Philology & Human最新文献_第4页

Gustav Klimt and Egon Schiele in contemporary Russian Poetry 当代俄罗斯诗歌中的古斯塔夫·克里姆特和埃贡·席勒

Philology & Human Pub Date : 2021-07-21 DOI: 10.14258/FILICHEL(2021)2-14

A. Markov

{"title":"Gustav Klimt and Egon Schiele in contemporary Russian Poetry","authors":"A. Markov","doi":"10.14258/FILICHEL(2021)2-14","DOIUrl":"https://doi.org/10.14258/FILICHEL(2021)2-14","url":null,"abstract":"Leading Austrian artists of the first quarter of the 20th century, Gustav Klimt and Egon Schiele, did not attract the Russian writers attention until the 1990s, when the development of Russian postmodern literature was conductive to the attention to their experiments, polystylistics, cultural symbolism and aestheticism. It is stressed that although the heritage of these artists was adapted to the aesthetic project of Russian postmodernism, poetic statements about them revealed aspects of art that are not obvious to the common viewer. First of all, in the Russian poetry of the 1990s and the early 2000s (Alexander Ulanov, Alexander Skidan, Irina Mashinsky, Polina Barskova, Elena Fanailova) it was convincingly shown that Schiele’s expressionism directly takes it start from the symbolism of Klimt, and Klimt’s aesthetics already contains Schiele’s one, but Schiele’s manner retains the achievements of Klimt. Further, the author shows a connection between these artists and the achievements of physics along with the cultural and political atmosphere of the time. Finally, it was reported that the achievements of these artists opposed Nazism because Klimt and Schiele demonstrated the inadmissibility of any form of oppression. Regardless of the private thoughts or the works of Klimt and Schiele, these ideas are conveyed by the very form of their works and the approach to style: the semanticization of the material and the ability to give life to the depicted characters. Particular techniques and devices of expressiveness of both artists were interpreted as auxiliary to their humanistic ideas, and it should be recognized as the contribution of poetry to art history.","PeriodicalId":217516,"journal":{"name":"Philology & Human","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130261660","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Peculiarities of Heroization of Health Care Workers in the Mass Media Discourse during a Pandemic 大流行期间大众媒体话语中医护人员英雄化的特点

Philology & Human Pub Date : 2021-07-21 DOI: 10.14258/FILICHEL(2021)2-02

Anna Taskaeva

{"title":"Peculiarities of Heroization of Health Care Workers in the Mass Media Discourse during a Pandemic","authors":"Anna Taskaeva","doi":"10.14258/FILICHEL(2021)2-02","DOIUrl":"https://doi.org/10.14258/FILICHEL(2021)2-02","url":null,"abstract":"The article examines the linguistic features of the heroization of medical workers in the mass media discourse during the pandemic of the novel coronavirus infection. During the fight against the spread of the coronavirus, doctors acquired the status of heroes. The heroic image of a doctor who is at the forefront of the fight against a new threat is fully expressed in various discursive and non-discursive constructs: mass media discourse, creolized texts, photo and video materials, comments from users of the Internet services, etc. The headlines of publications, the names of projects, competitions, and actions indicate the heroization of doctors. The process of heroization is also implemented in creolized texts of social advertising. The main linguistic means of heroization is metaphorization: the doctor is represented as a soldier in war, a superhero, a guardian angel. So, in the studied texts, the fight against the coronavirus is metaphorically represented as a war, medical personnel – as soldiers fighting with weapons in their hands against a terrible enemy – the virus, the walls of a medical institution – as a battlefield. As a result of the study, it is revealed that there is a tendency to local heroization and concretization of the heroic on the examples of real people","PeriodicalId":217516,"journal":{"name":"Philology & Human","volume":"73 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131496331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Communicative and Pragmatic Features of Everyday Media Discourse in French Linguistic Culture 法语语言文化中日常媒介话语的交际与语用特征

Philology & Human Pub Date : 2021-07-21 DOI: 10.14258/FILICHEL(2021)2-03

S. Belyaeva, Olga Kirkolup

引用次数: 0

Some Peculiarities of Reduplication as a Musical Device of James Joyce in «Finnegans Wake» and its Translatability 詹姆斯·乔伊斯在《芬尼根守灵夜》中重复手法的特点及其可译性

Philology & Human Pub Date : 2021-07-21 DOI: 10.14258/FILICHEL(2021)2-13

E. Naugolnykh

引用次数: 0

Representation of a Film Recipient in Neologisms of the English Cinematic Discourse 英语电影语篇新词中的电影接受者表征

Philology & Human Pub Date : 2021-07-21 DOI: 10.14258/FILICHEL(2021)2-08

Polina Biryukova

引用次数: 0

Artistic and Aesthetic Representation of the Mythological Image of the Water Damosel in the Bashkir Folk Epic (on the Material of the Epics “Akbuzatˮ and “Zayatulyak and Khyuhyluˮ) 巴什基尔民间史诗中水公主神话形象的艺术美学表现(兼论《阿布扎特·》、《扎亚图尔克》和《凯hyhylu》史诗的素材)

