Was there Nevsky? Ideology and Poetics of V. M. Shukshin’s Story “Conversations under a Clear Moon”

A. Kulyapin
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引用次数: 1

Abstract

The article deals with the problematic issues and poetics of Shukshin’s story “Conversations under a Clear Moon”. Despite the fact that the title of the story contains the word “conversations”, there is no truly dialogical relations between the characters. The characters of the story, in fact, speak different languages. They need an interpreter, since they themselves do not understand interlocutor's speech well. The emergence of a language barrier between compatriots is natural. This is a consequence of the story’s character loss of identity: national, social and even gender. The writer focuses on the features of “non-Russianness” in the appearance, speeches, mentality of the main character - old man Baev. The process of losing national identity goes so far for Baev that he even puts forward an absurd hypothesis about his American origin. The interlocutor of Baev, Marya Selezneva, generally loses not only social, but also gender identity. The artistic world of the story “Conversations under a Clear Moon” is largely simulative. It is so illusory that the characters in the story cannot distinguish day from night, the moon from the sun. The line between (pseudo)life and death is practically erased in the story.
那是涅夫斯基吗?舒克申小说《明月下的对话》的意识形态与诗学
本文探讨舒克信小说《明月下的对话》的问题与诗学。尽管故事的标题包含了“对话”一词,但人物之间并没有真正的对话关系。事实上,故事中的人物说着不同的语言。他们需要一名翻译,因为他们自己听不太懂对话者的话。同胞之间出现语言障碍是很自然的。这是故事中人物身份丧失的后果:国家、社会甚至性别。作者着重分析了主人公巴耶夫老人的外貌、言语、心态等方面的“非俄罗斯性”特征。对于Baev来说,失去国家身份的过程如此之深,以至于他甚至提出了一个关于他的美国血统的荒谬假设。巴耶夫的对话者玛丽亚·塞列兹涅娃(Marya Selezneva)不仅失去了社会认同,还失去了性别认同。《明月下的对话》这个故事的艺术世界很大程度上是模拟的。这是如此的虚幻,以至于故事中的人物分不清白天和黑夜,月亮和太阳。(伪)生与死之间的界线在这个故事中几乎被抹去了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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