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Theatre Scenography of Architecture Objects 建筑对象的剧院布景
Slovenske divadlo /The Slovak Theatre Pub Date : 2018-03-01 DOI: 10.2478/sd-2018-0003
P. Mazalán
{"title":"Theatre Scenography of Architecture Objects","authors":"P. Mazalán","doi":"10.2478/sd-2018-0003","DOIUrl":"https://doi.org/10.2478/sd-2018-0003","url":null,"abstract":"Abstract Since the beginning of the 20th century theatre has developed a completely different form of expression tools. The development of architectural methods has reached the point where it is continually moving apart from its archetype to newer and newer intellectual encryption. The method of its creation and perception have been radicalised by means of new media to offer a greater extent of its own representation. Architecture in the context of our study will be represented by the scenography. Architecture will be explored in relation to a space and its inherent characteristics by means of heterotopy and synaesthesia. Space with its specific role becomes a sphere of imagination for the audience. The study does not consider the classical term of architecture as the building and scenography as a staging of decorative mise-en-scéne.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133447883","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Miraculous Virgin: Journey from Novella to Shooting Script 神奇的处女:从中篇小说到拍摄剧本的旅程
Slovenske divadlo /The Slovak Theatre Pub Date : 2018-03-01 DOI: 10.2478/sd-2018-0004
Michal Michalovič
{"title":"The Miraculous Virgin: Journey from Novella to Shooting Script","authors":"Michal Michalovič","doi":"10.2478/sd-2018-0004","DOIUrl":"https://doi.org/10.2478/sd-2018-0004","url":null,"abstract":"Abstract Dominik Tatarka’s novella The Miraculous Virgin was first published in 1944. Twenty years later a second edition (revised by the author) was published and at approximately the same time Tatarka wrote a literary script for an intended film based on his novella. Director Štefan Uher (who had previously directed three feature films – Class Nine A, The Sun in a Net and The Organ) undertook the film adaptation. He wrote the shooting script based on Tatarka’s literary script and in 1966 he directed the movie The Miraculous Virgin. In the present study the author analyses the evolution of the text from one version to another. Tatarka’s modifications to the text and Uher’s subsequent changes are being analysed. The readers – and future audience of the film – had at their disposal four literary versions of The Miraculous Virgin: two editions of the novella, a film treatment by Tatarka (published in two issues of the Slovenské pohľady magazine in 1964) and a so-called literary script (published in 1966). Therefore we can talk about a complex consisting of various components and we can analyse in detail the relationship between them.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"135 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131645656","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Reincarnation of Animated Film 动画电影的轮回
Slovenske divadlo /The Slovak Theatre Pub Date : 2017-12-01 DOI: 10.1515/sd-2017-0019
Eva Šošková
{"title":"The Reincarnation of Animated Film","authors":"Eva Šošková","doi":"10.1515/sd-2017-0019","DOIUrl":"https://doi.org/10.1515/sd-2017-0019","url":null,"abstract":"Abstract Throughout its entire history, Slovak animated film has had the form of figurative narrative art or craft. For this reason, the author of this study examines its post-1989 development through the prism of the body. Since the most visible change that has affected contemporary film aesthetics is the feminization of animated film in terms of authorship, the study primarily focuses on the ability of an animated body to represent gender and gender roles. It attempts to capture the most significant changes in the depiction of the body in authorial animated film before and after 1989, in more detail record the post-revolution changes in the body, and relate this to the changes in the institutional background of animated film. Animated bodies have developed from “ordinary people” from a dominant male point of view in socio-critical socialist production through female characters in interaction with clearly distinguished male characters in the films of female authors from the Academy of Performing Arts, the crisis of stereotypical masculinity in the production of male authors to independent women looking for their own identity inside themselves, without relating themselves to their male counterparts.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126967884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Alred Roller – An Innovator and a Traditionalist 一个创新者和一个传统主义者
Slovenske divadlo /The Slovak Theatre Pub Date : 2017-12-01 DOI: 10.1515/sd-2017-0023
Ján Zavarský
