Kalemisi Dergisi最新文献

{"title":"THE DESCRIPTION AND CLASSIFICATION OF THE ISTITBA / IDMAC IN RHETORIC BOOKS","authors":"M. Eliaçik","doi":"10.7816/KALEMISI-05-10-01","DOIUrl":"https://doi.org/10.7816/KALEMISI-05-10-01","url":null,"abstract":"","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"116 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129700311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"VILLAGE CHAMBERS IN BUYUKINCIRLI/YOZGAT","authors":"G. Ersoy","doi":"10.7816/KALEMISI-05-10-04","DOIUrl":"https://doi.org/10.7816/KALEMISI-05-10-04","url":null,"abstract":"","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131406493","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE HORSE AND DEER STAMPS LOCATED IN ANKARA GUDUL","authors":"Fatih Basbug, H. Ozer","doi":"10.7816/kalemisi-05-10-06","DOIUrl":"https://doi.org/10.7816/kalemisi-05-10-06","url":null,"abstract":"","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126025393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"COINS OF THE SINJAR ZENGI ATABEGS","authors":"Ramazan Uykur","doi":"10.7816/KALEMISI-05-10-05","DOIUrl":"https://doi.org/10.7816/KALEMISI-05-10-05","url":null,"abstract":"","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115959395","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"DYEING OF BANANA FIBER WITH NATURAL DYES AND FRICTION FASTNESS VALUES","authors":"Ömer Zaimoğlu, M. Teker, Asel Erkekli","doi":"10.7816/kalemisi-05-10-03","DOIUrl":"https://doi.org/10.7816/kalemisi-05-10-03","url":null,"abstract":"Banana, is one of the oldest cultivated plants in the world, belongs to the Musaceae family. Banana grown in tropical and subtropical regions are widely cultivated in many countries. In Turkey, bananas cultivated in Alanya, Gazipaşa and Anamur and are evaluated in different forms by local people. It is more commonly used in bath products, mats, hats, baskets and ropes. Banana fiber and yarn production has also started in recent years. It has been observed that the banana fiber and yarn used for the souvenirs have been dyed with synthetic dyes as well as the raw color. Dyeing with natural dyes has been seen as more suitable for the nature of the material and after dyeing with madder (Rubia tinctorum), turmeric (Curcuma longa L.) and indigo (Indigofera tinctoria) friction fastness values were examined.","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117313862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"GLASS FORMS PRODUCED IN CLASSICAL OTTOMAN PERIOD AND INVESTIGATION OF ORIGINS OF THESE FORMS","authors":"A. Onder","doi":"10.7816/kalemisi-05-10-02","DOIUrl":"https://doi.org/10.7816/kalemisi-05-10-02","url":null,"abstract":"The ceramic art, which started to be produced in İznik during the establishment period of the Ottoman state, lived the golden age in the 15th and 17th centuries. This period has developed with the exodus of Sultan Mehmet the Conqueror and the taking of Istanbul. This development is reflected not only in composition but also in container forms in ceramics. Many ceramics produced in this period are among rare and precious works in terms of ornamentation and form. However, the form in which these forms were formed, how they came about and what they were made for is not taken much seriously.The purpose of the study is to determine what types of forms form the cup shapes that emerged during the Classical period of the Ottoman State, to determine what purposes, what cultures or shapes might be influenced. This study aims to analyze the classical Ottoman ceramics cups that develop in the historical process and have an important place in terms of Turkish art and to analyze the form and to determine the place of these ceramics within themselves and in the art of Ottoman Ceramics.","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126548266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A HOUSE WITH WOODEN DECORATIONS: DENIZLI MERKEZEFENDI HACI HIZIR SALIH EFENDI HOUSE","authors":"Erbil Comertler Aktug, Kadir Pektaş","doi":"10.7816/KALEMISI-05-09-02","DOIUrl":"https://doi.org/10.7816/KALEMISI-05-09-02","url":null,"abstract":"","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115352785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"SOME FALSE AFFILIATES ON TURKISH-ISLAMIC ARTS HISTORY","authors":"Lale Avsar","doi":"10.7816/kalemisi-05-09-04","DOIUrl":"https://doi.org/10.7816/kalemisi-05-09-04","url":null,"abstract":"Early Islamic Ceramic Art and especially Pre-Seljuk period are not generally taken into account in terms of the Turkish art effects. This is based on traditional assumption of established in the history of art. According to this, the Islamic ceramic art has developed and emerged from sources of Sasani Iran and Christian Byzantine, in time, cultural and commercial relations have resulted in the emergence of new sources due to aspire of Chinese ceramic art and especially the Chinese porcelain. Reviews about Samarra ceramics of Abbasi period has revealed effects of Turkish art. These effects, firstly encountered in white opaque glazed and lustre ceramics. Also, it present in compositional arrangement, in human and alive representations, in clothes, in sitting style, in hand-held object and in some other details. The question of why such influences are so unrecognized up to now brings to mind the existence of some conceptual