Kalemisi DergisiPub Date : 2015-04-20DOI: 10.7816/kalemisi-03-05-03
Mahmut Davulcu
{"title":"TRADITIONAL HOUSING ARCHITECTURE AND MASTERY TRADITION IN ORMANA REGION","authors":"Mahmut Davulcu","doi":"10.7816/kalemisi-03-05-03","DOIUrl":"https://doi.org/10.7816/kalemisi-03-05-03","url":null,"abstract":"Ormana is a country under the governance of İbradi province, Antalya. The settlement which is located on Toros Mountains with a steeply and stony geography is one of the significant samples of Mediterranean architecture known for its constructions built with conventional materials, technics and methods. The houses dubbed as ‘buttoned house’ has been categorized within Akseki-İbradi group. The households in Ormana are generally designed and built two stored including basement and first floor. Traditional households mostly share common characteristics and follow each other on subjects such as function, outline of plan and organization of residence. Intensive labor power used to build mansions is not applied to build plain and simple public apartments. The most encountered construction method in the area is the common construction technic. The method, traditionally called as ‘wall with pistuvan or wall with hatil’ is extremely simple but functional based on strengthening the walls that built without concrete through wooden ‘hatil’. The reason for this technic is that Ormana and its periphery is deprived of lime sources geologically. The archaic knowledge of this architectural style, using these domestic materials as a crucial part of construction, without a doubt, is a part of our cultural legacy. Intangible cultural heritage (ICH) is defined by UNESCO as practices, representations, expressions, information, skills and other parts of these such as tools, equipment and cultural places belonging to certain communities, groups and in some cases to individuals. An article written according to information obtained through field work in the area, in 2013, embodies the architectural style peculiar to area, architectural terminology, knowledge of construction and construction traditions in context of folklore by definition and analysis.","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"142 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133697851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Kalemisi DergisiPub Date : 2014-06-21DOI: 10.7816/KALEMISI-02-03-03
Ebru Ateşok
{"title":"KARAKEÇİLİ İLÇESİNDE DOKUNAN KİLİMLERİN GELENEKSEL MOTİF ÖZELLİKLERİ","authors":"Ebru Ateşok","doi":"10.7816/KALEMISI-02-03-03","DOIUrl":"https://doi.org/10.7816/KALEMISI-02-03-03","url":null,"abstract":"ABSTRACT Rug weavers have made rug weaving in for a long time in Karakecili District, belongs to Kirikkale province, in order to meet their own needs. Native people of the district have marketed rugs in a professional manner. There are also families weaving rugs on the order. Today, rug weaving in Karakecili district has lost its importance. However, it is still in progress as a craft indigenous to the region. Families in Karakecili district are weaving rugs to meet their own needs and generate income to contribute to the household economy. The purpose of this study is to examine and compare contemporary woven rugs with old motif ones. Content of the study comprises old rugs’ motif provided from houses in Karakecili district woven during the 1930-1950 dates and contemporary rugs provided from Public Education Centerwoven during the 2012-2013 dates. Keyword: Pattern, Karakecili township, rug","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126568929","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Kalemisi DergisiPub Date : 2013-12-21DOI: 10.7816/KALEMISI-01-02-02
Bekir Kabakci
{"title":"KONYA SULTAN SELİM / SELİMİYE CAMİSİ’NDEKİ KALEMİŞİ ÇALIŞMALARININ GRAFİKSEL AÇIDAN İNCELENMESİ","authors":"Bekir Kabakci","doi":"10.7816/KALEMISI-01-02-02","DOIUrl":"https://doi.org/10.7816/KALEMISI-01-02-02","url":null,"abstract":"Kalemisi works that is one of adorning arts has long-standing background and accumulation. This accumulation covers a large scale of our culture history and has been existed in many fields. It has been applied on plaster, stone, marble, leather, cloth, paper and wooden surfaces and permanent works have been composed. In this study, hand carved works of Selimiye Mosque were examined. We tried to consider the point regarding graphic elements as line, color, texture, style- shape, size and direction frame. We aimed to evaluate together with graphic principles as entirety - conformity, rate-proportion, rhythm, visual continuity, balance, emphases and contradiction values. Adorning that was applied to area, standing within entirety at current structure of architecture project, conformity in colors, thickness rate at lines, the colors affects to area at lightening amount of mosques, texture that was composed on the wall, the conformity of place to architectural structure of place regarding style and shape, also motifs balance within composition among units regarding dimension with architectural project have been evaluated. Regarding graphic principles, the entirety of study and conformity within this entirety, the rate and proportion that provides this conformity, rhythm and visual continuity of motifs within themselves have been examined. It has been researched that how, in what rate used color and composition density was tried to be provided as balance and the concepts as contradiction, emphasis at those stated points were tried to get benefit in what rate and measure. Keywords: Turkish – Islamic Art, Adorning, Hand carved work, Graphic Design Principles and Components.","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114275926","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Kalemisi DergisiPub Date : 2013-12-21DOI: 10.7816/KALEMISI-01-02-01
