Herecká tvorba Jána Kožucha v bábkovom divadle v Banskej Bystrici

Dagmar Inštitorisová
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Abstract

: In a chronological order and in an analytical and poetological way, this study discusses the activities of the theatre actor Ján Kožuch, whose extraordinary artistic achievements are tied especially to the puppet theatre in Banská Bystrica, besides the Slovak Chamber Theatre (1981 – 2022, in 2003 renamed as the Theatre of the Slovak National Uprising in Martin). The method the study builds on is mainly a reconstruction of the staged characters, through which semantic and expressive ideas are formed of them. It also uses analytical and synthesizing methods. In accordance with the theoretical work Kapitoly o hereckom umení [Chapters on the Art of Acting] written by the Slovak theatrologist and theoreti-cian of the art of acting, Miloš Mistrík, the aim of the author is to characterize the type and the range of Kožuch’s means of expression in acting in the puppet theatre in Banská Bystrica and to analyze the way he works with these.
本研究以时间顺序、分析和诗学的方式讨论了戏剧演员Ján Kožuch的活动,除了斯洛伐克室内剧院(1981年至2022年,2003年更名为马丁斯洛伐克民族起义剧院),他的非凡艺术成就尤其与班斯克比斯特利察的木偶剧院有关。本文的研究方法主要是对舞台人物进行重构,通过重构来形成舞台人物的语义和表达思想。它还使用分析和综合的方法。根据斯洛伐克戏剧学家和表演艺术理论家米洛什Mistrík所著的理论著作Kapitoly o hereckom umení[表演艺术的章节],作者的目的是描述Kožuch在班斯克比斯特里察木偶剧表演中的表达方式的类型和范围,并分析他使用这些方式的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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