Sociétés plurielles最新文献

{"title":"Les dynamiques de l’intégration : associations d’aide aux migrants et sociétés au cœur des espaces français, espagnol et danois. Thèse en sociologie, sous la direction d’Olivier Cousin et de Claire Schiff, soutenue le 17 mars 2022, université de Bordeaux","authors":"M. Lans","doi":"10.46298/societes-plurielles.2023.11299","DOIUrl":"https://doi.org/10.46298/societes-plurielles.2023.11299","url":null,"abstract":"Pour une publication sur Épisciences.\u0000 Résumé de la thèse de Morgan Lans, intitulée \"Les dynamiques de l’intégration : associations d’aide aux migrants et sociétés au cœur des espaces français, espagnol et danois\", sous la direction d’Olivier Cousin et de Claire Schiff, soutenue le 17 mars 2022 à l'université de Bordeaux","PeriodicalId":268504,"journal":{"name":"Sociétés plurielles","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126193320","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Archaeology in support of national identities: why is it necessary to destroy plaster casts of ancient art?","authors":"Irene Avola","doi":"10.46298/societes-plurielles.2023.11290","DOIUrl":"https://doi.org/10.46298/societes-plurielles.2023.11290","url":null,"abstract":"Pour une publication sur Épisciences.\u0000 Following the example of Germany and after 1870s, plaster casts of ancient art are subject to a “cultural transfer” in France and in Italy. This kind of process reflects the birth of archaeology as a science; it is aligned to a specific change in higher education and it allows a nation building / re-building (by referring to Italian and French examples). In addition, the consolidating nation process is based on a cultural mechanism caused by globalization, i.e. “inventing tradition”. The “myth of white Greece” or that of “Romanity” can be taken into account in order to justify the destruction of plaster casts of ancient art.\u0000 À l’instar de l’Allemagne et à partir des années 1870, le moulage d’art antique fait l’objet d’un véritable « transfert culturel » en France et en Italie. Ce processus qui témoigne de l’émergence de l’archéologie en tant que science, s’insère dans le cadre plus vaste d’une modification de l’enseignement supérieur et d’une construction (dans le cas de l’Italie) ou d’un redressement de la nation (en France). Cependant, le processus de consolidation de l’État-nation se fonde sur un autre mécanisme culturel engendré par la mondialisation‑globalisation, à savoir l’« invention de la tradition ». Tels sont les cas notamment du « mythe de la Grèce blanche » ou de celui de la « Romanité » qui peuvent offrir des arguments suffisants pour justifier la destruction des collections de moulages d’art antique.\u0000 Sul modello della Germania e a partire dagli anni ’70 del XIX sec. il calco di arte antica è oggetto di un vero e proprio «transfert culturale» in Francia e in Italia. In particolare, tale transfert segna la nascita dell’archeologia come scienza e s’inserisce nel quadro più ampio di una modifica dell’insegnamento superiore e di una (ri)costruzione della nazione (rispettivamente in Italia e in Francia). Inoltre, il processo di consolidamento dello Stato-nazione si basa su un secondo meccanismo culturale causato dalla mondializzazione‑globalizzazione, ovvero l’«invenzione della tradizione». Un esempio è dato soprattutto dal «mito della Grecia bianca» e da quello della «Romanità» che possono offrire degli argomenti sufficienti a giustificare la distruzione delle collezioni di calchi di arte antica.","PeriodicalId":268504,"journal":{"name":"Sociétés plurielles","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130207617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Les ateliers relais, sociologie d’un partenariat entre éducation populaire et Éducation nationale: Thèse en sociologie, sous la direction de Thierry Berthet, soutenue le 8 juillet 2021, Aix-Marseille Université (AMU)","authors":"Alicia Jacquot","doi":"10.46298/societes-plurielles.2023.11298","DOIUrl":"https://doi.org/10.46298/societes-plurielles.2023.11298","url":null,"abstract":"Pour une publication sur Épisciences\u0000 Résumé de la thèse d'Alicia Jacquot, intitulée \"Les ateliers relais, sociologie d’un partenariat entre éducation populaire et Éducation nationale\", sous la direction de Thierry Berthet, soutenue le 8 juillet 2021 à Aix-Marseille Université.","PeriodicalId":268504,"journal":{"name":"Sociétés plurielles","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134067314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"From the exhibition in colonial exhibitions to the new Ainu National Museum: Is the voice of the indigenous impenetrable in the museum space?","authors":"Alice Berthon","doi":"10.46298/societes-plurielles.2023.11291","DOIUrl":"https://doi.org/10.46298/societes-plurielles.2023.11291","url":null,"abstract":"Has the inauguration of the first Ainu National Museum in Japan in 2020, which follows the recognition of their indigenous status in 2019, redefined the actors at play in discussing Ainu history? The study of this new museum will serve as a case study to analyse the elaboration of discourses defining Self and Other, as well as the relationship between those who produce knowledge about the Ainu and the Ainu themselves.