Dickens Studies Annual: Essays on Victorian Fiction最新文献

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The Unexpected Kinship of Great Expectations and Wuthering Heights 《远大前程》和《呼啸山庄》出人意料的亲缘关系
Dickens Studies Annual: Essays on Victorian Fiction Pub Date : 2018-03-01 DOI: 10.5325/dickstudannu.49.1.0070
Alan P. Barr
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引用次数: 3
Performance Anxiety in Our Mutual Friend 我们共同朋友的表现焦虑
Dickens Studies Annual: Essays on Victorian Fiction Pub Date : 2017-09-01 DOI: 10.5325/dickstudannu.48.1.0191
Daniel Pollack-Pelzner
{"title":"Performance Anxiety in Our Mutual Friend","authors":"Daniel Pollack-Pelzner","doi":"10.5325/dickstudannu.48.1.0191","DOIUrl":"https://doi.org/10.5325/dickstudannu.48.1.0191","url":null,"abstract":"Abstract:The theatricality of Our Mutual Friend seems most apparent in its many schemers' extravagant role-playing and pious frauds. But in Betty Higden's death scene, Dickens stages a new form of narrative intimacy based not on interiority but on the dramatic acoustics of very close exteriority. This article also considers Dickens's own strategies as a writer and public reader to achieve intimacy through performance across a range of theatrical scales. This is the slightly modified script of a paper delivered at the 2014 Dickens Universe at the University of California, Santa Cruz. This piece offers an account of Dickens's relationship with his audiences through performance—on the page and in person—and since the lecture itself attempts to enact some of Dickens's performance techniques, various markers of its oral delivery have been preserved here.","PeriodicalId":195639,"journal":{"name":"Dickens Studies Annual: Essays on Victorian Fiction","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127305316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
What Estella Knew: Questions of Secrecy and Knowing in Great Expectations 艾丝黛拉所知道的:秘密问题和伟大期望中的知识
Dickens Studies Annual: Essays on Victorian Fiction Pub Date : 2017-09-01 DOI: 10.5325/dickstudannu.48.1.0181
Toru Sasaki
{"title":"What Estella Knew: Questions of Secrecy and Knowing in Great Expectations","authors":"Toru Sasaki","doi":"10.5325/dickstudannu.48.1.0181","DOIUrl":"https://doi.org/10.5325/dickstudannu.48.1.0181","url":null,"abstract":"Abstract:Great Expectations is filled with secrets. They are sometimes accompanied by the characters' puzzling behavior. For example, near the end of the novel, quite improbably, Estella is presented as if she knew about Pip's predicament: his discovery of the identity of the benefactor. There are other instances of similarly improbable \"knowings\" in the text. I submit that they may have derived from the novelist's real-life situation; his secret affair with Ellen Ternan and the consequent fear and anxiety (What if they know? They must know). These feelings led Dickens to put various \"knowings\" in the text, with the result that he was not aware they were too many to sort out. Also, I wish to demonstrate that this anxiety manifests itself most interestingly in \"the play within the novel\"; the melodramas in which Wopsle performs.","PeriodicalId":195639,"journal":{"name":"Dickens Studies Annual: Essays on Victorian Fiction","volume":"146 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116314761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Paradise Returned: Hardy's The Return of the Native 天堂归来:哈代的《还乡》
Dickens Studies Annual: Essays on Victorian Fiction Pub Date : 2017-09-01 DOI: 10.5325/dickstudannu.48.1.0253
Clay Daniel
{"title":"Paradise Returned: Hardy's The Return of the Native","authors":"Clay Daniel","doi":"10.5325/dickstudannu.48.1.0253","DOIUrl":"https://doi.org/10.5325/dickstudannu.48.1.0253","url":null,"abstract":"Abstract:Paradise Lost is a primary intertext for The Return of the Native. Though the novel is often faulted for its obtrusive allusions to classics, ancient and modern, Hardy's deft use of Milton stabilizes a notoriously elusive narrative that lacks a clear protagonist and includes comfortable narrative \"Aftercourses\" that the author repudiated many years later. Specifically, Hardy fuses Miltonic oppositions into a monolithic, \"modernist\" landscape, from which not only God but also Satan has disappeared. To this Victorian wasteland, all natives who attempt to leave must return because there are no exits, except perhaps suicide. Yet the Miltonic text is so subtly rewritten, that it tends to mask too well the novel's subversive messages, especially in its transformation of the apparently selfish, lazy, and mischievous Eustacia Vye into one of the first modernist heroines.","PeriodicalId":195639,"journal":{"name":"Dickens Studies Annual: Essays on Victorian Fiction","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129301224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Xenophobia to Xenophilia: Dickens's Continental Drift 从仇外到排外:狄更斯的大陆漂移
Dickens Studies Annual: Essays on Victorian Fiction Pub Date : 2017-09-01 DOI: 10.5325/dickstudannu.48.1.0001
Sean C. Grass
