Kalemisi Dergisi最新文献

{"title":"AN INVESTIGATION ON GAZIANTEP TRADITIONAL MAN SLIENCE CLOTH (ABA) AND SLIENCE CLOTH (ABA) VEST","authors":"Yuksel Dogdu","doi":"10.7816/KALEMISI-04-08-05","DOIUrl":"https://doi.org/10.7816/KALEMISI-04-08-05","url":null,"abstract":"","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"110 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130884500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"INVESTIGATION OF USING DIFFERENT TAKE THREE CLAY CERAMIC PRIMER MAKING SUCH FROM KONYA","authors":"Mezahir Avsar, A. Onder","doi":"10.7816/KALEMISI-04-08-04","DOIUrl":"https://doi.org/10.7816/KALEMISI-04-08-04","url":null,"abstract":"In this study, we have the aim of examining whether the natural way of soil can be used in slips production with the help of ceramics technology, and whether the result of this study can be applied to artistic ceramics. With the aim in mind, three sort of clay collected from Konya region were studied. They were applied in the way of slips onto the plates made up of low degree red mud and cast mud whose baked color is white. The clays were made to have characteristic by adding % 30-60 melting Cinnabar and Borax. Lined plates were baked in an electrical oven, and for the ones that responded positively, raku and sagar baking techniques were applied. To enlarge color and tissue scales, colorant oxide was added between %1-3 and they were tried in the same baking conditions. Anahtar kelimeler; Clay, Ceramics slips, Raku firing, Sagar firing. DOI: 10.7816/kalemisi-04-08-04 kalemisi, 2016, Cilt 4, Sayı 8, Volume 4, Issue 8 www.kalemisidergisi.com 143 GİRİŞ Seramiğin hammaddesi olan kil, yaşamın özü niteliğinde olan toprağın bir türü ve aynı zamanda topraktan farklı olarak çeşitli mineraller içeren bir tür balçık ya da tortul kayaçtır. Kil kolayca şekillenebilmesinden dolayı, milyonlarca yıl süren jeolojik değişim sonucunda oluşan dünya üzerinde yaklaşık yirmi bin yıllık serüveni olan insanoğlunun çeşitli amaçlar için ilk olarak kullandığı birkaç malzemeden biri olmuştur. Seramik sanatının ve endüstrisinin bu vazgeçilmez hammaddesi, niteliklerine bağlı olarak sanatçılara ve tasarımcılara alışılmışın dışında olanaklar sunmaktadır. Seramik sanatçıları, kilin avuçları içinde kolayca biçimlenebilmesinin vereceği hazla sanatçı kişiliklerini ifade ederlerken, seramik tasarımcıları daha çok bilinçli olmak ve kullanım kolaylıklarını düşünmek durumundadırlar. Seramik kili, yaratıcı düşünceyi anında görünür hale getirmek için son derece ideal bir malzemedir. Kil ile yapılan şekillendirme ve renklendirme öylesine sınırsızdır ki, seramik sanatçısı bu sonsuzluğun içinde kaybolmadan kendini anlatabilmek için seramik bilim alanının küçük bir kolundan yakaladığı zenginliğe yönelmesi gerekir. Bu, kimi sanatçı için çarkta çalışmak, kimisi için çamuru elle şekillendirmek, kimisi için de çanak yapmak olabilir (Dizdar, 1996: 4). Seramik süslemede ve seramiğin renklendirilmesinde astar boyama tekniğinin önemli bir yeri vardır. Astar yapımında çevreden sağlanan renkli killer kullanılır. Astarlar farklı sır veya oksitlerle karıştırılarak değişik renklendirmeler oluşturulabilir. Doğal ortamda bulunan killerin yapısında rüzgâr, yağmur, sıcak, soğuk gibi birçok faktörün etkisi ile farklı renk ve damarlar ortaya çıkar. Bu renkli killer seramik yüzeyler için hem kolay bulunur bir mamul hem de farklı karışımlar için farklı oluşumlar ortaya çıkarabilir. Astar doğal yollardan düşük maliyetle elde edilebilir. Eğer doğada hazır bulunan kil plastiklik özelliğini yitirmemiş ve renk olarak seramik yüzeye uygulanabiliyorsa, öğütme işlemi haricinde başka bir işleme tabi tutulmadan astar olarak","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130931394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ABOUT REBAB MASTERS AND LUTHIERS OF KONYA","authors":"N. Acar","doi":"10.7816/KALEMISI-04-08-06","DOIUrl":"https://doi.org/10.7816/KALEMISI-04-08-06","url":null,"abstract":"Instrument Making under Turkish art handicrafts, showed its effects since the existence of mankind, a variety of reeds and today has invented many instruments. The craftsman who was raised in each community life and music instruments have provided a common ground for reaching today by