{"title":"EVALUATION OF KORAN WITH INVENTORY NUMBER “12” IN KONYA MEVLANA MUSEUM IN TERMS OF ILLUMINATION","authors":"Sennur Atalay Varol","doi":"10.7816/KALEMISI-04-08-03","DOIUrl":null,"url":null,"abstract":"One of the most important elements in the transfer of values of civilizations throughout the history to future generations is arts. Our Traditional Arts, as part of our cultural values, have reached the present day with the reflection on art. The unique art of a nation, constitutes the cultural level of people and symbols of social life. Decorative arts were born and developed in this sense until today. The art of illumination, as a part of decorative arts, shows developments and changes in the process through the centuries. The subject of the present study is the illuminated pages and binders of the Koran with the date 1314 -15 and inventory number “12” in Konya Mevlana Museum. According to the information given on the colophon page of the Koran, it was written by Katip İsmail b. Yusuf in Konya for Halil b. Mahmud from Karamanlı Beyler in the date of H.724 / M.1314-15 and illuminated by Yakup b. Gazi el-Konevî. Both the calligraphy and the illumination of the Koran are important in terms of enlightening the course of history of illumination and reflecting the features of that period. As of it was written, it has been a work of the Beyliks and shown similar styles with the understanding of retro arts of the period, which belongs to the post Seljuk period. The work was examined in terms of motifs, patterns and stylistic features and some information was given about stylistic features that were effective in its design. Ornamentation of the work was evaluated with the support of visual materials and drawings.","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"51 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Kalemisi Dergisi","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7816/KALEMISI-04-08-03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
One of the most important elements in the transfer of values of civilizations throughout the history to future generations is arts. Our Traditional Arts, as part of our cultural values, have reached the present day with the reflection on art. The unique art of a nation, constitutes the cultural level of people and symbols of social life. Decorative arts were born and developed in this sense until today. The art of illumination, as a part of decorative arts, shows developments and changes in the process through the centuries. The subject of the present study is the illuminated pages and binders of the Koran with the date 1314 -15 and inventory number “12” in Konya Mevlana Museum. According to the information given on the colophon page of the Koran, it was written by Katip İsmail b. Yusuf in Konya for Halil b. Mahmud from Karamanlı Beyler in the date of H.724 / M.1314-15 and illuminated by Yakup b. Gazi el-Konevî. Both the calligraphy and the illumination of the Koran are important in terms of enlightening the course of history of illumination and reflecting the features of that period. As of it was written, it has been a work of the Beyliks and shown similar styles with the understanding of retro arts of the period, which belongs to the post Seljuk period. The work was examined in terms of motifs, patterns and stylistic features and some information was given about stylistic features that were effective in its design. Ornamentation of the work was evaluated with the support of visual materials and drawings.
纵观历史,将文明的价值传递给后代的最重要因素之一是艺术。我们的传统艺术,作为我们文化价值的一部分,在对艺术的反思中走到了今天。一个民族独特的艺术,构成了人们的文化水平和社会生活的象征。装饰艺术就是在这种意义上诞生和发展至今的。作为装饰艺术的一部分,照明艺术展示了几个世纪以来这一过程的发展和变化。本研究的主题是Konya Mevlana博物馆中日期为1314 -15年和库存编号为“12”的古兰经的彩绘页和活页夹。根据《古兰经》附页上提供的资料,它是由Katip İsmail b. Yusuf在科尼亚为来自karamanlylbeyler的Halil b. Mahmud在H.724 / M.1314-15年所写,并由Yakup b. Gazi el-Konevî作插图。《古兰经》的书法和插图对于启蒙启蒙历史的进程和反映那个时期的特征都很重要。据记载,该作品是贝利克人的作品,对后塞尔柱时代的复古艺术的理解也显示出类似的风格。从主题、图案和风格特征方面对作品进行了审查,并提供了一些关于在其设计中有效的风格特征的信息。在视觉材料和图纸的支持下,对作品的装饰进行了评估。