{"title":"From Xenophobia to Xenophilia: Dickens's Continental Drift","authors":"Sean C. Grass","doi":"10.5325/dickstudannu.48.1.0001","DOIUrl":"https://doi.org/10.5325/dickstudannu.48.1.0001","url":null,"abstract":"Abstract:In the decades between Charles Dickens's portrayal of Count Smorltork in The Pickwick Papers and his account of the foreign visitor who smashes Mr. Podsnap's chauvinism to atoms in Our Mutual Friend, Dickens's attitude toward Continental foreigners seems to have undergone a radical renovation. This essay argues that one key to understanding Dickens's \"drift\" from xenophobia to xenophilia is to trace its imaginative origins in the essay \"Travelling Abroad\" (1860), which centers upon an English traveler on the Continent who is dogged by nightmarish visions of cannibalism and corpses—who is riddled through, that is, with the powerful compulsion to consume what he sees. \"Travelling Abroad\" thus foreshadows and bridges the sophisticated economic critiques of Great Expectations and Our Mutual Friend, and it does so in the act of indicting Englishness, not foreignness, for the barbarity implicit in its narrator's imagined acts. In this sense, I suggest, Dickens's apparently softened view of foreigners in Our Mutual Friend has much to do with his hardened attitude toward England, and particularly his hardened view of the psychological and cultural effects of its maturing capitalism.","PeriodicalId":195639,"journal":{"name":"Dickens Studies Annual: Essays on Victorian Fiction","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131675828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 15
Stenography and Orality in Dickens: Rethinking the Phonographic Myth 狄更斯的速记和口述:重新思考留声机神话
Dickens Studies Annual: Essays on Victorian Fiction Pub Date : 2017-09-01 DOI: 10.5325/dickstudannu.48.1.0021
H. Bowles
{"title":"Stenography and Orality in Dickens: Rethinking the Phonographic Myth","authors":"H. Bowles","doi":"10.5325/dickstudannu.48.1.0021","DOIUrl":"https://doi.org/10.5325/dickstudannu.48.1.0021","url":null,"abstract":"Abstract:Drawing on Steven Marcus's claim that by learning and practicing stenography in the law courts Dickens had essentially become a \"written recording device for the human voice,\" Ivan Kreilkamp has argued that Dickens brought the \"phonographic innovations in voice writing\" to the writing of the novel. The difficulty with this argument is that Dickens learned shorthand from a hybrid system—Thomas Gurney's Brachygraphy—that was radically different from the classic phonography of Isaac Pitman's Stenographic Shorthand. Unlike the Pitman system, which linked shorthand symbols directly to sound, the Gurney system mediated the link through letters—the learner had to memorize symbols which stood for letters rather than for sounds. This essay will argue that Brachygraphy's extra level of alphabetical mediation meant that Gurney shorthand was essentially, and unusually, a creative stenographic system. The nature of the creative language processing implicit in the learning of Gurney shorthand will be described and its implications for Dickens's writing processes will be discussed, drawing on examples which suggest that Gurney stenographic processes were themselves represented in Dickens's fiction and involved in episodes from his life. The overall influence of Gurney shorthand on Dickens's language processing suggests that theories regarding his legacy in relation to \"orality,\" particularly his position and role in \"phonographic\" interpretations of nineteenth-century culture, may have to be reconsidered. At the same time, we should recognize the importance of the Gurney method in influencing Dickens's creative use of language.","PeriodicalId":195639,"journal":{"name":"Dickens Studies Annual: Essays on Victorian Fiction","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125188619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Art of Absence and Return in Martin Chuzzlewit 马丁·丘兹莱维特的《缺席与回归的艺术》
Dickens Studies Annual: Essays on Victorian Fiction Pub Date : 2017-09-01 DOI: 10.5325/dickstudannu.48.1.0079
Wayne Batten
{"title":"The Art of Absence and Return in Martin Chuzzlewit","authors":"Wayne Batten","doi":"10.5325/dickstudannu.48.1.0079","DOIUrl":"https://doi.org/10.5325/dickstudannu.48.1.0079","url":null,"abstract":"Abstract:Martin Chuzzlewit represents a departure, prior to Dombey and Son, from the episodic form, interpolated tales, and backstories of Dickens's earlier works, as his preface implies. A key element would be careful attention to the implicit existence of characters when they are suspended: either off scene or not the object of direct narration. Seven distinct manifestations appear in the course of the narrative. The resurrection of a presumed-dead character is the most obvious and least common. A second category of suspension is deliberately and teasingly unexplained. For the third category, suspended characters are assumed to be doing their jobs or following known interests. In the fourth category are those characters whose return to scene requires explanation. The fifth category of suspension, the informational, allows characters to discover or withhold information. In the sixth category, suspension is deployed by a character in order to manipulate others. Unique in the last category, Mrs. Gamp's absent friend, Mrs. Harris, exists only in suspension. While some instances may seem contrived or strained, they attest to the virtuosity of Dickens's response to the possibilities of developing characters and plot by means of suspension.","PeriodicalId":195639,"journal":{"name":"Dickens Studies Annual: Essays on Victorian Fiction","volume":"190 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134274041","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Challenge of Female Homoeroticism in Our Mutual Friend 《我们共同的朋友》中女性同性恋的挑战
