Jurnal Gendang Alam (GA)最新文献

{"title":"TUALA WANITA SEBAGAI INOVASI SOSIAL TERHADAP KEPERCAYAAN AMALAN TRADISI KETIKA DATANG BULAN DI KALANGAN MASYARAKAT DI PEDALAMAN INDIA: PADMAN (2018)","authors":"Cut Fadillah binti T Yovie, Ayu Haswida bt Abu Bakar","doi":"10.51200/ga.vi.2733","DOIUrl":"https://doi.org/10.51200/ga.vi.2733","url":null,"abstract":"Fokus kajian adalah berkenaan fungsi tuala wanita yang dicipta oleh Lakshmi sebagai mekanisme inovasi sosial di kalangan wanita dan masyarakat pedalaman di India dalam filem PadMan (2018). Penciptaan tuala wanita oleh Lakshmi, suami kepada Gayatri adalah sebagai langkah penyelesaian masalah dan untuk menggubah persepsi masyarakat setempat khususnya kaum wanita dalam aspek penjagaan kebersihan dan kesihatan ketika haid. Kajian ini  menggunakan kaedah kualitatif yang bersifat analisis tekstual naratif filem (PadMan 2018) melalui pendekatan inovasi sosial. Melalui hasil kajian, inovasi sosial ciptaan Lakshmi ini bersifat sebagai agen penolakan dan menyumbang kepada unsur negatif. Inovasi sosial ini bertindak sebagai unsur penentangan dari objektif utama fungsi inovasi sosial yang dikatakan oleh para sarjana Justeru, ia berfungsi sebagai elemen penentangan terhadap amalan dan kepercayaan tradisi dan agama di situ. Produk ini mengaibkan dan menjatuhkan maruah keluarga Lakshmi sendiri. Inovasi sosial ini turut dianggap sebagai unsur kejahatan yang mencabar agama, adat dan kepercayaan tradisi yang sudah lama diamalkan. Ironinya, pada masyarakat luar: daerah perkampungan lain dan bandar, inovasi sosial ini mencapai objektif yang dikehendaki.   The discussion offers in this paper draws on the innovation of female pad by Lakshmi, as an element of social innovation mechanism among the rural women dan society in India, in PadMan (2018). The invention of a female towel by Laksmi, a husband of Gayatri function as the innovation of solution and the element of change to his society and especially to the women community in his village. However, this perception serves as an element of opposition to their traditional practice and also the religious belief of the society. This study uses the textual analysis approach through the concept of social innovation. Findings of the study shows that Lakshmi’s social innovation fails to achieved its function defined bythe scholar. Yet it serves as negative elements to his family and his communinity. The action brought shame upon his family and he is labelled as a bad energy to the society. Ironically, to the others: those in the city and urban areas, his innovation serves as a positive element. Thus, it is an innovation that could lead society to a better life andhygiene. Hence, he is considering as a saviour or a hero.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127904535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LANSARAN ETNIK MURUT TAHOL: PERMAINAN ATAU TARIAN TRADISIONAL?","authors":"Toh Min Min, Low Kok On","doi":"10.51200/ga.vi.3283","DOIUrl":"https://doi.org/10.51200/ga.vi.3283","url":null,"abstract":"Lansaran ialah salah satu persembahan tradisional etnik Murut Tahol yang tinggal di pedalaman Sabah. Kajian ini bertujuan menyelesaikan permasalahan sama ada lansaran ialah sejenis permainan ataupun tarian. Bagi mengumpul data kajian, pengkaji telah menjalankan kerja lapangan di daerah Kota Kinabalu, Tenom dan Nabawan. Kaedah pengumpulan data yang digunakan ialah kaedah temu bual, pemerhatian dan kajian perpustakaan. Analisis yang dilakukan terhadap data kajian adalah berasaskan interpretasi dan perbandingan antara ciri-ciri permainan tradisional dan ciri-ciri tarian. Kajian ini telah menyelesaikan permasalahan dalam kalangan pengkaji tarian, yang tidak pasti sama ada lansaran ialah sejenis permainan ataupun tarian. Hasil analisis mendapati etnik Murut Tahol mempunyai tiga jenis lansaran, iaitu pada asalnya lansaran ialah sejenis permainan kanak-kanak. Pada zaman mengayau pula, lansaran ialah sejenis tarian ritual. Akhir sekali, lansaran jenis olahan didapati adalah sejenis tarian