发布求助
文献互助 智能选刊 最新文献

Slovenske divadlo /The Slovak Theatre最新文献

筛选
英文 中文
Year 1948: Emancipation of Women and Slovak Theatre. 1948年:妇女解放和斯洛伐克戏剧。
Slovenske divadlo /The Slovak Theatre Pub Date : 2018-06-01 DOI: 10.2478/sd-2018-0009
N. Lindovská
{"title":"Year 1948: Emancipation of Women and Slovak Theatre.","authors":"N. Lindovská","doi":"10.2478/sd-2018-0009","DOIUrl":"https://doi.org/10.2478/sd-2018-0009","url":null,"abstract":"Abstract From the cultural and art point of view, the year 1948 in Czechoslovakia was not just the so-called “Victorious February” of the working people. The remarkable phenomenon of this era, which was related to the post-war political and social movement, was the phenomenon of female emancipation and feminization of the stage production. During the two consecutive theatre seasons 1947/1948 and 1948/1949, at The New Scene Theatre of the National Theatre in Bratislava, several women, led by the director Magda Husaková-Lokvencová created several productions. For the first time, a sovereign feminine alliance had emerged in our performance art, proving that conceptual and thoughtful theatrical production may not be just the domain of men. These women contributed to deconstructing the beliefs of typically male and typically female professions as well as transforming traditional views of the role and position of both sexes in society and the arts. The attention of theatre historiography in the recapitalization of the impacts of the breakthrough events of the Czechoslovak post-war politics of the forty years on cultural events so far focused mainly on the issues of dramaturgy and poetics, the process of ideological transformation and the sovietisation of art in the spirit of socialist realism. The subject of socialist emancipation and theatre was at the edge of the interest of our theatrology. Ten years ago, a collective monograph, dedicated to the first lady of the Slovak theatre directors, Magda Husaková-Lokvencová, managing to free her forgotten personality and work and return her to the context of Slovak theatre history in the second half of the 20th century. There is still room for further research, complementing the knowledge and reflection of the advent of women in the sphere of theatre directory, dramaturgy and scenography artwork, as part of the history of gender relations in Slovakia. Increased interest in the history of women provokes a new reflection on the issue of emancipation and theatre.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129106496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Theatre As Architecture of Memory and National Identity. Russian Case – Golden Mask 2018 戏剧作为记忆和民族认同的建筑。俄罗斯案例-黄金面具2018
Slovenske divadlo /The Slovak Theatre Pub Date : 2018-06-01 DOI: 10.2478/sd-2018-0013
Zuzana Spodniaková
{"title":"Theatre As Architecture of Memory and National Identity. Russian Case – Golden Mask 2018","authors":"Zuzana Spodniaková","doi":"10.2478/sd-2018-0013","DOIUrl":"https://doi.org/10.2478/sd-2018-0013","url":null,"abstract":"Abstract The author focuses on selected productions of this year’s special program category of the Russian Theatre Festival Golden Mask 2018 – Russian Case in Moscow. The comparison of the latest productions of different genres and artistic aesthetics reveals the common interest of their creators in urgent socio-cultural and historical-political themes. The Russian Case category introduced Russian theatre this year as an increasingly active tool for social engagement, which is concerned with the present or the past of the nation or individual. With the vision of a better future, creators confront themselves with collective and individual memories and seek ways to cope with them in an artistic and human way.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131363799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Changes of Power and Coups D´État in Július Barč-Ivan’s Plays Diktátor [Dictator], Neznámy [The Unknown] and Veža [The Tower] 权力的变化和政变D´État在Július bar<e:1> -伊万的戏剧Diktátor[独裁者]，Neznámy[未知者]和Veža[塔]
Slovenske divadlo /The Slovak Theatre Pub Date : 2018-06-01 DOI: 10.2478/sd-2018-0010
Dagmar Kročanová
{"title":"Changes of Power and Coups D´État in Július Barč-Ivan’s Plays Diktátor [Dictator], Neznámy [The Unknown] and Veža [The Tower]","authors":"Dagmar Kročanová","doi":"10.2478/sd-2018-0010","DOIUrl":"https://doi.org/10.2478/sd-2018-0010","url":null,"abstract":"Abstract The paper discusses three lesser known and less frequently staged plays written by Július Barč-Ivan (1909 – 1953), namely Diktátor (Dictator), Neznámy (The Unknown), and Veža (The Tower). Dictator was supposed to be premiered at the Slovak National Theatre in 1937, but it was removed from the repertoire due to censorship. The Unknown was staged and published as a book in Turčiansky Sv. Martin in 1944. The Tower was premiered at the National Theatre, Košice in 1947, and published a year later. All three plays deal with politics and power, as well as with changes of authority and leadership in different historical settings. In order to discuss Barč-Ivan’s perception of the changes of power in history, the paper analyzes motives of social upheavals, coups d’état, and changes of leadership, as well as the portrayal of authorities, leaders, and the masses as dramatis personae in these three plays. It also discusses repartees and dialogues in the respective plays, wishing to show changes in Barč-Ivan’s elaboration of the theme between 1937 and 1947. The paper argues that Barč-Ivan gradually abandons the idea of eternal peace that was a key concept in his play Dictator; and in his play The Tower, he states that “the principle of love” can be only preserved by its counterpart – violence. Whereas in The Unknown the power was shaken but preserved, in both Dictator and The Tower a paradoxical replacement of original contrasting principles happened; and the opponents of the power ended up using the methods they originally rejected. The paper also claims that all three Barč-Ivan’s plays were an alternative to ideologies and politics of the era. They expressed historical pessimism based on a religious concept of history. Barč-Ivan believes that noble ideas inevitably remain contradictory to historical development: if they were applied successfully in societies, they would actually mean the end of history.