La linea stilistica della «chiarezza poetica» Comisso vs d’Annunzio

I. Crotti
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Abstract

Giovanni Comisso, after d’Annunzio passed away, proposed to place his artistic figure in the framework of the contemporary critical horizon, selecting a very peculiar formal line, distinguished by ‘clarity’, in order to measure himself and, together, to take the necessary distances from the teaching of the ‘Vate’. In the second part of this paper, a Comissian critical essay is published, which appeared in the early ’60s in Il Mondo of Pannunzio and has remained in the shadows so far; in it we summarise an exemplary historiographical and stylistic balance of the Italian narrative between the 19th and the beginning of the 20th century, re-reading in perspective and under another way d’Annunzio’s function.
“诗歌清晰”的风格线Comisso vs d '安南遮
乔瓦尼·科米索在达农齐奥去世后,建议将他的艺术形象置于当代批判视界的框架中,选择一条非常独特的形式线,以“清晰”为特征,以衡量自己,并共同从“Vate”的教学中采取必要的距离。本文的第二部分,发表了一篇共产主义的评论文章,这篇文章出现在60年代初的潘农齐奥的《世界》中,至今仍处于阴影中;在这篇文章中,我们总结了19世纪到20世纪初意大利叙事在历史编纂和风格上的平衡,从另一个角度重新阅读,并以达南齐奥的另一种方式发挥作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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