sekular. \u0000Lansaran is one of the traditional performances of the Tahol Murut reside in the interior of Sabah. The aim of this research is to address the research problem related to whether is lansaran a type of traditional game or dance. Field trips have been conducted in the districts of Kota Kinabalu, Tenom and Nabawan to collect data. The methods employed in collecting data are interviews, observations and library research. Interpretation and comparison between the characteristic of traditional games and dance have been used in analyzing the research data. More importantly, this research has addressed the research question on whether lansaran is a type of traditional game or dance. The analysis found that there are three types of lansaran of the Tahol Murut. Originally, lansaran was a type of children game. In the era of head-hunting, it was a ritual dance. Finally, the newly adapted lansaran is a type of secular dance.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117228577","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PENDEKATAN “IMAGINASI” DALAM THE SYSTEM STANISLAVSKI MEMBINA DAYA KREATIVITI MURID: KES KALANGAN MURID SEKOLAH MENENGAH DI KEDAH","authors":"Mohd Amir Mohd Zahari, Rohizani Yaakub, Azrul Azizi Amirul, Norazimah Zakaria, Anida Sarudin ","doi":"10.51200/ga.vi.2757","DOIUrl":"https://doi.org/10.51200/ga.vi.2757","url":null,"abstract":"Kajian ini bertujuan untuk mengkaji salah satu sistem teknik The System, iaitu imaginasi yang telah diperkenalkan oleh Stanislavski. Teknik imaginasi yang diaplikasikan adalah bertujuan untuk membina watak perwatakan semasa proses yang dijalankan oleh seseorang pelakon. Proses imaginasi oleh pelakon merupakan satu usaha dalam memberi gambaran secara jujur melalui lakonannya. Sehubungan dengan itu, pendekatan imaginasi ini sekaligus dapat menerapkan daya kreativiti murid di sekolah. Menerusi kajian ini, kaedah temu bual dan penulisan jurnal murid digunakan untuk mengumpul maklumat berkenaan sejauh mana praktis sesi lakonan dengan menggunakan pendekatan The System mampu memupuk daya kreativiti murid yang terlibat. Seramai 20 murid dan seorang guru terlibat sebagai peserta kajian. Kajian ini dilaksanakan di sebuah sekolah menengah harian di daerah Kuala Nerang, Kedah. Hasil kajian menunjukkan pendekatan imaginasi dalam proses latihan telah membentuk tiga tema utama, iaitu 3E iaitu exploration, elobrate dan evaluate. Bermakna, murid menjalani proses dengan melalui proses eksplorasi terhadap watak, menghuraikan watak perwatakan dan menilai tahap watak yang dibawa. Aktiviti improvisasi bukan suatu hal yang dirancang sebaliknya penambahbaikan biasanya muncul akibat daripada suatu kesalahan ataupun kemunculan peristiwa yang tidak terancang. Improvisasi dapat melahirkan daya pemikiran kritis dan kreatif murid serta dapat mewujudkan proses pembelajaran secara aktif dalam kalangan murid sekolah menengah.\u0000 \u0000This study aims to examine one of technical system namely, The System which is imagination that has been introduced by Stanislavski. The imaginative technique applied is intended to build character during the process carried out by an actor. The process of imagination by the actor is an effort in giving an honest picture through his acting. In this regard, the imaginative approach can also apply creativity of students in school. Through this study, the method of interviewing students and student’s writing journal is used to gather information on the extent to which the practice of acting sessions by using the approach The System strives to cultivate the creativity of the students involved. A total of 20 students and 1 teacher were involved as study participants. The study was conducted in a daily secondary school in the district of Kuala Nerang, Kedah. The results show that the imaginary approach in the training process has formed three main themes namely 3E namely exploration, elobrate and evaluate. Meaning, students go through the process of exploring the character, describing the character and characterizing