{"title":"Alred Roller – An Innovator and a Traditionalist","authors":"Ján Zavarský","doi":"10.1515/sd-2017-0023","DOIUrl":"https://doi.org/10.1515/sd-2017-0023","url":null,"abstract":"Abstract This study focuses on the scenographer Alfred Roller (1864–1935) and his productions of Wagner’s musical dramas, with emphasis on Tristan and Isolde and Parsifal. It places Roller’s aesthetics in a historical, aesthetic, and artistic context, points to his inspiration by the Swiss scenography reformer Adolphe Appia, and cooperation with the music composer and conductor Gustav Mahler in the Vienna Court Opera. The text analyses the specifics of Roller’s scenography, which diverged from illusive stage and used light work as an important production principle. It concludes with a summary of the effect of Roller’s aesthetics on Ľudovít Hradský, the first leader of the production team at the Slovak National Theatre (1923–1928). The visual aspects of the Slovak National Theatre’s productions in that period were strongly inspired by expressionism and Art Nouveau, which were typical of German theatre at that time.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"118 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130085061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Three Films About Distrust. Distrust in the Systemic Elements of Society in Slovak Cinema in the Period of Consolidation 三部关于不信任的电影。巩固时期斯洛伐克电影社会制度要素的不信任
Slovenske divadlo /The Slovak Theatre Pub Date : 2017-12-01 DOI: 10.1515/sd-2017-0020
J. Dudková
{"title":"Three Films About Distrust. Distrust in the Systemic Elements of Society in Slovak Cinema in the Period of Consolidation","authors":"J. Dudková","doi":"10.1515/sd-2017-0020","DOIUrl":"https://doi.org/10.1515/sd-2017-0020","url":null,"abstract":"Abstract Using the example of three films – Kandidát (The Candidate, 2013, dir. Jonáš Karásek), Pirko (Little Feather, 2016, dir. Lucia and Petr Klein Svoboda), and Únos (Kidnapping, 2017, dir. Mariana Čengel-Solčanská), the present study deals with distrust in the systemic elements of society in Slovak feature films in the period following the establishment of the Audiovisual Fund (2009). By means of a thematic and stylistic analysis, it points to the similarities between the selected films. It shows their rootedness in the established trends of Slovak cinema as well as their diversion from them, which is mirrored in their dialogical work with the phenomenon of reality, by creating an illusion of anticipation or influencing future events.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125779044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Greek Drama in the Hellenistic Period 希腊化时期的希腊戏剧
Slovenske divadlo /The Slovak Theatre Pub Date : 2017-12-01 DOI: 10.1515/sd-2017-0022
Dáša Čiripová
{"title":"Greek Drama in the Hellenistic Period","authors":"Dáša Čiripová","doi":"10.1515/sd-2017-0022","DOIUrl":"https://doi.org/10.1515/sd-2017-0022","url":null,"abstract":"Abstract This study deals with a period of the Greeco-Roman history related to theatre. Hellenism is a period which is often overlooked by theatre scholars although it is an immensely important and rich transformatory and revolutionary period from a historical point of view. Hellenism is not only marked with the encounter of two worlds, but also with their mutual enrichment. In the world of diverse peoples, theatre and drama turn to lighter themes (comedy is more popular than tragedy), show preference for entertaining theatre forms, gradually divert their attention from serious textual levels and turn to non-verbal genres. Menandros is a typical representative of Hellenistic drama. Unfortunately, a great number of texts and files, which would contain at least mentions of drama production at that time, have been lost.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"61 12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128349450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Brundibár – A Children’s Opera: History and Present Brundibár -儿童歌剧:历史与现在
Slovenske divadlo /The Slovak Theatre Pub Date : 2017-12-01 DOI: 10.1515/sd-2017-0024
Táňa Pirníková
{"title":"Brundibár – A Children’s Opera: History and Present","authors":"Táňa Pirníková","doi":"10.1515/sd-2017-0024","DOIUrl":"https://doi.org/10.1515/sd-2017-0024","url":null,"abstract":"Abstract The paper focuses on the opera Brundibár. The authorial couple – composer Hans Krasa and librettist Adolf Hoffmeister – wrote it in the period of growing interest of artists in pedagogical aspects of the works of art. The changed social climate, however, meant for the work an unplanned journey – during the Second World War it was performed inside the Terezin ghetto by its inhabitants. The human message of the fairy tale story has thus been elevated into a higher symbolic frame – a resistance against the arrogance of power and violence. Especially the post-war era followed this symbolism. The author of the paper contemplates the innovative interpretative levels whose ambition is to cross the traditional performance frame of the work and to find connections with problems of contemporary society.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131778705","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Italian Thrilling Spectacle Between Aesthetics, Ethics, and Ideology. Popular Genres of Italian Cinema in the 1960s and 1970s in Czechoslovak Film and Non-Film Periodicals (1960–1989) 美学、伦理与意识形态之间的意大利惊险奇观。捷克斯洛伐克电影与非电影期刊(1960-1989)中的1960 - 70年代意大利电影流行类型
