建筑对象的剧院布景

P. Mazalán
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引用次数: 0

摘要

自20世纪初以来,戏剧发展出一种完全不同的表现形式工具。建筑方法的发展已经达到了这样的地步:它不断地从它的原型转向越来越新的智能加密。通过新媒体的手段,它的创作方法和感知方式被激进化,以提供更大程度的自身表现。在我们的研究背景下,建筑将通过场景来表现。建筑将通过异位和联觉来探索与空间及其内在特征的关系。空间以其特定的角色成为观众想象的空间。该研究没有将建筑的古典术语视为建筑,也没有将舞台布景视为装饰布景的舞台。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Theatre Scenography of Architecture Objects
Abstract Since the beginning of the 20th century theatre has developed a completely different form of expression tools. The development of architectural methods has reached the point where it is continually moving apart from its archetype to newer and newer intellectual encryption. The method of its creation and perception have been radicalised by means of new media to offer a greater extent of its own representation. Architecture in the context of our study will be represented by the scenography. Architecture will be explored in relation to a space and its inherent characteristics by means of heterotopy and synaesthesia. Space with its specific role becomes a sphere of imagination for the audience. The study does not consider the classical term of architecture as the building and scenography as a staging of decorative mise-en-scéne.
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