{"title":"21世纪斯洛伐克共和国(1939 - 1945)的戏剧反思","authors":"Lucia Mihálová","doi":"10.2478/sd-2018-0011","DOIUrl":null,"url":null,"abstract":"Abstract The study deals with forms of the Slovak Republic (1939 – 1945) in Slovak theatre after the year 2000. We currently observe a strong dramaturgical tendency to bring to the stages the reflection of historical events from various historical periods, one of the most depicted being the period of World War II. Its thematics are found in the productions of the original theatrical plays as well as in the dramatisations of literary works. The first part of the study is devoted to delineation of the Slovak Republic (1939 – 1945) in the productions after 2000 (Tiso [Tiso], Stalo sa prvého septembra [It Happened on 1st September], Rabínka [The Female Rabbi], Holokaust [Holocaust], Povstanie [Uprising], Obchod na korze [The Shop on the Parade], Polnočná omša [Midnight Mass], Tichý bič [The Silent Whip], Kým kohút nezaspieva [Until the Cock Sings]). The second part is focused on the analysis of the selected thematic elements offered by the productions falling within this circle and which appear in the new optics of the so-called second generation.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"233 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Theatrical Reflections of the Slovak Republic (1939 – 1945) in the 21st Century\",\"authors\":\"Lucia Mihálová\",\"doi\":\"10.2478/sd-2018-0011\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The study deals with forms of the Slovak Republic (1939 – 1945) in Slovak theatre after the year 2000. We currently observe a strong dramaturgical tendency to bring to the stages the reflection of historical events from various historical periods, one of the most depicted being the period of World War II. Its thematics are found in the productions of the original theatrical plays as well as in the dramatisations of literary works. The first part of the study is devoted to delineation of the Slovak Republic (1939 – 1945) in the productions after 2000 (Tiso [Tiso], Stalo sa prvého septembra [It Happened on 1st September], Rabínka [The Female Rabbi], Holokaust [Holocaust], Povstanie [Uprising], Obchod na korze [The Shop on the Parade], Polnočná omša [Midnight Mass], Tichý bič [The Silent Whip], Kým kohút nezaspieva [Until the Cock Sings]). The second part is focused on the analysis of the selected thematic elements offered by the productions falling within this circle and which appear in the new optics of the so-called second generation.\",\"PeriodicalId\":253484,\"journal\":{\"name\":\"Slovenske divadlo /The Slovak Theatre\",\"volume\":\"233 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Slovenske divadlo /The Slovak Theatre\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2478/sd-2018-0011\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Slovenske divadlo /The Slovak Theatre","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2478/sd-2018-0011","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
摘要:本研究涉及斯洛伐克共和国(1939 - 1945)在斯洛伐克剧院2000年后的形式。我们现在看到一种强烈的戏剧倾向，把不同历史时期的历史事件带到舞台上反映，其中最被描绘的是第二次世界大战时期。它的主题既存在于原创戏剧作品的制作中，也存在于文学作品的戏剧化中。研究的第一部分致力于在2000年之后的作品中描绘斯洛伐克共和国(1939 - 1945)(Tiso [Tiso]， Stalo sa prv]， Rabínka[女拉比]，Holokaust[大屠杀]，Povstanie[起义]，Obchod na korze[游行中的商店]，polno n omša[午夜弥撒]，Tichý binik[无声的鞭子]，Kým kohút nezaspieva[直到公鸡歌唱])。第二部分侧重于分析这个圈子内的作品所提供的精选主题元素，这些元素出现在所谓的第二代新光学中。
Theatrical Reflections of the Slovak Republic (1939 – 1945) in the 21st Century
Abstract The study deals with forms of the Slovak Republic (1939 – 1945) in Slovak theatre after the year 2000. We currently observe a strong dramaturgical tendency to bring to the stages the reflection of historical events from various historical periods, one of the most depicted being the period of World War II. Its thematics are found in the productions of the original theatrical plays as well as in the dramatisations of literary works. The first part of the study is devoted to delineation of the Slovak Republic (1939 – 1945) in the productions after 2000 (Tiso [Tiso], Stalo sa prvého septembra [It Happened on 1st September], Rabínka [The Female Rabbi], Holokaust [Holocaust], Povstanie [Uprising], Obchod na korze [The Shop on the Parade], Polnočná omša [Midnight Mass], Tichý bič [The Silent Whip], Kým kohút nezaspieva [Until the Cock Sings]). The second part is focused on the analysis of the selected thematic elements offered by the productions falling within this circle and which appear in the new optics of the so-called second generation.
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