{"title":"三部斯洛伐克艺术电影及其对电影观众的影响","authors":"E. Křížková","doi":"10.2478/sd-2018-0006","DOIUrl":null,"url":null,"abstract":"Abstract The text analyzes the distribution of three Slovak films created in 2017 (Piata loď (Little Harbour), Špina (Filthy), Nina to Slovak cinemas. This year new Slovak films reached 1,414,132 cinemagoers, which is a 21.13% share of total cinema admissions. This is the highest annual number recorded since the establishment of the Slovak Republic (1993). The study looks for an answer to the question, Why do some Slovak films achieve higher admissions then others? It also seeks to point out the variability of the criteria to measure the success of a film with the audience.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"24 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Three Slovak Art Films and Their Attempt to Reach Cinematic Audiences\",\"authors\":\"E. Křížková\",\"doi\":\"10.2478/sd-2018-0006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The text analyzes the distribution of three Slovak films created in 2017 (Piata loď (Little Harbour), Špina (Filthy), Nina to Slovak cinemas. This year new Slovak films reached 1,414,132 cinemagoers, which is a 21.13% share of total cinema admissions. This is the highest annual number recorded since the establishment of the Slovak Republic (1993). The study looks for an answer to the question, Why do some Slovak films achieve higher admissions then others? It also seeks to point out the variability of the criteria to measure the success of a film with the audience.\",\"PeriodicalId\":253484,\"journal\":{\"name\":\"Slovenske divadlo /The Slovak Theatre\",\"volume\":\"24 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Slovenske divadlo /The Slovak Theatre\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2478/sd-2018-0006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Slovenske divadlo /The Slovak Theatre","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2478/sd-2018-0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Three Slovak Art Films and Their Attempt to Reach Cinematic Audiences
Abstract The text analyzes the distribution of three Slovak films created in 2017 (Piata loď (Little Harbour), Špina (Filthy), Nina to Slovak cinemas. This year new Slovak films reached 1,414,132 cinemagoers, which is a 21.13% share of total cinema admissions. This is the highest annual number recorded since the establishment of the Slovak Republic (1993). The study looks for an answer to the question, Why do some Slovak films achieve higher admissions then others? It also seeks to point out the variability of the criteria to measure the success of a film with the audience.
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