Dickens Studies Annual: Essays on Victorian Fiction Pub Date : 2017-09-01 DOI: 10.5325/dickstudannu.48.1.0207
Michael D. Lewis
{"title":"The Challenge of Female Homoeroticism in Our Mutual Friend","authors":"Michael D. Lewis","doi":"10.5325/dickstudannu.48.1.0207","DOIUrl":"https://doi.org/10.5325/dickstudannu.48.1.0207","url":null,"abstract":"Abstract:Queer studies of the Victorian period have debated female homoeroticism's relationship to heterosexuality. Critics debate whether female dyads contest or support courtship and marriage. For Martha Vicinus, the Victorians saw women's friendships as an \"unnamable threat to social norms,\" while Sharon Marcus contends that they celebrated such relations and that same-sex \"relationships worked in tandem with heterosexual exchange.\" In Our Mutual Friend, Dickens belongs to both camps, showing women's connections as pervasive and disruptive. He celebrates women's erotic friendships precisely because they threaten heterosexual exchange: Abbey Potterson and Jenny Wren seek to protect Lizzie Hexam from her family and suitors; Sophronia Lammle gives Georgiana Podsnap a space away from her father to articulate her own feelings. These relationships that shelter women from heterosexual predation disappear in the novel's second volume. I argue, however, that we shouldn't read this disappearance as the unqualified triumph of normative relations. Mutual attraction continues to flicker—between Jenny and Abbey, Lizzie and Bella Wilfer—and the novel's heroines only accept marriage proposals once suitors cast off predatory designs and demonstrate an affection that resembles that of the female friends who have sustained them throughout the novel.","PeriodicalId":195639,"journal":{"name":"Dickens Studies Annual: Essays on Victorian Fiction","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122704667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Dickens's Wild Child: Nurture and Discipline after Peter the Wild Boy 狄更斯的野孩子:《野男孩彼得》之后的养育与管教
Dickens Studies Annual: Essays on Victorian Fiction Pub Date : 2017-09-01 DOI: 10.5325/dickstudannu.48.1.0045
Rae X. Yan
{"title":"Dickens's Wild Child: Nurture and Discipline after Peter the Wild Boy","authors":"Rae X. Yan","doi":"10.5325/dickstudannu.48.1.0045","DOIUrl":"https://doi.org/10.5325/dickstudannu.48.1.0045","url":null,"abstract":"Abstract:This essay argues that Charles Dickens models Oliver Twist after popular wild child figures of the late eighteenth and early nineteenth centuries, such as Peter the Wild Boy and Victor of Aveyron. My analysis of the scientific accounts of wild children written by physicians John Arbuthnot and Jean Marc Gaspard Itard illuminates the significance of wild children within Victorian popular culture. Nineteenth-century accounts about wild children were laden with anxieties surrounding the effectiveness of disciplinary systems. Wild child caretakers felt the need to civilize and train their charges, but the public records of their work suggest that their positivistic notions of such discipline were fraught with self-doubt. Exploring Dickens's portrayal of the \"wild child\" articulates his own ambivalence toward the development of his \"wild child\"-like protagonists.","PeriodicalId":195639,"journal":{"name":"Dickens Studies Annual: Essays on Victorian Fiction","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130284854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Gathering and Scattering: Figuring Interest in Martin Chuzzlewit 《聚集与分散:对马丁·丘兹莱维特的兴趣》
Dickens Studies Annual: Essays on Victorian Fiction Pub Date : 2017-09-01 DOI: 10.5325/dickstudannu.48.1.0095
J. Buzard
{"title":"Gathering and Scattering: Figuring Interest in Martin Chuzzlewit","authors":"J. Buzard","doi":"10.5325/dickstudannu.48.1.0095","DOIUrl":"https://doi.org/10.5325/dickstudannu.48.1.0095","url":null,"abstract":"Abstract:Disinterestedness is a mystery in Martin Chuzzlewit. Dickens's novel about selfishness almost completely lacks the means for representing the process by which people may, by reflection, achieve a measure of detachment from a self-interested perspective. Characters such as Pecksniff and Jonas Chuzzlewit, who doggedly pursue their interests without hesitation, are counterbalanced by others—chiefly Tom Pinch—for whom disinterestedness is less an accomplishment than a kind of grace that places them almost completely outside the field of relentless competition that the novel depicts. The former characters aggressively \"lean in\" to attain their goals; the latter exhibit a similar posture, but they do so in pursuit of solidarity rather than gain. Interestedness so rules the world of Martin Chuzzlewit as to become the fundamental organizing principle of perception and action, with the result that disinterested characters almost cease to be characters at all. Like Tom and the \"sketchy gentleman,\" they hover between being there and not, between one and zero.","PeriodicalId":195639,"journal":{"name":"Dickens Studies Annual: Essays on Victorian Fiction","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128886099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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