达南齐奥,一个常见的名字,关于萨维尼亚人对美学的批评

Gavino Piga
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引用次数: 0

摘要

在萨维尼奥的作品中,达南齐奥经常被视为一种文化趋势的典型代表,而不是作为一个独立的作家。这是因为,根据萨维尼奥的说法,美学诗歌无法进行真正的艺术创作,因为它自然地在模仿领域找到了自己的位置。因此,达南齐奥的作品是一种匿名的、倒退的体验的结果,这与萨维尼奥的艺术观念是完美的对立。但这个主题在结构上与萨维尼奥对世界的一种全球性的、非常原始的看法联系在一起,尤其是在第二次世界大战期间和之后。这项工作调查了萨维尼奥的“反dannunzianismo”和他的全球阐述的发展之间的复杂关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
D’Annunzio, nome comune Note sulla critica saviniana agli estetismi
D’Annunzio is often mentioned, in Savinio’s works, as a typical representative of a cultural trend rather than as an author in his own right. This is due to the fact that, according to Savinio, the aesthetistic poetry is incapable of an authentic artistic creation, because it finds its place naturally in the field of imitation. Therefore, d’Annunzio’s works are the results of an anonymous and regressive experience, which is the perfect antithesis of Savinio’s idea about art. But this subject is structurally connected with a global and very original view of the world that Savinio develops especially during and after the World War 2. This work investigates the complex ties between the Savinio’s ‘antidannunzianismo’ and the development of his global elaboration.
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