Gathering and Scattering: Figuring Interest in Martin Chuzzlewit

J. Buzard
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引用次数: 1

Abstract

Abstract:Disinterestedness is a mystery in Martin Chuzzlewit. Dickens's novel about selfishness almost completely lacks the means for representing the process by which people may, by reflection, achieve a measure of detachment from a self-interested perspective. Characters such as Pecksniff and Jonas Chuzzlewit, who doggedly pursue their interests without hesitation, are counterbalanced by others—chiefly Tom Pinch—for whom disinterestedness is less an accomplishment than a kind of grace that places them almost completely outside the field of relentless competition that the novel depicts. The former characters aggressively "lean in" to attain their goals; the latter exhibit a similar posture, but they do so in pursuit of solidarity rather than gain. Interestedness so rules the world of Martin Chuzzlewit as to become the fundamental organizing principle of perception and action, with the result that disinterested characters almost cease to be characters at all. Like Tom and the "sketchy gentleman," they hover between being there and not, between one and zero.
《聚集与分散:对马丁·丘兹莱维特的兴趣》
摘要:在马丁·丘兹莱维特的笔下,无私是一个谜。狄更斯关于自私的小说几乎完全缺乏表现过程的手段,通过反思,人们可以从自利的角度获得一定程度的超然。像佩克斯尼夫和乔纳斯·丘兹莱维特这样毫不犹豫地坚持追求自己兴趣的人物,被其他人——主要是汤姆·平奇——抵消了,对他们来说,无私与其说是一种成就,不如说是一种优雅,使他们几乎完全置身于小说所描绘的无情竞争的领域之外。前一种角色积极地“向前倾”以实现他们的目标;后者也表现出类似的姿态,但他们这样做是为了追求团结,而不是利益。兴趣支配着Martin chuzzleit的世界,成为感知和行动的基本组织原则,结果是不感兴趣的角色几乎不再是角色。就像汤姆和“粗鄙的绅士”一样,他们徘徊在存在和不存在之间,徘徊在一和零之间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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