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132218568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Theatrical Reflections of the Slovak Republic (1939 – 1945) in the 21st Century 21世纪斯洛伐克共和国(1939 - 1945)的戏剧反思
Slovenske divadlo /The Slovak Theatre Pub Date : 2018-06-01 DOI: 10.2478/sd-2018-0011
Lucia Mihálová
{"title":"Theatrical Reflections of the Slovak Republic (1939 – 1945) in the 21st Century","authors":"Lucia Mihálová","doi":"10.2478/sd-2018-0011","DOIUrl":"https://doi.org/10.2478/sd-2018-0011","url":null,"abstract":"Abstract The study deals with forms of the Slovak Republic (1939 – 1945) in Slovak theatre after the year 2000. We currently observe a strong dramaturgical tendency to bring to the stages the reflection of historical events from various historical periods, one of the most depicted being the period of World War II. Its thematics are found in the productions of the original theatrical plays as well as in the dramatisations of literary works. The first part of the study is devoted to delineation of the Slovak Republic (1939 – 1945) in the productions after 2000 (Tiso [Tiso], Stalo sa prvého septembra [It Happened on 1st September], Rabínka [The Female Rabbi], Holokaust [Holocaust], Povstanie [Uprising], Obchod na korze [The Shop on the Parade], Polnočná omša [Midnight Mass], Tichý bič [The Silent Whip], Kým kohút nezaspieva [Until the Cock Sings]). The second part is focused on the analysis of the selected thematic elements offered by the productions falling within this circle and which appear in the new optics of the so-called second generation.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"233 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126804032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Milan Svoboda – The Man in Background 米兰·斯沃博达——幕后人物
Slovenske divadlo /The Slovak Theatre Pub Date : 2018-06-01 DOI: 10.2478/sd-2018-0008
V. Pokorný
{"title":"Milan Svoboda – The Man in Background","authors":"V. Pokorný","doi":"10.2478/sd-2018-0008","DOIUrl":"https://doi.org/10.2478/sd-2018-0008","url":null,"abstract":"Abstract The study represents the life and artistic career of today’s almost forgotten theatre director Milan Svoboda (1883 – 1948). It is based on the extensive Svoboda estate, located in the Theatre Department of the National Museum. It follows the artist from his amateur beginnings in Roudnice nad Labem, through his career as a pedagogue at the Prague Conservatory, theatre director at the Slovak National Theatre, guest director at the National Theatre in Prague, to his post-war effort to create high-quality stage art in the border villages abandoned by the Germans. Thanks to the substantial and rich material found in his estate, the study demonstrates the conflict of creative ideals and the desire to seek an aesthetic beauty in a world within a regimented state, grand political scheming, critics and “progressive” theatrical colleagues.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125813671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Italian Thrilling Spectacle Between Aesthetics, Enthusiasm and Nostalgia 意大利惊险奇观:美学、热情与怀旧
Slovenske divadlo /The Slovak Theatre Pub Date : 2018-03-01 DOI: 10.2478/sd-2018-0005
Jan Švábenický
{"title":"Italian Thrilling Spectacle Between Aesthetics, Enthusiasm and Nostalgia","authors":"Jan Švábenický","doi":"10.2478/sd-2018-0005","DOIUrl":"https://doi.org/10.2478/sd-2018-0005","url":null,"abstract":"Abstract This study focuses on the reflection of popular genres from Italian cinema during the 1960’s to 1980’s in Czecho(Slovakian) film and non film press during the years 1990 to 2000. The subject for analysis will only be comprehensive and compact texts that deal with concrete popular genres or with the productions of filmmakers that represent various models of a thrilling spectacle. We will mention only one example from Czech and Slovak translations, because this study deals purely with original published Czech and Slovak texts. This study aims to emphasize the themes chosen by Czech and Slovak film publicists, critics, and journalists in relation to popular Italian genres and in what way they developed interpretative thinking and historical, socio-cultural and industrial context of various models of a thrilling spectacle. Part of our study examines the point of view of film journalism in Czecho(Slovak) periodical press, in the sense of a historical document about period thinking on popular genres of Italian cinema, it will also take into account the enthusiastic and nostalgic approach taken by some of the authors that became a parallel line to the aesthetic interpretation of the films. The study will also touch on social, cultural and medial transformations after the year 1989 which led in Czecho(Slovak) film journalism to a greater critical interest in Italian popular genres. The text will be divided into two parts. The first part will deal only with the Italian western that belonged to the most often reflected and analyzed categories of spectacular spectacle. The second part will point to other lines of thrilling spectacle in Italian popular cinema and to some filmmakers whose work was repeatedly reflected in film journalism.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124565923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Shakespearean Drama in Miloš Pietor›S Work: Between Prologue and Epilogue 米洛什·皮耶托尔的莎士比亚戏剧作品:在序言和尾声之间