\u0000 L’inauguration en 2020 au Japon du premier Musée national aïnou, qui fait suite à la reconnaissance officielle de leur autochtonie en 2019, a-t-il rebattu les cartes de ceux qui ont voix au chapitre ? L’étude de ce nouveau musée sera l’occasion de revenir sur la construction des discours portés sur l’Autre et sur Soi et les rapports entretenus entre les producteurs de savoir et les personnes sur qui portaient et qui portent aujourd’hui ce savoir.","PeriodicalId":268504,"journal":{"name":"Sociétés plurielles","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121406513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Socio-centric biases and constructions of otherness: For a critical and reasoned anthropological approach","authors":"Sophie Chave-Dartoen","doi":"10.46298/societes-plurielles.2023.11292","DOIUrl":"https://doi.org/10.46298/societes-plurielles.2023.11292","url":null,"abstract":"Considering the colonial heritage and the other forms of domination makes it necessary to take a critical approach to the positions of authority on which scientific discourse is based. What would be the conditions for the possibility of knowledge giving access to alternative forms of knowledge and discourse about the world? Does not every approach bring its own biases in the project of universal knowledge? The reflection is based on an ethnographic survey (Wallis) and the current debate on the restitution of African museum collections by former colonial countries.\u0000 Retornar a los legados coloniales y a otras formas de dominación hace necesario un enfoque crítico de las posiciones de autoridad en las que se basa el discurso científico ¿Cuáles serían las condiciones de posibilidad de un saber que permita formas alternativas de conocimiento del mundo y de discurso sobre él? ¿No aporta cada enfoque sus propios sesgos al proyecto de un conocimiento universal? La reflexión se basa en una encuesta etnográfica (Wallis) y en el debate actual sobre la restitución por parte de los antiguos países coloniales de las colecciones africanas conservadas en sus museos.\u0000 Le retour sur les héritages coloniaux et les autres formes de domination rendent nécessaires l’approche critique des positions d’autorité fondant le discours scientifique. Quelles seraient les conditions de possibilité d’un savoir faisant droit à des formes alternatives de connaissance du monde et de discours à son sujet ? Toute approche n’apporte-t-elle pas ses biais dans le projet d’un savoir universel ? La réflexion repose sur une enquête ethnographique (Wallis) et le débat actuel sur la restitution, par les anciens pays coloniaux, des collections muséales africaines.","PeriodicalId":268504,"journal":{"name":"Sociétés plurielles","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115580176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Science, identity and the law: Intersecting conceptualization and operationalization of race and ethnicity","authors":"Andras L. Pap, Eszter Kovacs Szitkay","doi":"10.46298/societes-plurielles.2023.11295","DOIUrl":"https://doi.org/10.46298/societes-plurielles.2023.11295","url":null,"abstract":"Pour une publication sur Épisiciences.\u0000 The comparative legal scholar authors, working a broad project mapping how law conceptualizes and operationalizes race, ethnicity and nationality, provide an assessment of the triadic relationship between law, identity (making and claims recognition) and science. The project focuses on race and ethnicity, excluding the discussion of gender identity, but the latter is used as a point of reference to demonstrate the transformative changes in the past years in how the meaning of the terms of identity are assigned and conceptualized in social sciences and humanities, and to a certain degree in politics and law. Yet, there is a debilitating lack of linguistic and conceptual resources, cultural tools, and a solid and proper vocabulary for thinking about racial identity, which is particularly stark in the field of law, especially international law, which habitually operates with the concepts of race, ethnicity, and nationality when setting forth standards for the recognition of collective rights or protection from discrimination, establishing criteria for asylum, labeling actions as genocide, or requiring a “genuine link” in citizenship law, without actually providing definitions for these groups or of membership criteria within these legal constructs. The paper provides an overview of the obstacles, challenges and controversies in the legal institutionalization. In technical terms, the operationalization of ethnic/racial/national group affiliation can follow several options: self-identification; authority given to elected or appointed members (representatives) of the