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Archivio d’Annunzio最新文献

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5 | 2018 5 | 2018
Archivio d’Annunzio Pub Date : 2018-11-20 DOI: 10.30687/ada/2421-292x/2018/05
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引用次数: 0
D’Annunzio ‘grecista’ in appendice a Primo vere d '安南遮' greciist在第一个真实的附录中
Archivio d’Annunzio Pub Date : 2018-11-20 DOI: 10.30687/ada/2421-292x/2018/05/013
L. Chapelle
{"title":"D’Annunzio ‘grecista’ in appendice a Primo vere","authors":"L. Chapelle","doi":"10.30687/ada/2421-292x/2018/05/013","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2018/05/013","url":null,"abstract":"The first time Gabriele d’Annunzio’s literary activity dealt with the classical antiquity dates back directly to 1879, when the author published his first poetic collection: Primo vere. It only includes four poetic translations from Horace Odes, but a new improved edition was republished in 1880 including twenty-three translations of nineteen Latin poems (from Catullus, Tibullus and most importantly from Horace) and of four Homeric hymns. A thorough analysis of the translations from ancient Greek allowed to discover the stylistic tendencies of the poet-translator and food for the though concerning the relationship between ancient Greek poetry and Dannunzian works.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128716112","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
«No, non il caval sauro, per noi» Antifrasi e riferimenti dannunziani nell’opera di Carlo Emilio Gadda 在卡洛·埃米利奥·加达(Carlo Emilio Gadda)的著作《不，不是我们的马索罗》(the caval sauro)中，丹麦语的短语和参考资料
Archivio d’Annunzio Pub Date : 2018-11-20 DOI: 10.30687/ADA/2421-292X/2018/05/009
A. Zollino
{"title":"«No, non il caval sauro, per noi»\u0000 Antifrasi e riferimenti dannunziani nell’opera di Carlo Emilio Gadda","authors":"A. Zollino","doi":"10.30687/ADA/2421-292X/2018/05/009","DOIUrl":"https://doi.org/10.30687/ADA/2421-292X/2018/05/009","url":null,"abstract":"D’Annunzio, according to a Gadda’s remarkable declaration, constituted one of the pillars of his own formation. This paper focused on the controversial relationship between Gadda and d’Annunzio: after an initial infatuation, the more grounded Gadda takes on openly critical and parodic positions (in his works, but especially in some sarcastic epistolary communications with Gianfranco Contini). This attitude, however, is not constant over time and leaves place for unequivocal appreciation of the overall figure and specific areas of d’Annunzio’s production.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124335681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gabriele d’Annunzio «grande plagiario al cospetto di Dio» 加布里埃尔·达南齐奥:“上帝面前的大剽窃者”
Archivio d’Annunzio Pub Date : 2018-11-20 DOI: 10.30687/ADA/2421-292X/2018/05/012
Mara Giacon
{"title":"Gabriele d’Annunzio «grande plagiario al cospetto di Dio»","authors":"Mara Giacon","doi":"10.30687/ADA/2421-292X/2018/05/012","DOIUrl":"https://doi.org/10.30687/ADA/2421-292X/2018/05/012","url":null,"abstract":"After a brief illustration of the problem of plagiarism between the late nineteenth and early twentieth centuries, the essay aims to reconstruct and analyse, with a wide-ranging text sampling, the positions of two of the leading exponents of ‘contra d’Annunzio’ in that period: Enrico Thovez and Gian Pietro Lucini. In addition to the specific contribution on the affaire des plagiats, in which d’Annunzio himself was involved, the essay aims to highlight the anti-plagiarism struggle conducted by the two polemists, as a relevant episode of Italian cultural history in the early twentieth century.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121122532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Croce vs d’Annunzio nel Contributo alla critica di me stesso 我对自己的批评做出了贡献
Archivio d’Annunzio Pub Date : 2018-11-20 DOI: 10.30687/ada/2421-292x/2018/05/005
M. Imbriani
{"title":"Croce vs d’Annunzio nel Contributo alla critica di me stesso","authors":"M. Imbriani","doi":"10.30687/ada/2421-292x/2018/05/005","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2018/05/005","url":null,"abstract":"In Benedetto Croce's autobiography, Contributo alla critica di me stesso, the name of Gabriele d’Annunzio seems to underline the cultural and moral difference between the philosopher and the writer. The present essay analyses this particular passage in Croce’s text as it develops within precise historical contingencies: the writing of the Contributo is dated between April and May 1915, that is, precisely at the time of Italy’s entry World War 1, while d’Annunzio animates and excites the so-called ‘maggio radioso’.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"517 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123104011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pirandello vs d’Annunzio 食人鱼对安南遮
Archivio d’Annunzio Pub Date : 2018-11-20 DOI: 10.30687/ADA/2421-292X/2018/05/006
P. Puppa