Meher Bayramoğlu
{"title":"20. YÜZYIL TÜRK RESİM SANATINDA GELENEKSEL TÜRK SANAT ÖRNEKLERİNİN ETKİSİ","authors":"Meher Bayramoğlu","doi":"10.7816/KALEMISI-01-02-01","DOIUrl":"https://doi.org/10.7816/KALEMISI-01-02-01","url":null,"abstract":"Physical and spiritual examples of traditional Turkish culture such as; patchwork, rug patterns, ragtag, handwriting and calligarphy arts influence on contemporary Turkish plastic arts cannot be denied. The new formations which were inspired by national traditions in contemporary Turkish painting have been spread since 1940s but in 1950s as a strong fact it began to use local values and this thought became more important. In this formations, the artists such as Bedri Rahmi Eyupoglu, Adnan Turani, Erol Akyavas, Abidin Elderoglu, Ergin Inan, Rauf Tuncer, Şems-i Arel, Suleyman Saim Tekcan, Ramazan Bayrakoglu, Husamettin Kocan etc. gave works which were trending to contemporary. The artists showed formation structure of traditional Turkish Handcraft Arts which were the source of their works. The artists who had been keeping on to seek for National Painting were inspired from the general sources of traditional Turkish Handcraft Arts which supported originality. The examples of the paintings were minature, handwriting and calligarphy arts, carpet-rug, hand-painted, embroideries, patchwork, mark, symbol. Keyword: Picture, patchwork, line, calligraphy, stamp.","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129316669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Kalemisi DergisiPub Date : 2013-06-20DOI: 10.7816/KALEMISI-01-01-01
M. Avşar, Lale Avşar
{"title":"İSLAM SANATINDA AKITMALI-KAZIMALI SERAMİKLER VE TAKLİT TEORİSİ","authors":"M. Avşar, Lale Avşar","doi":"10.7816/KALEMISI-01-01-01","DOIUrl":"https://doi.org/10.7816/KALEMISI-01-01-01","url":null,"abstract":"ABSTRACT Islamic ceramic art that is an inevitable source of modern Islamic art created the environments and conditions that helped emerge a number of techniques currently in use. Though the Islamic art that flourished rapidly due to various political, ideological and cultural reasons makes itself clear in all of its branches, the rapid development of medieval Islamic art represents an exceptional and unique case. Thanks to its highly creative approach, advanced aesthetical understanding and craftsmanship skills, works of art produced by Islamic masters constitute the best pages of the history of the world art. Splashed-incised wares among medieval Islamic ceramics are apparent in the long-term tradition of production that began in the 9th century and continued until the 14th century. Despite the embellishment that is composed of plain practices such as coating scraping and painting using oxides, it is seen that such ceramic ware is in high demand among people. The present study focuses on Chinese sancai ceramics of Tang period that is seen as the possible origin of splashed ceramic technique and analyzes the links between the two traditions, and similar and different sides are examined. Keywords: Medieval Islamic ceramic art, Chinese sancai ceramics, flow-painted abrasive embellishment","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121034326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Kalemisi DergisiPub Date : 2013-06-20DOI: 10.7816/KALEMISI-01-01-04
H. Begi̇ç
{"title":"GELENEKTEN GELECEĞE KEÇECİLİĞİN SÜREKLİLİĞİNE DAİR BİR ÇALIŞMA: “BARIŞ SEVGİ ÇADIRI” PROJESİ","authors":"H. Begi̇ç","doi":"10.7816/KALEMISI-01-01-04","DOIUrl":"https://doi.org/10.7816/KALEMISI-01-01-04","url":null,"abstract":"OZET Turkler, dunya cografyasi uzerinde sik sik yurt degistirerek cok genis bir alana yayilmislar, bircok kultur ve dinin etkisi altinda kalarak farkli uygarliklar yasamislardir. Bunun sonucunda Turkler, Orta Asya’dan gunumuze degisen, gelisen, gelenege bagli bir halk kulturune sahip olmuslardir. Turk halk kulturu icinde diger el sanati alanlarinin yani sira kececiligin de onemli bir yeri vardir. Bugun bircok el sanati turu yozlasma ya da yok olma ile karsi karsiyadir. Kececilik ise bugun tam anlami ile deger gormese de surdurulebilirligi; Anadolu’nun cesitli yorelerinde kisisel gayret gosteren ustalar ve Selcuk Universitesi. Mesleki Egitim Fakultesi El Sanatlari Egitimi Bolumu’nde egitim becerileri kazandirma kapsami icinde mesleki uzmanliklarini destekleyici derslerle ogrenim goren ogrenciler ile saglanmaktadir. Kececiligin surdurulebilirligine dair 2002 Aralik ayinda, ogrenci ve kece sanatcilari isbirligi ile ortaya konan bir proje gerceklestirilmistir. Seminerin konusu “Baris ve Sevgi Cadiri” isimli projenin tanitilmasini kapsamaktadir. Seminerin amaci; proje asamalarini dolayisi ile baslama ve sonuca ulasana kadar yapilan faaliyetleri sirasi ile anlatmak ve sunmaktir. Seminer kapsaminda, cesitli ulkelere ait kece sanatcilari ile yapilan karsilikli sanat etkinliklerinin ve ayrica yuksek ogrenim ogrencilerinin de katilimi ile somut bir sonuca ulasmasini taniklik eden bir projenin tanitilmasi ve bu alanda yapilacak calismalara ornek olmasi acisindan seminer konusunu onemli kilmaktadir. Anahtar Kelimeler: Ortacag Islam seramik sanati, Cin sancai seramikleri, Akitmali-kazimali susleme. Anahtar Kelimeler: Yun, kece, kececi, baris ve sevgi cadiri, yurt, Irlanda","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"137 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122770570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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