《远大前程》和《呼啸山庄》出人意料的亲缘关系

Alan P. Barr
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引用次数: 3

摘要

令人惊讶的是,《呼啸山庄》的重大回响在《远大前程》中随处可见。狄更斯艺术的核心是他在小说中吸收和折射周围环境的旺盛、广阔的能力:令人难忘的场景、令人回味的人物、紧张的情境和当代文化中令人心酸的元素。《远大前程》丰富的汤汁中融合了一系列与《呼啸山庄》的相似之处。它们包括隐约出现的房屋,被疏远的孤儿主角,以及无数的口头呼应。没有证据表明狄更斯有意识地将这些相似之处结合起来,但它们确实存在,而且很有效。后来小说中的建筑、地形、人物、情景和表情,让人回想起Brontë世界中的元素,在重新安置后,它们的功能会大不相同。《远大前程》中的回声完全不引人注目;他们的影响是丰富的,一个高度原创的、富有想象力的小说家的影响,为他的艺术增添了质感,甚至是讽刺——也许不是焦虑于影响,而是受益于影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Unexpected Kinship of Great Expectations and Wuthering Heights
abstract:Surprisingly unnoticed are the significant reverberations of Wuthering Heights that appear scattered across Great Expectations. Central to Dickens's art is his exuberant, capacious ability to absorb and refract his surroundings in his novels: the haunting locales, the evocative characters, taut situations, and poignant elements from his contemporary culture. Melded into the rich broth of Great Expectations is a string of parallels with Wuthering Heights. They include the looming presence of the houses, the alienated, orphaned protagonists, and numerous verbal echoes. There is no evidence that Dickens incorporated these parallels consciously, but they are there and they are effective. Buildings, terrains, figures, situations, and expressions in the later novel that recall elements in Brontë's world can function quite differently relocated. The echoes embedded in Great Expectations are entirely unobtrusive; their effect is enriching, that of a highly original, imaginative novelist, adding texture and even irony to his art—perhaps less anxious about the influence than benefitting from it.
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