the level of the successful character. Improvisation activities are not something that is planned. Improvements usually arise as a result of an error or the occurrence of an unplanned event. Improvisation can produce students’ critical and creative thinking as well as can create an active learning process among secondary school students","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133421216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"IMEJ ANTHROPOMORPHIC DALAM GUA KAIN HITAM (PAINTED CAVE) SARAWAK","authors":"Junior Kimwah, Baharudin Mohd Arus","doi":"10.51200/ga.vi.584","DOIUrl":"https://doi.org/10.51200/ga.vi.584","url":null,"abstract":"Artikel ini membincangkan imej figuratif yang terdapat di dalam Gua Kain Hitam (Painted Cave) Niah, Sarawak. Beberapa imej figuratif ini dihasilkan dengan gaya dan bentuk yang dinamik. Namun, posisi rupa imej yang amat dominan adalah kedudukan tangan dan kaki terbuka. Imej ini membawa mesej tertentu dan mempunyai hubung kait dengan cara hidup dan kepercayaan masyarakat prasejarah pada ketika itu. Sehubungan dengan itu, kertas kerja ini menjelaskan reka bentuk dan menganalisis makna yang terkandung dalam imej. Penulis menggunakan Teori Ikonografi dalam usaha menganalisis imej prasejarah ini.\u0000 \u0000This article discusses the figurative images found in the Painted Cave of Niah, Sarawak. Some of these figurative images are created with dynamic styles and shapes. However, the most dominant image appearance position is the open hand and foot position. These images carry a specific message and have a correlation with the way of life and beliefs of prehistoric societies at the time. Therefore, this paper explains the design and analyzes the meanings contained in the images. The author uses Iconographic theory in an effort to analyze these prehistoric images.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"114 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116431786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"DANCESCAPE IN SAYAW BARONG PERFORMANCE OF BAJAU SAMA","authors":"Mohammed Iqbal Badaruddin, Zaimie Sahibil, Luqman Lee, Simon Soon","doi":"10.51200/ga.vi.2341","DOIUrl":"https://doi.org/10.51200/ga.vi.2341","url":null,"abstract":"Sayaw barong is one of the traditional performances for the Bajau Sama ethnic in Kota Belud, Sabah. With parang barong itself as a primarily customised weapon, this symbolic performance represents the war dance in Bajau martial arts locally and used as an offensive and defensive technique (buah/jurus silat) that merges in different streams (aliran) of silat such as silat kuntau, silat sping/sprint, silat betawi, and silat Nusantara. Through participants’ observation and performance ethnography, this particular style and technique encompasses the identity of Bajau Sama martial art through artistic movement as a representation that is also performed during other traditions such as wedding ceremonies, traditional healing, or funeral as their own cultural value. By referring to The Fan Theory suggested by Schechner, it shows how this tradition links and connects to other elements in sacred space such as ritualization, shamanism, rites and ceremonies. This paper also discusses the use of parang barong as a material culture and how its appearance helps the efficacy of the performance. The concept of sacred-scapes, death-scapes and kinetic-scapes take shape as tangible and intangible in order to understand this particular custom and how it fits in the Bajau identity as their own art of defence traditions. It also shows the Bajau Sama belief system that creates space in ritual including initiations, customs and celebrations.