Slovenske divadlo /The Slovak Theatre Pub Date : 2018-03-01 DOI: 10.2478/sd-2018-0002
J. Sládeček
{"title":"Shakespearean Drama in Miloš Pietor›S Work: Between Prologue and Epilogue","authors":"J. Sládeček","doi":"10.2478/sd-2018-0002","DOIUrl":"https://doi.org/10.2478/sd-2018-0002","url":null,"abstract":"Abstract William Shakespeare’s work has a very specific place in Miloš Pietor’s professional biography: it starts at the beginning of the artist’s creative period and then again at the end of his professional life. The study is devoted to this part of the director’s work. It analyzes the plays Merry Wives of Windsor (P. Jilemnický Theatre, 1963), Hamlet (Nová scéna Theatre 1974), comedy Love’s Labour’s Lost) (Nová scéna Theatre 1976) and presents the directorial and dramaturgical concept of Pietor’s first production after November 1989, The Merchant of Venice (1991). His planned premiere at the Slovak National Theatre (Slovenské národné divadlo) did not take place; the work was cancelled due to the director’s tragic death.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124428229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Current Opera Production in the Repertoire of the Slovak National Theatre in 1960s 1960年代斯洛伐克国家剧院保留剧目中的当前歌剧制作
Slovenske divadlo /The Slovak Theatre Pub Date : 2018-03-01 DOI: 10.2478/sd-2018-0001
Michaela Mojžišová
{"title":"Current Opera Production in the Repertoire of the Slovak National Theatre in 1960s","authors":"Michaela Mojžišová","doi":"10.2478/sd-2018-0001","DOIUrl":"https://doi.org/10.2478/sd-2018-0001","url":null,"abstract":"Abstract The study deals with the increase in the introduction of modern opera production at the Slovak National Theatre in the 1960s. The author interprets it not only as an attempt of dramaturgy to enliven the traditional repertoire, but in particular as an ambition to apply more modern theatrical poetics in the production opera practice. Since there was no practice of updating classic opera production in Slovakia in the sense of “Regietheater” at that time, this production of the 20th century was considered to be the most realistic way of reviving opera. At the same time, the study highlights the social motivation of this intention: an effort to address a new, progressively oriented audience that would create appeal for a conventionally oriented audience that primarily focuses on the musical-vocal component of opera productions.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124766343","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Astonishing XVI. Annual Europe Theatre Prize Set in Ancient But Modern Rome 惊人的十六。一年一度的欧洲戏剧奖以古老而现代的罗马为背景
Slovenske divadlo /The Slovak Theatre Pub Date : 2018-03-01 DOI: 10.2478/sd-2018-0007
E. Knopová
{"title":"Astonishing XVI. Annual Europe Theatre Prize Set in Ancient But Modern Rome","authors":"E. Knopová","doi":"10.2478/sd-2018-0007","DOIUrl":"https://doi.org/10.2478/sd-2018-0007","url":null,"abstract":"Abstract The text briefly illustrates the history of the Europe Theatre Prize (ETP) and its current form. The author offers insights into the work of theatrical performers who received prizes in the categories of Special Prize and Europe Prize Theatrical Realities. While also briefly apprises the productions seen during the 16th ETP. In 2017, the Special Prize category was won by: Wole Soyinka, Fadhel Jaïbi, Dimitris Papaioannou, the Europe Prize Theatrical Realities was won by: Susanne Kennedy, Yael Ronen, Theatre NO99, Alessandro Sciarroni, Jernej Lorenci. The main prizes were won by actors Jeremy Irons and Isabelle Huppert. Productions also presented in this week included the works of directors Petr Stein, Robert Wilson and Giorgio Barberio Corsetti former recipients of the Europe Theatre Prize.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122765830","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Three Slovak Art Films and Their Attempt to Reach Cinematic Audiences 三部斯洛伐克艺术电影及其对电影观众的影响
Slovenske divadlo /The Slovak Theatre Pub Date : 2018-03-01 DOI: 10.2478/sd-2018-0006
E. Křížková
{"title":"Three Slovak Art Films and Their Attempt to Reach Cinematic Audiences","authors":"E. Křížková","doi":"10.2478/sd-2018-0006","DOIUrl":"https://doi.org/10.2478/sd-2018-0006","url":null,"abstract":"Abstract The text analyzes the distribution of three Slovak films created in 2017 (Piata loď (Little Harbour), Špina (Filthy), Nina to Slovak cinemas. This year new Slovak films reached 1,414,132 cinemagoers, which is a 21.13% share of total cinema admissions. This is the highest annual number recorded since the establishment of the Slovak Republic (1993). The study looks for an answer to the question, Why do some Slovak films achieve higher admissions then others? It also seeks to point out the variability of the criteria to measure the success of a film with the audience.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128204215","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：604180095
Book学术官方微信