{"title":"Pirandello vs d’Annunzio","authors":"P. Puppa","doi":"10.30687/ADA/2421-292X/2018/05/006","DOIUrl":"https://doi.org/10.30687/ADA/2421-292X/2018/05/006","url":null,"abstract":"This essay analyses the critical hatred shown by Pirandello against d’Annunzio. And especially in the private letters sent to his beloved actress, the hostility maintains all his aversion, although in public the relationship has been transformed into collaboration, during the staging of the Figlia di Iorio in 1934. And yet, the Pirandellian work reveals withdrawals from the d’Annunzian one.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125138775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Di un amico avverso 一个讨厌的朋友
Archivio d’Annunzio Pub Date : 2018-11-20 DOI: 10.30687/ADA/2421-292X/2018/05/004
G. Oliva
{"title":"Di un amico avverso","authors":"G. Oliva","doi":"10.30687/ADA/2421-292X/2018/05/004","DOIUrl":"https://doi.org/10.30687/ADA/2421-292X/2018/05/004","url":null,"abstract":"D’Annunzio and De Lollis (both born in 1863 and in the same region) present, in their cultural journey, moments of contact and collaboration, especially in the early years, and contrasts and oppositions, mainly due to different artistic choices and general attitude that led De Lollis to strongly criticise the Poet. From the initial common collaborations with Roman newspapers, we arrive at the moment in which De Lollis moves against d’Annunzio’s art, which was no longer based on solid ethical principles as in the Carduccian lesson but was seen as a superficial and soul-less art, in the triumph of rhetoric. The decisive difference was revealed at the time Italy entered the war, when De Lollis openly criticised d'Annunzio’s position as soon as he returned from France.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127490240","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La linea stilistica della «chiarezza poetica» Comisso vs d’Annunzio “诗歌清晰”的风格线Comisso vs d '安南遮
Archivio d’Annunzio Pub Date : 2018-11-20 DOI: 10.30687/ADA/2421-292X/2018/05/010
I. Crotti
{"title":"La linea stilistica della «chiarezza poetica»\u0000 Comisso vs d’Annunzio","authors":"I. Crotti","doi":"10.30687/ADA/2421-292X/2018/05/010","DOIUrl":"https://doi.org/10.30687/ADA/2421-292X/2018/05/010","url":null,"abstract":"Giovanni Comisso, after d’Annunzio passed away, proposed to place his artistic figure in the framework of the contemporary critical horizon, selecting a very peculiar formal line, distinguished by ‘clarity’, in order to measure himself and, together, to take the necessary distances from the teaching of the ‘Vate’. In the second part of this paper, a Comissian critical essay is published, which appeared in the early ’60s in Il Mondo of Pannunzio and has remained in the shadows so far; in it we summarise an exemplary historiographical and stylistic balance of the Italian narrative between the 19th and the beginning of the 20th century, re-reading in perspective and under another way d’Annunzio’s function.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128373213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
D’Annunzio, nome comune Note sulla critica saviniana agli estetismi 达南齐奥，一个常见的名字，关于萨维尼亚人对美学的批评
Archivio d’Annunzio Pub Date : 2018-11-20 DOI: 10.30687/ADA/2421-292X/2018/05/008
Gavino Piga
{"title":"D’Annunzio, nome comune\u0000 Note sulla critica saviniana agli estetismi","authors":"Gavino Piga","doi":"10.30687/ADA/2421-292X/2018/05/008","DOIUrl":"https://doi.org/10.30687/ADA/2421-292X/2018/05/008","url":null,"abstract":"D’Annunzio is often mentioned, in Savinio’s works, as a typical representative of a cultural trend rather than as an author in his own right. This is due to the fact that, according to Savinio, the aesthetistic poetry is incapable of an authentic artistic creation, because it finds its place naturally in the field of imitation. Therefore, d’Annunzio’s works are the results of an anonymous and regressive experience, which is the perfect antithesis of Savinio’s idea about art. But this subject is structurally connected with a global and very original view of the world that Savinio develops especially during and after the World War 2. This work investigates the complex ties between the Savinio’s ‘antidannunzianismo’ and the development of his global elaboration.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131817597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Crotti, Ilaria (2016). Lo scrittoio imaginifico. Volti e risvolti del d'Annunzio narratore. Avellino: Edizioni Sinestesie, 225 pp. Crotti, Ilaria(2016)。我想象桌子。达南齐奥叙述者的脸和翻领。阿维利诺:同步版本，225页。
Archivio d’Annunzio Pub Date : 2018-11-20 DOI: 10.30687/ada/2421-292x/2018/05/014
Mara Giacon
{"title":"Crotti, Ilaria (2016). Lo scrittoio imaginifico. Volti e risvolti del d'Annunzio narratore. Avellino: Edizioni Sinestesie, 225 pp.","authors":"Mara Giacon","doi":"10.30687/ada/2421-292x/2018/05/014","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2018/05/014","url":null,"abstract":"","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132408152","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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