Brundibár – A Children’s Opera: History and Present

Táňa Pirníková
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Abstract

Abstract The paper focuses on the opera Brundibár. The authorial couple – composer Hans Krasa and librettist Adolf Hoffmeister – wrote it in the period of growing interest of artists in pedagogical aspects of the works of art. The changed social climate, however, meant for the work an unplanned journey – during the Second World War it was performed inside the Terezin ghetto by its inhabitants. The human message of the fairy tale story has thus been elevated into a higher symbolic frame – a resistance against the arrogance of power and violence. Especially the post-war era followed this symbolism. The author of the paper contemplates the innovative interpretative levels whose ambition is to cross the traditional performance frame of the work and to find connections with problems of contemporary society.
Brundibár -儿童歌剧:历史与现在
摘要:本文以歌剧Brundibár为研究对象。这对作家夫妇——作曲家汉斯·克拉萨(Hans Krasa)和剧作家阿道夫·霍夫迈斯特(Adolf Hoffmeister)——在艺术家对艺术作品的教学方面日益感兴趣的时期创作了这首歌。然而,社会气候的变化意味着这项工作是一个计划外的旅程——在第二次世界大战期间,它是在Terezin犹太人区由其居民进行的。因此,童话故事所传达的人类信息被提升到一个更高的象征框架——对权力和暴力的傲慢的抵抗。特别是战后时期遵循了这种象征主义。本文的作者设想了创新的解释层次,其目标是跨越作品的传统表演框架,并找到与当代社会问题的联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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