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126580735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"DARI PELUKIS MUDA KE BAKAT MUDA: TINJAUAN 45 TAHUN PERTANDINGAN BAKAT MUDA SEZAMAN","authors":"Mohd Firdaus Naif bin Omran Zailuddin, Arif Datoem, Nasirin bin Abdillah, Muhammad bin Abdullah","doi":"10.51200/ga.vi.2925","DOIUrl":"https://doi.org/10.51200/ga.vi.2925","url":null,"abstract":"Bakat Muda Sezaman (BMS) merupakan antara pertandingan seni visual paling berprestij di Malaysia. Melalui visi untuk menyediakan satu platform penting yang menjadi pemangkin kepada kemajuan pengkarya muda Malaysia sesuai dengan pertambahan bilangan pelukis muda hasil keluaran institusi pendidikan yang mampan, BMS memenuhi aspirasi dalam meletakkan bakat muda seni negara pada tempatnya. 45 tahun perjalanan BMS memperlihatkan kekuatan pertandingan ini hingga kekal relevan dan terus menjadi acara penting dalam konteks seni visual Malaysia dan seni rumpun (SERUM). Kajian ini merupakan tinjauan awal terhadap BMS dari aspek perlaksanaan, penambahbaikan, format, dan arah tuju BMS kini. Tinjauan ini memberikan pemahaman berkenaan pengalaman BMS dan strukturnya, selain dokumentasi penting terhadap sejarah seni visual Malaysia.\u0000 \u0000Bakat Muda Sezaman (BMS) is one of the most prestigious visual arts competitions in Malaysia. Through its vision to provide an important platform that catalyzes the progress of young Malaysian artists in line with the increasing number of young artists produced by sustainable educational institutions, BMS fulfills its aspirations in putting the country's young artistic talent in its place. BMS's 45 years of travel show the strength of this competition to remain relevant and continue to be an important event in the context of Malaysian visual arts and Seni Rumpun (SERUM). This study is a preliminary review of BMS from the aspects of implementation, improvement, format, and current direction of BMS. This survey provides an understanding of the BMS experience and its structure as well as important documentation of the history of Malaysian visual arts.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115487047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PENGGUNAAN DATA CINEMETRIC SEBAGAI SATU PENEMUAN SIGNIFIKASI MAKNA SUBTEKS DALAM KAJIAN FILEM","authors":"M. Fazmi Hisham","doi":"10.51200/ga.vi.2388","DOIUrl":"https://doi.org/10.51200/ga.vi.2388","url":null,"abstract":"Kajian ini memberi fokus kepada objek formal iaitu disebut sebagai sinematik dan sistem tanda. Filem Lelaki Harapan Dunia (LHD, 2014) merupakan material teks filem yang menyelusuri pengalaman subjektif manusia dan takrifan mereka terhadap dunia khususnya dalam dunia ruang komposisi filem (memahami cara, pandangan atau perspektif dunia melalui pandangan orang lain) menjadi asas utama kajian. Dalam konteks kajian ini, teori Miles dan Huberman, dan aplikasi perisian Cinemetrics digunakan dengan pendekatan data rubrik yang kemudiannya sebagai verifikasi data keseluruhannya untuk paparan data yang lebih tersusun. Teori Semiotik Roland Barthes digunakan terhadap teks filem dan penelitian akan bertumpu bagaimana pembinaan unsur sinematik menghasilkan makna subteks. Kajian ini melihat kepada aspek teknikal gerak kerja kamera sebagai penelitian utama dalam memahami sistem tanda dan makna menerusi perisian Cinemetrics. Subteks yang signifikan ini diperoleh daripada sistem tanda semiotik yang lebih spesifik iaitu denotasi, konotasi dan mitos. Fokus analisis adegan dan unsur sinematik yang benar-benar dominan sahaja dilakukan yang merangkumi perbincangan gerak kerja kamera adegan 16 dan 64. Hasil penelitian terhadap teks filem, ia berfungsi sebagai ideational yang menerangkan hubungan antara actants (pelakon) memainkan peranan mereka dalam filem, keduanya berfungsi sebagai interpersonal yang mengangkat pemikiran pengarah seperti yang disampaikan dan ketiga berfungsi sebagai textual yang membawa maksud mesej disampaikan secara tersirat. \u0000  \u0000This study focuses on formal objects called cinematic and sign systems. Lelaki Harapan Dunia (LHD, 2014) is a text material that examines human subjective experience as well as their definition of the world especially in the film composition (understanding the way, view or perspective of the world through the eyes of others) becomes the main basis of the study. In the context of this study, Miles