Three Slovak Art Films and Their Attempt to Reach Cinematic Audiences

E. Křížková
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Abstract

Abstract The text analyzes the distribution of three Slovak films created in 2017 (Piata loď (Little Harbour), Špina (Filthy), Nina to Slovak cinemas. This year new Slovak films reached 1,414,132 cinemagoers, which is a 21.13% share of total cinema admissions. This is the highest annual number recorded since the establishment of the Slovak Republic (1993). The study looks for an answer to the question, Why do some Slovak films achieve higher admissions then others? It also seeks to point out the variability of the criteria to measure the success of a film with the audience.
三部斯洛伐克艺术电影及其对电影观众的影响
摘要本文分析了2017年创作的三部斯洛伐克电影(Piata lolov (Little Harbour), Špina (dirty), Nina)在斯洛伐克电影院的发行情况。今年斯洛伐克的新片吸引了1414132名观众,占总观影人数的21.13%。这是自斯洛伐克共和国成立(1993年)以来所记录的最高年度数字。这项研究寻找了这个问题的答案,为什么一些斯洛伐克电影比其他电影获得更高的录取?它还试图指出衡量电影成功与否的标准的可变性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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