group (leaving aside legitimacy-, or ontological questions regarding the authenticity or genuineness of these actors); classification by outsiders, through the perception of the majority; or by outsiders but using “objective” criteria, such as names, residence, et cetera. The paper also provides an assessment of how “objective” criteria, data and constructions provided by science translate into the legal discourse. Case studies will be used from anthropological/historical “scientific knowledge,” and the operationalization of (performative) whiteness and otherness in the US, to contemporary examples of requiring DNA-heritage certificates in naturalization and Diaspora-programs (for example for birthright schemes in Israel); race-focused forensic datasets; and race-based medicine and reproductive technologies – where the methodology and conceptualization of “scientific race” is analyzed in a comparative and critical framework.\u0000 Les auteurs, juristes comparatistes, travaillant sur un vaste projet qui cartographie la manière dont le droit conceptualise et opérationnalise la race, l’ethnicité et la nationalité, fournissent une évaluation de la relation triadique entre le droit, l’identité (la reconnaissance de l’identité et des revendications) et la science. Le projet se concentre sur la race et l’ethnicité, excluant la discussion de l’identité de genre, ","PeriodicalId":268504,"journal":{"name":"Sociétés plurielles","volume":"123 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128142774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"French Polynesia: last bastion of the “invention of tradition”?: When the scientific field rejects cultural renaissances","authors":"Florence Mury","doi":"10.46298/societes-plurielles.2023.11294","DOIUrl":"https://doi.org/10.46298/societes-plurielles.2023.11294","url":null,"abstract":"Pour une publication sur Épisciences.\u0000 While the actors of cultural renaissances in French Polynesia do not hesitate to mobilize historical, archeological or anthropological research work as means of knowing the precolonial past, the scientific field, especially the French-speaking researchers, continue to overlook and discredit this cultural enunciation. The historicity of the practices and the aims pursued within the framework of these renaissances are thus questioned, revealing the still decisive influence of a theory that has nevertheless been undermined elsewhere in the Pacific: the invention of tradition.\u0000 Alors que les actrices et les acteurs des renaissances culturelles en Polynésie française n’hésitent pas à mobiliser des travaux de recherche (historique, archéologique, anthropologique, etc.) comme moyens de connaître le passé précolonial, le champ scientifique continue d’adresser à cette énonciation culturelle une fin de non-recevoir. L’historicité des pratiques et les finalités poursuivies dans le cadre de ces renaissances sont ainsi mises en cause, révélant l’influence toujours décisive d’une théorie pourtant battue en brèche ailleurs dans le Pacifique : l’invention de la tradition.","PeriodicalId":268504,"journal":{"name":"Sociétés plurielles","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133695394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“Here come the anthropos”: what is an archeologist for ?","authors":"John Whittaker, Christophe Darmangeat","doi":"10.46298/societes-plurielles.2023.11297","DOIUrl":"https://doi.org/10.46298/societes-plurielles.2023.11297","url":null,"abstract":"Pour une publication sur Épisciences.\u0000 Whittaker John, 1997, “Here Come the Anthros. What Good is an Archaeologist?” in Andelson Jon (dir.), Anthropology Matters: Essays in Honor of Ralph A. Luebben, Grinnell College, Grinnell, p. 101-108.\u0000 Starting with a song denouncing anthropologists and prehistorians as disrespectful of the cultures they study, the article reflects on the relationship between lost cultures and their scientific study, drawing on the author’s personal experience. It then examines NAGPRA, the federal “Native American Graves Protection and Repatriation Act”, which in 1990 gave Native American communities extensive rights over various cultural properties and archaeological sites. He highlights the paradoxical, if not perverse, effects of such legislation, which has not necessarily contributed to a better knowledge (and recognition) of pre-colonial societies in North America.