expanding those life-giving common elements. Our study center in Konya said Rebab and Classic Kemençe (Nail Kemençe) that the masters (Luthier) reaching determining to what extent do these occupations carried out in Konya is done with purpose.","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"142 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124884810","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE HANDKNITTED BOOTEES AND SOCKS IN THE ISPARTA HAND IN HAND ASSOCIATION CULTURE HAUSE","authors":"G. Çayli","doi":"10.7816/KALEMISI-04-08-01","DOIUrl":"https://doi.org/10.7816/KALEMISI-04-08-01","url":null,"abstract":"The handrafts, which reflect not only the mankind’s sentiment, idea and the charasteristics of the place that they live but also their customs from the beginning, are one of the most important culture treasures that humanbeings carry from past to present. Also, it is an ancient art branch that comes out people’s need for ornamentation and to protect themselves against the climate and the outer impacts. Therefore; in most parts of Anatolia, it is possible to encounter the handknitting which takes place in the trational handcrafts as a branch of knitting. Nowdays, although socks and bootees knitting has been decreased as a result of mechanisation, the women of Isparta region still continue it in order to make use of their spare time, protect the climate effects, to support the family economy and to from the girls dower. In this work, the 12 pieces of woman bootees, 8 pieces of women socks, 2 pieces man socks and 1 pieces of child socks in the Culture House of Isparta Hand-in Hand Association have been handled. The knitting tecniques, the used tools, colour, the ornoment and pattern desing features have been examined and shown by photos. These socks and bootees are aimed to be given a new meaning, adopted and certified.","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134171198","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"EVALUATION OF KORAN WITH INVENTORY NUMBER “12” IN KONYA MEVLANA MUSEUM IN TERMS OF ILLUMINATION","authors":"Sennur Atalay Varol","doi":"10.7816/KALEMISI-04-08-03","DOIUrl":"https://doi.org/10.7816/KALEMISI-04-08-03","url":null,"abstract":"One of the most important elements in the transfer of values of civilizations throughout the history to future generations is arts. Our Traditional Arts, as part of our cultural values, have reached the present day with the reflection on art. The unique art of a nation, constitutes the cultural level of people and symbols of social life. Decorative arts were born and developed in this sense until today. The art of illumination, as a part of decorative arts, shows developments and changes in the process through the centuries. The subject of the present study is the illuminated pages and binders of the Koran with the date 1314 -15 and inventory number “12” in Konya Mevlana Museum. According to the information given on the colophon page of the Koran, it was written by Katip İsmail b. Yusuf in Konya for Halil b. Mahmud from Karamanlı Beyler in the date of H.724 / M.1314-15 and illuminated by Yakup b. Gazi el-Konevî. Both the calligraphy and the illumination of the Koran are important in terms of enlightening the course of history of illumination and reflecting the features of that period. As of it was written, it has been a work of the Beyliks and shown similar styles with the understanding of retro arts of the period, which belongs to the post Seljuk period. The work was examined in terms of motifs, patterns and stylistic features and some information was given about stylistic features that were effective in its design. Ornamentation of the work was evaluated with the support of visual materials and drawings.","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121001539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LEATHER TANNING IN GEREDE","authors":"M. Guldur","doi":"10.7816/KALEMISI-04-08-02","DOIUrl":"https://doi.org/10.7816/KALEMISI-04-08-02","url":null,"abstract":"","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133624120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ON RESEARCHES ABOUT CALLIGRAPHIC PAINTINGS","authors":"Semseddin Ziya