Slovenske divadlo /The Slovak Theatre Pub Date : 2017-12-01 DOI: 10.1515/sd-2017-0021
Jan Švábenický
{"title":"Italian Thrilling Spectacle Between Aesthetics, Ethics, and Ideology. Popular Genres of Italian Cinema in the 1960s and 1970s in Czechoslovak Film and Non-Film Periodicals (1960–1989)","authors":"Jan Švábenický","doi":"10.1515/sd-2017-0021","DOIUrl":"https://doi.org/10.1515/sd-2017-0021","url":null,"abstract":"Abstract This study examines journalistic, publicist, and critical discourse in relation to the popular genres in the Italian cinema of the 1960s and 1970s in Czechoslovak film and non-film periodical press. Of interest are mainly comprehensive texts that analyse Italian popular genres as a genre system and a specific corpus of films that belong to the same genre. Czech and Slovak translations of foreign studies and texts (with the exception of some examples), interviews with Italian filmmakers, short glosses, or informative texts are beyond the scope of this research. This study reflects critical, journalistic, and publicist interpretations and views by Czechoslovak press of popular genres in national Italian cinema in the selected historical period. Research is divided into two parts that develop specific aspects of these analytic questions. The first part analyses texts about this subject matter in various film a and non-film periodicals, including newspapers and journals with emphasis on long studies and interpretations of a few categories of popular genres viewed in the extensive context of their national, socio-cultural, iconographic, and industrial aspects. The second part deals only with the popular genre of western all’italiana (western in Italian style), which represented an international cinematic and socio-cultural phenomenon in the 1960s and 1970s and was of the greatest interest to Czechoslovak critics, journalists, and publicists in relation to popular genres of Italian cinema in general.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126358885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Scenic Figure: A Step Towards the Phenomenological Grasp of the Problem 风景图:对问题的现象学把握的一步
Slovenske divadlo /The Slovak Theatre Pub Date : 2017-12-01 DOI: 10.1515/sd-2017-0026
J. Vinař
{"title":"Scenic Figure: A Step Towards the Phenomenological Grasp of the Problem","authors":"J. Vinař","doi":"10.1515/sd-2017-0026","DOIUrl":"https://doi.org/10.1515/sd-2017-0026","url":null,"abstract":"Abstract This text is a posthumous work by Assoc. Prof. Josef Vinař (1934–2015), a lecturer at the Theatre Academy of Performing Arts in Prague. Before his death Josef Vinař asked his colleague Jan Vedral to take care of his unfinished theoretical work and make it available. Acting upon this wish and the wish of Vinař’s heirs, Jan Vedral put together a team from some of Vinař’s students (current doctoral students), who compiled Vinař’s theoretical ideas about theatre. The present study is a summary of some of Josef Vinař’s findings and especially his phenomenological ideas about the art of acting. The author prepared it for the Slovak Theatre journal.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133956119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Figure of Milan Rastislav Štefánik in Television and Radio Production 米兰·拉斯蒂斯拉夫的形象Štefánik在电视和广播制作中
Slovenske divadlo /The Slovak Theatre Pub Date : 2017-12-01 DOI: 10.1515/sd-2017-0025
D. Inštitorisová
{"title":"The Figure of Milan Rastislav Štefánik in Television and Radio Production","authors":"D. Inštitorisová","doi":"10.1515/sd-2017-0025","DOIUrl":"https://doi.org/10.1515/sd-2017-0025","url":null,"abstract":"Abstract This study deals with television and radio artistic, documentary, and investigative programmes whose thematic focus is the historical figure of Milan Rastislav Štefánik. The analysis examines television and radio recordings from the archives of RTVS, the Slovak Film Institute in Bratislava, and two documentary films produced by the company Kanimex. It focuses on the form of their artistic treatment as well as representation of the personality of Štefánik. In its conclusion, the study summarizes findings about the manner of interpretation of his personality in a model of an audiovisual and audial historical figure.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124389106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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