatif bersifat kajian analisis kandungan. Fokus kajian adalah drama bersiri yang disiarkan di Slot Akasia sekitar 2018-2021 yang mempunyai jumlah penontonan 10 juta dan ke atas. Jangan Benci Cintaku (2018), Pujaan Hati Kanda (2018), Bukan Gadis Biasa (2020) 7 Hari Mencintaimu 2 (2020) dan Sabarlah Duhai Hati (2021). Hasil kajian yang diperolehi dari lima telenovela pendek yang menjadi fenomena sekira 2018 hingga 2021, hanya dua sahaja yang menepati pencirian Cinderella Myth. \u0000  \u0000Kata kunci: Slot Akasia, Cinderella Myth, Telenovela, TV3, televisyen. \u0000  \u0000ABSTRACT \u0000Slot Akasia is one of the serial drama slots on TV3. Akasia slot elevates the characterization of love as the main plot of either from a novel adaptation or an original story, as a condition or DNA of the slot. For this study the serial drama in Akasia slot is termed as a short telenovela, referring to the concept of telenovela characterized by romance narrative. The majority of short telenovelas aired through this slot will be short telenovelas of current phenomena defined through the characterization of total viewership in excess of 10 million. According to telenovela researchers, the main factor contributing to this celebration is the concept of the Cinderella Myth story. Even so, some argue that telenovelas should be everyday life, realism and function as ‘a mirror of reality.’ The research question to be discussed is, to what extent is the concept of Cinderella Myth used as a story driven and contributes which triggers a phenomenal? This study uses a qualitative approach of content analysis study. The focus of the study is a serial drama aired on Akasia Slots of 2018-2021 which has a total viewership of 10 million and above. Jangan Benci Cintaku (2018), Pujaan Hati Kanda (2018), Bukan Gadis Biasa (2020) 7 Hari Mencintaimu 2 (2020) and Sabarlah Duhai Hati (2021). The results of the study obtained, from these five short telenovelas that became a phenomenal from 2018 to 2021, only two fit the characteristics of Cin","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"120 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128078386","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ELEMEN PENYOKONG PERSEMBAHAN TARIAN SAYAU MOGINUM, DUSUN TATANA, KUALA PENYU, SABAH","authors":"Sri Ningsih Sukirman, Patricia Jipoh","doi":"10.51200/ga.v12i2.4286","DOIUrl":"https://doi.org/10.51200/ga.v12i2.4286","url":null,"abstract":"Sayau Moginum merupakan tarian suku kaum Dusun Tatana. Suku kaum Dusun Tatana dikatakan berasal dari tanah Mongolia dan Yunan, China pada abad ke-12 dan ke-13 (Wallace, 1983). Dusun Tatana atau lazimnya disebut sebagai ‘Tatana’ juga merupakan salah satu daripada 79 sub etnik Kadazan Dusun di Sabah. Majoriti suku kaum Dusun Tatana menetap di daerah Kuala Penyu yang terletak di bahagian pedalaman negeri Sabah dan menuturkan bahasa Dusun Tatana. Daerah Kuala Penyu terletak di kawasan barat daya negeri Sabah dan menghadap ke arah Laut Cina Selatan di sebelah barat (Joison Romut, Denis J. Sadinag & Flora Iban, 2016). Bagi melengkapkan sebuah tarian, elemen tambahan seperti pakaian, aksesori, muzik, props dan ekspresi wajah harus ada bagi menyampaikan sesuatu persembahan kepada penonton. \u0000  \u0000Sayau Moginum’ dance is a tribal dance of Dusun Tatana. The arrival of the Dusun Tatana tribes is said to have originated from the lands of Mongolia and Yunan, China in the 12th and 13th centuries (Wallace, 1983). Dusun Tatana or commonly referred to as ‘Tatana’ is also one of the 79 Kadazan Dusun subethnic groups in Sabah. The majority of Dusun Tatana live in the Kuala Penyu district which is located in the interior of Sabah and they speak the language of Dusun Tatana. Kuala Penyu district is located in the southwestern part of Sabah and faces the South China Sea to the west (Joison Romut, Denis J. Sadinag & Flora Iban, 2016). To complete a dance must have additional elements such as clothes, accessories, music, props and facial expressions to convey a presentation to the audience.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132019761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}