Dagli","doi":"10.7816/kalemisi-03-05-02","DOIUrl":"https://doi.org/10.7816/kalemisi-03-05-02","url":null,"abstract":"","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126110409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"SITUATION OF SELJUKIAN CERAMIC IN EDUCATION OF CERAMIC ART","authors":"Lale Avsar, Mezahir Avsar","doi":"10.7816/kalemisi-03-05-04","DOIUrl":"https://doi.org/10.7816/kalemisi-03-05-04","url":null,"abstract":"Historical evolution of contemporary ceramic art situated over art accumulation of reach nowadays various cultures. There is special situation of Seljukian ceramic art in this accumulation which is including different duration, techniques, style and schools. This art which is keep heritage of early Islam ceramic art going not only shelter previous discovery and developments but also provide appearance a great number of new techniques and practices, Central Asia Turk culture tradition piece together with materials of ceramic and accommodate school which is call as Seljukian style in Islam geopraphy. Products of this school which was existed at territory of especially Persia, Khorassan, Anatolia and Syria between 11. – 13. Century was arised on art production level change from ceramic production pot. Various techniques like minai, luster, silhouette and under glaze painting, mould decoration, monokrom glazed, splashed ware and others were performed among ceramics and tiles which were produced in Seljukian geopraphy in this period. Unfortunatle just under glaze painting was took in next times like single dekor tekniks, others was abandoned in Anatolia history. Seljukian situation of our history occur poorly in practical schedule at art schools today. This situation cause not only poorly our technique various but also one way development of aesthetics value and under glaze painting seems as the “single tile techniqs”. Ceramic techniques of Seljukian period will be investigated with samples and contribution of this school to nowadays ceramic education will be arranged. Keyword : Seljukian Ceramic Art, Ceramic Techniques, Art Education kalemişi, 2015, Cilt 3, Sayı 5 Volume 3, Number 599 www.idildergisi.com GİRİŞ En kuvvetli dönemlerinde İslam coğrafyasının büyük bölümüne hüküm eden Selçuklu devletinin tarihi Tuğrul Bey ve Çağrı Beyin Gaznelileri yenmesi ve Horasan’da bağımsız devlet ilan etmesi ile başlar; Anadolu topraklarındaki son Selçuklu devletinin Moğollara yenilmesiyle son bulur (Koymen, 1963). Devletlerin ve beyliklerin eş zamanlı olmayan yükseliş ve çöküşlerinden oluşan bu süreç içinde Selçuklu sanatı adlandırdığımız ekol tüm İslam kültürünü derinden etkileyerek yerleşmiş, kendini minyatür sanatı, maden işçiliği, taş ve ahşap oymacılığı, çini ve seramik sanatı gibi pek çok dalda aks ettirmiştir (Hillenbrand, 2005: 90) Bu dönemin sanat gelişmeleri arasında seramik sanatında ortaya çıkan yenilikler çeşitli teknik ve sanatsal buluşlarla kendini göstermekte, yeni silisli çamur bünye Selçuklu ustalarının elinde tüm zenginlik ve güzelliğiyle adeta parlamaktadır. Selçuklu seramik sanatının gözde malzemesi olan bu çamurun kesin olarak ne zaman ve nerde ortaya çıktığı bilinmiyor. İlk Eski Mısır topraklarında ortaya çıkan silisli çamur bünyenin uzun bir aradan sonra yeniden buluşu büyük ihtimalle Çin porselenine benzer beyaz bünye arayışlarının sonucu olmuştur (Fehervari, 2000: 95; Jenkins, 1983; 1-4, 52). Bu hamurdan yapılmış ve günümüze ulaşmış en erk","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"131 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115618730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TRINKET TOYS IN MEDIEVAL ISLAMIC CERAMICS","authors":"Mezahir Avsar, Lale Avsar","doi":"10.7816/kalemisi-03-05-01","DOIUrl":"https://doi.org/10.7816/kalemisi-03-05-01","url":null,"abstract":"","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131145825","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"AN AESTHETIC GLANCE TO THE “SCARECROW” IMAGE IN THE PAINTINGS OF NESET GUNAL","authors":"Semih Buyukkol","doi":"10.7816/KALEMISI-03-05-05","DOIUrl":"https://doi.org/10.7816/KALEMISI-03-05-05","url":null,"abstract":"","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126662818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}