{"title":"Tanec ako univerzum (POLÁKOVÁ, Marta: Rudolf Laban – vizionár tanca a teoretik pohybu)","authors":"Eva Gajdošová","doi":"10.31577/sd-2023-0016","DOIUrl":"https://doi.org/10.31577/sd-2023-0016","url":null,"abstract":"","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133868346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"K počiatkom slovenského divadelníctva v dvadsiatych rokoch 20. storočia. Ján Borodáč a Štefan Krčméry","authors":"Anna Zelenková, Peter Himič","doi":"10.31577/sd-2023-0010","DOIUrl":"https://doi.org/10.31577/sd-2023-0010","url":null,"abstract":": The birth of the Slovak National Theatre did not immediately yield the growth of Slovak drama and Slovak","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116699582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Herecká tvorba Jána Kožucha v bábkovom divadle v Banskej Bystrici","authors":"Dagmar Inštitorisová","doi":"10.31577/sd-2023-0014","DOIUrl":"https://doi.org/10.31577/sd-2023-0014","url":null,"abstract":": In a chronological order and in an analytical and poetological way, this study discusses the activities of the theatre actor Ján Kožuch, whose extraordinary artistic achievements are tied especially to the puppet theatre in Banská Bystrica, besides the Slovak Chamber Theatre (1981 – 2022, in 2003 renamed as the Theatre of the Slovak National Uprising in Martin). The method the study builds on is mainly a reconstruction of the staged characters, through which semantic and expressive ideas are formed of them. It also uses analytical and synthesizing methods. In accordance with the theoretical work Kapitoly o hereckom umení [Chapters on the Art of Acting] written by the Slovak theatrologist and theoreti-cian of the art of acting, Miloš Mistrík, the aim of the author is to characterize the type and the range of Kožuch’s means of expression in acting in the puppet theatre in Banská Bystrica and to analyze the way he works with these.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124937707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Branislav Kriška a jeho prínos do operno-teoretického diskurzu","authors":"Klára Madunická","doi":"10.31577/sd-2023-0011","DOIUrl":"https://doi.org/10.31577/sd-2023-0011","url":null,"abstract":": The paper deals with theoretical discourse in the field of opera in Slovakia. It focuses on the director Branislav Kriška, whom musico-logists and theatrologist consider to be the most significant and, from the aspect of the aesthetic formation of the musical theatrical art, the most influential Slovak opera director of the latter half of the twentieth century. His theoretical articles published in specialized journals and programme booklets and his monograph on Giacomo Puccini, operas in the verismo style, and their staging prac-tices, are not only valuable materials for understanding the director’s staging signature but, in the context of twentieth-century Slovak opera theatre, they represent a unique theoretical activity of a practicing theatremaker. Kriška drew on Walter Felsenstein’s concept of stage performance and his understanding of musical theatre as a musical-dramatic scenic art, in which the staging and the vocal performance elements are complementary and equal.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123478146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Umelec v dobe, doba v umelcovi","authors":"Jaroslav Daubrava","doi":"10.31577/sd-2023-0008","DOIUrl":"https://doi.org/10.31577/sd-2023-0008","url":null,"abstract":"","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126495448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Umelé a umelecké v post-antropocentrickej trilógii Viery Čákanyovej","authors":"","doi":"10.31577/sd-2023-0002","DOIUrl":"https://doi.org/10.31577/sd-2023-0002","url":null,"abstract":"","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"428 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132107330","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}