{"title":"在卡洛·埃米利奥·加达(Carlo Emilio Gadda)的著作《不,不是我们的马索罗》(the caval sauro)中,丹麦语的短语和参考资料","authors":"A. Zollino","doi":"10.30687/ADA/2421-292X/2018/05/009","DOIUrl":null,"url":null,"abstract":"D’Annunzio, according to a Gadda’s remarkable declaration, constituted one of the pillars of his own formation. This paper focused on the controversial relationship between Gadda and d’Annunzio: after an initial infatuation, the more grounded Gadda takes on openly critical and parodic positions (in his works, but especially in some sarcastic epistolary communications with Gianfranco Contini). This attitude, however, is not constant over time and leaves place for unequivocal appreciation of the overall figure and specific areas of d’Annunzio’s production.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"21 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"«No, non il caval sauro, per noi»\\n Antifrasi e riferimenti dannunziani nell’opera di Carlo Emilio Gadda\",\"authors\":\"A. Zollino\",\"doi\":\"10.30687/ADA/2421-292X/2018/05/009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"D’Annunzio, according to a Gadda’s remarkable declaration, constituted one of the pillars of his own formation. This paper focused on the controversial relationship between Gadda and d’Annunzio: after an initial infatuation, the more grounded Gadda takes on openly critical and parodic positions (in his works, but especially in some sarcastic epistolary communications with Gianfranco Contini). This attitude, however, is not constant over time and leaves place for unequivocal appreciation of the overall figure and specific areas of d’Annunzio’s production.\",\"PeriodicalId\":170358,\"journal\":{\"name\":\"Archivio d’Annunzio\",\"volume\":\"21 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-11-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Archivio d’Annunzio\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30687/ADA/2421-292X/2018/05/009\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Archivio d’Annunzio","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/ADA/2421-292X/2018/05/009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
«No, non il caval sauro, per noi»
Antifrasi e riferimenti dannunziani nell’opera di Carlo Emilio Gadda
D’Annunzio, according to a Gadda’s remarkable declaration, constituted one of the pillars of his own formation. This paper focused on the controversial relationship between Gadda and d’Annunzio: after an initial infatuation, the more grounded Gadda takes on openly critical and parodic positions (in his works, but especially in some sarcastic epistolary communications with Gianfranco Contini). This attitude, however, is not constant over time and leaves place for unequivocal appreciation of the overall figure and specific areas of d’Annunzio’s production.