problems by philosophical direction of the research. In the research, this issue has been tried to be define of the thoughts that we believed to be misplaced. The aim, monitor of their accuracy and re-evaluations by coming to the fore to certain assumption.","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"94 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126876673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"EXAMINING of the TRADITIONAL GOYNEK SAMPLES of SINOP GERZE IN TERMS OF BRANCH OF CLOTH ART","authors":"E. Bulmuş, Yuksel Dogdu","doi":"10.7816/KALEMISI-05-09-01","DOIUrl":"https://doi.org/10.7816/KALEMISI-05-09-01","url":null,"abstract":"Garment has been constantly changing and developing according to the traditions and customs of the societies. The clothes from different regions and villages which are carrying the common features have resissted to these changes and managed to come until today by transferring from one generation to another. The traditional clothes are an important part of the cultural heritage that reflects the life-style, cultural values, beliefs and social life of the people. In this study it is aimed to examine the traditional underwear piece göynek (inner shirts) of Sinop Gerze in terms of branch of cloth art besides defining the characteristics reaching today in order to transfer it to the next generations. In this concept the göynek subjected to this study has been borrowed form the people form and it was examined along with the observation forms. The göynek was examined in terms of size, cutting, sewing, decorating characteristics. In the concept of the application the photogrphs of the clothes are taken, measurements are defined. Besides the cloth and the sewing of the göynek are also analyzed and documented. The secondary sources are used for the literatüre review. At the end of the research, it was found that hand-made linen was used at the göynek. A systematic pattern sytem is not defined and this means that they are cut randomly just practical cutting was made. This study is important in terms of enlighting the sapmles of the göyneks which are nearly forgetten and it is also important to direct the new researches and evaluations Key-Words: Sinop Gerze, Göynek, Traditional Garment, Underwear DOI: 10.7816/kalemisi-05-09-01 kalemisi, 2017, Cilt 5, Sayı 9, Volume 5, Issue 9 3 www.kalemisidergisi.com 1-GİRİŞ Türk giyimi çeşitli medeniyetlerin izleriyle pek çok değişikliğe uğramıştır. Anadolu’nun stratejik ve coğrafi konumu kendi içinde bile farklı biçimler gösteren giyim tarzlarının oluşmasında etken olmuştur. İlden ile ilçeden ilçeye hatta aynı ilin köylerinde bile giyim tarzının farklı olması bunun bir kanıtıdır (Yakut, 2005: 15). Sinop ili kültürel değerlerin zengin olduğu illerimizden biridir. Değişik kültürlere ev sahibi olmasından dolayı el dokumaları ve işlemeleri yönünden oldukça çeşitliliğe sahiptir. Önceleri ihtiyacı karşılamak amacıyla basit gereçlerle yapılan giysi ve süslemeler zamanla birer sanat haline gelmiştir. Giyim sanatında dış giyime gösterilen özen ve çeşitlilik iç giyime de yansımaktadır. Kadınlarımız çeşitli süslemeler işleyerek iç giyime canlılık ve güzellik katmışlardır. İç giyim hakkında bilgi veren kaynaklar oldukça azdır. Bu Türk toplumunun inanç ve kültürüyle örtüşmektedir (Çağdaş vd, 1996: 43). Türklerde iç giyimle ilgili kesin bir başlangıç tarihi yoktur. Eski zamanlarda kadınların dokuduğu yıkamaya elverişli ve pamuklu kumaşlar iç giyimde kullanılmıştır (Tekel, 1990: 1). Dış giyimi olduğu gibi iç giyimi de kendi içinde sınıflamak mümkündür. İç giyim: Üst bedene giyilenler ve alt bedene giyilenler olmak üzere iki gruba ayrıl","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"100 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115733445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE NEW DESIGNS THAT EMERGED IN HANDCRAFT AS A CONSEQUENCE OF COMMERCIAL CONCERNS","authors":"Hande Kılıçarslan, Sema Etikan, A. Evecen","doi":"10.7816/KALEMISI-05-09-03","DOIUrl":"https://doi.org/10.7816/KALEMISI-05-09-03","url":null,"abstract":"Handcraft is the most essential milestone of society's culture which is formed according to the productive human being's talent and pleasure, the lifestyle of its society that it's been produced in, the region that being lived on, and the material that exists in this region. The products produced to prove only the needs within family has slowly become a commercial product. Thus, the product has a commercial value. However, developing living conditions as a result of the progress in science and technology, caused a regression in handcrafts, even some of them vanished. Alteration is unavoidable. As time goes by, as life goes on, alteration is inevitable. Handcrafts have taken its toll of this alteration and have entered into a process of conformation. The major factor in this process are commercial concerns. At the present time, marketing is also as important as the production. Marketing factor is unavoidably determinative in how handcrafts continue its existence. So, most of the handcrafts renewed themself in this way. Handcrafts have moved away from traditional production and using for more income and began to be produced as decorative goods and accessory.","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124565605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}