and Huberman theory as well as Cinemetrics software applications for a more structured show of data are used with a rubric data style that later as a verification of the overall data. Roland Barthes’s Semiotic theory is applied to the film and research will focus on how the construction of cinematic elements generates meaning through semiotic theory. Technical aspects such as camera movement is the key research insight the sign system and its meaning. This significance subtext is derived from a more specific system of semiotic signs, i.e., denotations, connotations and myths. The focus of the analysis will investigate scenes and cinematic elements that is dominant only in suggesting meaning. Discussion’s scenes 16 and 64 will firstly serves as an ideational that describes the relationship between actants (actors) playing their roles in the film, second, functioning as interpersonal that elevates the director’s thinking as presented and the third serves as textual that carries the meaning of the messageexpressed implicitly.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123759504","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE CONTRIBUTING FACTOR THE LACK OF THEATRE FUNDING","authors":"Engku Munirah Nabihah Engku Abd Rahman","doi":"10.51200/ga.vi.2693","DOIUrl":"https://doi.org/10.51200/ga.vi.2693","url":null,"abstract":"This paper explores factors that influence theatre funding in Malaysia. It argues that as an indispensable resource, theatre funding is always inadequate. Financing from private or government initiatives has always been a topical and sensitive issue for government, associations, the corporate sector, donors and the local community. Research has found that funding is a major issue and problem faced by theatre production and activist. This research aimed to identify the factors that contribute to the lack of theatre funding. It is believed that strategic planning, financial management and marketing will contribute to financing based on the production goals. The research uses are qualitative, in nature and use interviews as its main information-gathering tools. Theatres should be directed to other sources of funding with appropriate strategies and approaches to fulfilling their mission.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128431906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"UNSUR FORMALISTIK DALAM KARYA YA BAMBAN YA LUKAH DAN HUMINODUN SPIRIT","authors":"Musnin Misdih, Noorliana Erdenaa","doi":"10.51200/ga.vi.3029","DOIUrl":"https://doi.org/10.51200/ga.vi.3029","url":null,"abstract":"Karya catan Hassan Majin iaitu Ya Bamban Ya Lukah dan Huminodun Spirits (Kadazandusun) oleh Abdullah Ehlid Al Walid adalah cetusan idea pelukis terhadap tarian tradisi masyarakat Bisaya dan cerita rakyat wanita Kadazandusun. Karya diolah oleh pelukis bertujuan untuk memberi tafsirannya sendiri berdasarkan ekspresi dalam catan seni visual. Karya ini memberi penekanan terhadap penyampaian rasa, emosi dan perasaan yang diolah dalam sapuan berus dan penggunaan warna dalam kanvas karyanya. Naratif cerita diolah melalui pergerakan Spirit Bubu Mengalai dan figura Huminodun. Kajian dilakukan secara kualitatif untuk mentafsir keadaan yang sebenar menerusi pengkaryaan. Penghasilan karya adalah menerusi aplikasi aspek formalistik dalam pengkaryaan dan perspektif budaya. Hasil kajian menjelaskan bahawa terdapat unsur spirit dalam perkaryaan sebagai pernyataan seni visual yang mengupas tentang elemen fomalistik, kepercayaan terhadap figura dan kritikan seni. Justeru, terdapat unsur kepercayaan semangat dan perubatan tradisional menerusi tarian serta semangat menuai padi masyarakat tempatan di Borneo yang mereka warisi sejak dahulu lagi. Oleh hal yang demikian, pelukis dapat memaparkan semula dalam bentuk karya catan seni visual.