Kalemisi Dergisi最新文献

SILLE POTTERY TRADITION AND TODAY Sille陶器的传统和今天

Kalemisi Dergisi Pub Date : 2018-12-31 DOI: 10.7816/KALEMISI-06-13-05

Erdal Cetintas

引用次数: 0

TERRA-COTTA PILEKI USAGE IN ARDAHAN SULAKYURT VILLAGE

Kalemisi Dergisi Pub Date : 2018-12-31 DOI: 10.7816/KALEMISI-06-13-07

F. Ozturk

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THE IMPLEMENTATION OF THE EMPIRE FROM MINIATURE DESIGN ON TILES (BOGAC HAN EXAMPLE) 从瓷砖上的微型设计实现帝国(bogac han例子)

Kalemisi Dergisi Pub Date : 2018-12-31 DOI: 10.7816/kalemisi-06-13-06

Elif Bayrak Kaya, Naile Rengin Oyman

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SELJUKIAN TILE AND CERAMICS WITH THE INTERPRETATION OF SITKI OLCAR 塞尔柱王朝的瓷砖和陶瓷与锡特基奥尔卡的诠释

Kalemisi Dergisi Pub Date : 2018-12-31 DOI: 10.7816/KALEMISI-06-13-01

Melahat Altundağ

{"title":"SELJUKIAN TILE AND CERAMICS WITH THE INTERPRETATION OF SITKI OLCAR","authors":"Melahat Altundağ","doi":"10.7816/KALEMISI-06-13-01","DOIUrl":"https://doi.org/10.7816/KALEMISI-06-13-01","url":null,"abstract":"Seljuq empire is one of the great Turkish states which had dominated the Central Asia and Middle East for three centuries starting from the 11th century. They had ruled the Anatolian territories after the Malazgirt war which broke out in 1071. During that period, the Seljuq empire introduced great work particularly in architecture and other fields of art. Architectural structures which gave an identity to the Seljukian art, as well as tile and ceramic art which developed in parallel with these structures were inherited from the Seljukians to the Ottomans. This inheritance also forms the basis of today‟s tile and ceramic art. The most important tile and ceramic production centers during the Ottoman period were İznik and Kütahya. İznik had its effectiveness in producing tile and ceramic in the 17th century, whereas Kütahya has brought this tradition to the present with workshops in the foreground. However, the tradition which has been brought to the present is nothing but an imitation. Sıtkı Olçar, a tile master from Kütahya has always aimed to produce new and authentic work by using the tradition instead of imitating what already exists. This study explores the Seljukian Period tile and ceramic art which forms the basis of today‟s tile and ceramic art and discusses the work produced by the deceased tile master Sıtkı Olçar interpreting the Seljukian period tile and ceramics.","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115086004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

EARTHENWARE FIRING METHODS IN CENTRAL ANATOLIA REGION 安纳托利亚中部地区陶器的烧制方法

Kalemisi Dergisi Pub Date : 2018-12-31 DOI: 10.7816/KALEMISI-06-13-03

Ebru Ateşok

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CLOTHING DESIGNS INSPIRED BY THE ROBE OF SULTAN OSMAN 服装设计的灵感来自苏丹奥斯曼的长袍

Kalemisi Dergisi Pub Date : 2018-12-31 DOI: 10.7816/KALEMISI-06-13-02

Serap Mutlu, Zeliha Sarıkaya Hünerel

引用次数: 0

ANIMAL PATTERNS USED ON THE TURKISH TILE AND CERAMICS AND THEIR REFLECTION ON CLOTHING DESIGN 土耳其瓷砖和陶瓷上的动物图案及其在服装设计上的反映

Kalemisi Dergisi Pub Date : 2018-12-31 DOI: 10.7816/kalemisi-06-13-04

Nuran Ocakoğlu

{"title":"ANIMAL PATTERNS USED ON THE TURKISH TILE AND CERAMICS AND THEIR REFLECTION ON CLOTHING DESIGN","authors":"Nuran Ocakoğlu","doi":"10.7816/kalemisi-06-13-04","DOIUrl":"https://doi.org/10.7816/kalemisi-06-13-04","url":null,"abstract":"It is known that the origin of Turkish tile and ceramic art, which has a very important place in traditional Turkish arts, dates back to Central Asia. Turkish tile and ceramic art, which showed its greatest development in Anatolia, started with the Anatolian Seljuks. Developing over the centuries, this art experienced its golden age in Ottoman times with its unique aesthetic values. The source of the motifs used in the Turkish tile art dates back to the Turkish tribes living in Asia. Animal figures have always been an important decoration element in Turks who are originally from the steppe culture.Although the animal figure which was seen in Seljuk period tiles and ceramicsdecreased due to the influence of Islam in the Ottoman period, it has been artfully painted within this branch of artfrom past to present. In this study, animal figures used in Turkish tile and ceramic artfrom past to present have been studied and these motifs are intended to be reflected in contemporary women's clothing. It is important to give different usage characteristicsto these patterns within modern life for the preservation of Turkish tile and ceramic patternswhich is one of our important cultural heritage.","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"84 3-4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116562534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

CENGIZ AYTMATOV IN THE WORKS OF KYRGYZ NATIONAL PAINTERS 坚吉兹·艾特马托夫是吉尔吉斯民族画家

Kalemisi Dergisi Pub Date : 2018-12-31 DOI: 10.7816/KALEMISI-06-13-08

Fatih Basbug

引用次数: 0

RESEARCH ON COMPETENCE OF ACADEMIC STAFF IN CERAMIC DEPARTMENTS OF UNIVERSITIES IN TURKEY 土耳其大学陶瓷系学术人员能力研究

Kalemisi Dergisi Pub Date : 2018-10-29 DOI: 10.7816/kalemisi-06-12-05

Nurtac Cakar

引用次数: 0

VALANCE TECHNIQUE AND AN APPLICATION TO FUSTIAN Valance技术及其在fustian中的应用

Kalemisi Dergisi Pub Date : 2018-10-29 DOI: 10.7816/KALEMISI-06-12-11

S. Ozhan

{"title":"VALANCE TECHNIQUE AND AN APPLICATION TO FUSTIAN","authors":"S. Ozhan","doi":"10.7816/KALEMISI-06-12-11","DOIUrl":"https://doi.org/10.7816/KALEMISI-06-12-11","url":null,"abstract":"It was started in the 1500s, to decorate the cloths with contrast colored silk with horizontal and vertical cuts and to became fashion over time. In the early 1500s, soldiers of the Swiss army put colorful silk fabrics that they plundered from the enemy camp into their torn uniforms, thus protecting their bodies from the cold. This movement, which the soldiers returning to their country with improvisation on their uniforms, has been adopted by the public and transformed into a fashion flow that has been imitated and influenced Europe in a short time. This technique called as “valanced” in the literature and has been translated into Turkish as a “saçaklama tekniği”. The use of term “saçaklama tekniği” has been preferred, since the technique which is mentioned in the article is not included in the fashion terms. It has been used to cut of fabric surface by Textile Artists as a decorative technique in textile art and quilting applications. For example, artist Tim Harding creates a pixel-like effect by creating simultaneous contrast in his works by layering colored silk fabrics with an impressionistic approach. In this study, we aimed to add “saçaklama tekniği” into literature and to draw attention to diminishing use of fustian by sewing 3 vest of Anatolian colored and patterned fustian fabrics.","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122069796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1