Philology & Human Pub Date : 2021-07-21 DOI: 10.14258/FILICHEL(2021)2-12

Nerkes Hubbitdinova

{"title":"Artistic and Aesthetic Representation of the Mythological Image of the Water Damosel in the Bashkir Folk Epic (on the Material of the Epics “Akbuzatˮ and “Zayatulyak and Khyuhyluˮ)","authors":"Nerkes Hubbitdinova","doi":"10.14258/FILICHEL(2021)2-12","DOIUrl":"https://doi.org/10.14258/FILICHEL(2021)2-12","url":null,"abstract":"Using the Bashkir epics “Akbuzatˮ and “Zayatulyk and Khyukhyluˮ, the article examines the mythical image of the water damosel – khaukhylu, which has significant artistic and aesthetic functions. This image takes a special place in the mythology of all peoples and in ancient sacred beliefs. Due to the fact that after the adoption of Christianity / Islam among the peoples, all the once sacred, pagan deities – the keepers of rivers and lakes, mountains and natural boundaries, forests and fields, as well as the ones connected with home, were endowed with a negative characteristic and began to be represented as an evil spirit. Such a fate was waiting for, for example, the traditional hero Baba Yaga – Yashchura, raised to the rank of a positive character, deified by the canon of the ancient Slavs, she was the keeper of the clan, its traditions and customs. Accordingly, after the adoption of Christianity, Yashchura took on that negative, pernicious character known to us from Slavic folk tales and folkloric accounts. As E.V. Pomerantsev correctly states, in the artistic and aesthetic sense in mythological legends and folkloric accounts there are always similar motives of “sudden meetingˮ, “sinking into the underwater kingdomˮ, “awards of the water kingˮ, “... the marriage of a hero in the underwater kingdomˮ, etc. In the Bashkir epic monuments observed in the article, these motives are strictly traced and successfully actualized.","PeriodicalId":217516,"journal":{"name":"Philology & Human","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114341908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Plot of the Pilgrimage in the Latest Bashkir Prose 最新巴什基尔散文中的朝圣情节

Philology & Human Pub Date : 2021-07-21 DOI: 10.14258/FILICHEL(2021)2-06

G. Nabiullina

引用次数: 0

Was there Nevsky? Ideology and Poetics of V. M. Shukshin’s Story “Conversations under a Clear Moon” 那是涅夫斯基吗?舒克申小说《明月下的对话》的意识形态与诗学

Philology & Human Pub Date : 2021-07-21 DOI: 10.14258/FILICHEL(2021)2-10

A. Kulyapin

{"title":"Was there Nevsky? Ideology and Poetics of V. M. Shukshin’s Story “Conversations under a Clear Moon”","authors":"A. Kulyapin","doi":"10.14258/FILICHEL(2021)2-10","DOIUrl":"https://doi.org/10.14258/FILICHEL(2021)2-10","url":null,"abstract":"The article deals with the problematic issues and poetics of Shukshin’s story “Conversations under a Clear Moon”. Despite the fact that the title of the story contains the word “conversations”, there is no truly dialogical relations between the characters. The characters of the story, in fact, speak different languages. They need an interpreter, since they themselves do not understand interlocutor's speech well. The emergence of a language barrier between compatriots is natural. This is a consequence of the story’s character loss of identity: national, social and even gender. The writer focuses on the features of “non-Russianness” in the appearance, speeches, mentality of the main character - old man Baev. The process of losing national identity goes so far for Baev that he even puts forward an absurd hypothesis about his American origin. The interlocutor of Baev, Marya Selezneva, generally loses not only social, but also gender identity. The artistic world of the story “Conversations under a Clear Moon” is largely simulative. It is so illusory that the characters in the story cannot distinguish day from night, the moon from the sun. The line between (pseudo)life and death is practically erased in the story.","PeriodicalId":217516,"journal":{"name":"Philology & Human","volume":"85 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128432986","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Sources of Information about the Speech Situation of Insults When Solving Expert Problems 解决专家问题时关于侮辱言语情况的信息来源

Philology & Human Pub Date : 2021-07-21 DOI: 10.14258/FILICHEL(2021)2-07

Christina Shulgina

引用次数: 0

The Role of the Title in the Characterization of the Hero in G.I. Gazdanov’s Story "Black Swans" 格兹达诺夫小说《黑天鹅》中标题在英雄塑造中的作用

Philology & Human Pub Date : 2021-07-21 DOI: 10.14258/FILICHEL(2021)2-05

A. Kukhtenkova

{"title":"The Role of the Title in the Characterization of the Hero in G.I. Gazdanov’s Story \"Black Swans\"","authors":"A. Kukhtenkova","doi":"10.14258/FILICHEL(2021)2-05","DOIUrl":"https://doi.org/10.14258/FILICHEL(2021)2-05","url":null,"abstract":"The article deals with the role of the heading as a symbol in the characterization of the hero of the story by Gazdanov «Black Swans\". The author of the article describes the actualization of the heading and the character's characteristics by taking into account the artistic psychologism. The frequency of repetition of the heading close to the end of the text is one of the individual style features of the writer's linguopoetics (\"The Flight\", \"The Bombay\", \"The Iron Lord\", etc.). There is a comparison between the vocabulary and text fields of the heading associative stimulus presented in the article. The psychological autobiography of the story hero is depicted by the textual interaction of the components of the heading. The black color corresponds to the refugee implication, suicide and uniqueness of the main character. The image of swans denotes Pavlov's longing for freedom, for the search of illusions as an attempt to get rid of courageous loneliness, as well as his desire to unravel the existential mystery. The use of the syntactic lexeme \"black swans\" denotes the intertextual key message of the works by Gazdanov - that is \"the inner journey\", which is associated with the confessional narrative and the self-analysis of the hero-narrator","PeriodicalId":217516,"journal":{"name":"Philology & Human","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126123445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0