\u0000 À partir d’une chanson dénonçant les anthropologues et des préhistoriens comme irrespectueux des cultures qu’ils étudient, l’article propose une réflexion sur le rapport entre les cultures disparues et leur étude scientifique inspirée de l’expérience personnelle de l’auteur. Il examine ensuite le NAGPRA, loi fédérale sur « la protection et le rapatriement des tombes des natifs américains » qui, en 1990, a conféré aux communautés amérindiennes des droits étendus sur divers biens culturels et sites archéologiques. Il souligne notamment les effets paradoxaux, sinon pervers, d’un tel dispositif législatif, qui n’a pas forcément contribué à une meilleure connaissance (et reconnaissance) des sociétés précoloniales d’Amérique du Nord.","PeriodicalId":268504,"journal":{"name":"Sociétés plurielles","volume":"28 10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116292508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Is the Venus of Milo Japanese?","authors":"Michael Lucken","doi":"10.46298/societes-plurielles.2023.11293","DOIUrl":"https://doi.org/10.46298/societes-plurielles.2023.11293","url":null,"abstract":"The Venus of Milo is seen as a unique masterpiece of Greek art. However, to the great displeasure of the Greek authorities who are demanding its return, it has belonged to the French public collections since 1821. More generally, it is widely considered a European and Western heritage. And it goes without saying, its beauty is universal. But can it be Japanese? Through the examination of the reception of the Venus de Milo in Japan, the aim is to reflect on the conditions of a utopian appropriation of art works, given that, unlike texts that can be quoted, cut and mounted, paintings and statues are strongly dependant on their materiality. Against the current discourse on the dematerialization of art works, which goes hand in hand with an increasing fetishization of the originals, this article explores the path of an incorporation through practice and repetition.\u0000 La Vénus de Milo est considérée comme un chef d’œuvre de l’art grec. Toutefois, au grand dam des autorités helléniques qui en demandent la restitution, elle appartient depuis 1821 aux collections publiques françaises. Plus généralement, on admettra volontiers qu’elle est européenne et occidentale. Et cela va sans dire, sa beauté est universelle. Mais peut-elle être japonaise ? À travers l’examen de la réception de la Vénus de Milo au Japon, il s’agira de réfléchir aux conditions d’une appropriation utopique des œuvres d’art plastiques, étant entendu que, contrairement aux textes qui peuvent être cités, tronqués, réédités, tableaux et statues sont puissamment assujettis à leur matérialité. À rebours des discours actuels sur la dématérialisation des œuvres, qui va de pair avec une fétichisation croissante des originaux, cet article explore le chemin d’une incorporation par l’usage et le refaire.\u0000 ミロのヴィーナスは、ギリシャ美術の最高傑作と言われている。しかし、返還を求めるギリシャ政府の大いなる不興を買ったにもかかわらず、1821年以来、フランスの公的コレクションに所蔵されている。より一般的には、それがヨーロッパ的、西洋的であることは容易に認められよう。そして、言うまでもないが、その美しさは普遍的だ。ところで、ミロのヴィーナスは日本的なものといえるだろうか。引用やカットが可能なテキストとは異なり、絵画や彫像はその物質性に強く支配されていることから、日本におけるミロのヴィーナスの受容を通じて、芸術作品の自由な流用の条件について考察する。芸術作品の脱物質化をめぐる言説は、オリジナルのフェティッシュ化とともに進んでいるが、本稿では、実践と再制作による取り込みの道筋を探る。","PeriodicalId":268504,"journal":{"name":"Sociétés plurielles","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128152207","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Farmers or hunter-gatherers? The Dark Emu debate","authors":"P. Sutton, K. Walshe, Christophe Darmangeat","doi":"10.46298/societes-plurielles.2023.11296","DOIUrl":"https://doi.org/10.46298/societes-plurielles.2023.11296","url":null,"abstract":"Pour une publication sur Épisciences.\u0000 Sutton Peter & Walshe Keryn, 2021, Farmers or Hunter-gatherers? The Dark Emu Debate, Melbourne University Press, Melbourne, 264 p.\u0000 Dark Emu (2014), a book written by Bruce Pascoe, argues for a drastic revision of the vision of Aboriginal peoples at the time of the colonisation of Australia. Traditionally presented as nomadic hunter-gatherers, they were in fact for the most part villagers who applied some forms of agriculture and fish farming, all of which were concealed by those who wanted to appropriate their lands, thus forging a false version perpetuated by anthropological tradition. This provocative thesis has had a huge impact in Australia, where it has been the subject of much controversy. Peter Sutton and Keryn Walshe’s book is the first rebuttal by academic specialists–who are also deeply involved in the defence of the rights of Aboriginal communities.\u0000 Le livre Dark Emu (2014), écrit par Bruce Pascoe, plaide pour une révision drastique de la vision des peuples aborigènes au moment de la colonisation de l’Australie. Traditionnellement présentés comme des chasseurs-cueilleurs nomades, ceux-ci auraient en réalité été pour une bonne part des villageois pratiquant certaines formes d’agriculture et de pisciculture, autant d’éléments dissimulés par ceux qui voulaient s’approprier leurs terres, forgeant ainsi une version mensongère perpétuée par la tradition anthropologique. Cette thèse provocatrice a connu un immense retentissement en Australie, où elle a suscité de très âpres polémiques. Le livre de Peter Sutton et Keryn Walshe en constitue la première réfutation émanant de spécialistes académiques –  par ailleurs, profondément impliqués dans la défense des droits des communautés aborigènes.","PeriodicalId":268504,"journal":{"name":"Sociétés plurielles","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128985220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}