\u0000 \u0000Hassan Majin’s painting artwork Ya Bamban Ya Lukah and Huminodun Spirits (Kadazandusun) by Abdullah Ehlid Al Walid is the origin of this painter’s idea of the traditional dance of the Bisaya community and the Sabah folklore of a Kadazandusun woman. The work produced by the artist aims to give his interpretation based on being expressed in visual art paintings. This work focuses on emphasis on the delivery of feelings, emotions and feelings processed in brush strokes and the use of colour in the canvas of his work. The narrative of the story is processed into visual works through the movement of the Bubu Mengalai Spirit and Huminodun figure. The study is done qualitatively to interpret the real situation through the work. Production of works through the application of formalistic aspects in the creation and cultural perspective. The results of the study can explain that there is an element of spirit in the work as a visual art statement that examines the elements of formality, belief in figures and art criticism. Therefore, there is an element of belief in the spirit of traditional medicine through the dance and harvesting of local rice in Borneo that they have inherited for a long time. Thus, the painter can re-display in the form of visual art paintings.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132819505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"EKSPRESI PHILIP RICARDO BIJI TERHADAP MASYARAKAT DI SABAH MELALUI ARCA ‘TANPA TAJUK’","authors":"Rohasmezan Hashim, Baharudin Hj. Mohd Arus, Zaimie bin Sahibil","doi":"10.51200/ga.vi.3276","DOIUrl":"https://doi.org/10.51200/ga.vi.3276","url":null,"abstract":"Kajian ini menjalankan analisis terhadap karya arca Philip Ricardo Biji berjudul ‘Tanpa Tajuk’ untuk menyingkap ekspresi pengarca terhadap masyarakat di Sabah. Data-data pemerhatian terhadap bentuk dan makna arca dianalisis melalui gabungan teori Ikonografi oleh Erwin Panofsky dan teori kritikan psikoanalisis oleh Sigmund Freud. Teori ikonografi terbahagi kepada tiga tahap. Kajian ini mendapati bahawa arca Philip Ricardo Biji mempunyai ekspresi yang menyerap ke dalam perasaan masyarakat di Sabah. Representasi bentuk semula jadi yang dipaparkan adalah imej manusia, sungai dan tahi lalat. Imej-imej tersebut menggambarkan motif pada anyaman dan tatu etnik Murut di Sabah. Motif-motif yang dipaparkan merujuk makna tentang budaya masyarakat Murut yang sedang bermesyuarat, acara minum tapai, aktiviti di sungai dan kepercayaan tentang keselamatan dari serangan buaya. Dari segi kritikan psikoanalisis pula, penghasilan arca seramik lebih menekankan kepada makna tersirat yang menggambarkan pengalamannya sebagai pelukis, pendidik dan ahli kraf serta aktiviti sosialnya bersama masyarakat etnik Murut. Arca ‘Tanpa Tajuk’ oleh Philip Ricardo Biji memaparkan ekspresi dari segi pemikiran, perlakuan dan perasaannya terhadap masyarakat Murut di Sabah.  \u0000  \u0000The purpose of this study is to analyze Philip Ricardo Biji’s sculpture entitled ‘Tanpa Tajuk’ in order to ascertain the sculptor’s perception toward the Sabah culture. Observational data on the form and context of sculptures were examined using a combination of Erwin Panofsky’s Iconographic theory and Sigmund Freud’s psychoanalytic criticism theory. Three stages of iconographic theory occur. This research found that Philip Ricardo Biji’s sculpture carries an expression that resonates with the community’s emotions in Sabah. People, rivers and moles are all depicted as natural forms. The illustrations depict motifs found on Murut ethnic weavings and tattoos in Sabah. The motifs depicted are symbolic of the Murut society’s culture, including gatherings, tapai drinking events, river activities and beliefs about crocodile safety. In psychoanalytic critique the development of ceramic sculpture exemplifies the implicit meaning of his experience with the Murut ethnic group as a painter, educator and craftsperson. The sculpture titled ‘Tanpa Tajuk’ by Philip Ricardo Biji expresses his thoughts, behaviour and feelings toward the Murut group in Sabah.","PeriodicalId":285298,"journal":{"name":"Jurnal Gendang Alam (GA)","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130622422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}