{"title":"食人鱼对安南遮","authors":"P. Puppa","doi":"10.30687/ADA/2421-292X/2018/05/006","DOIUrl":null,"url":null,"abstract":"This essay analyses the critical hatred shown by Pirandello against d’Annunzio. And especially in the private letters sent to his beloved actress, the hostility maintains all his aversion, although in public the relationship has been transformed into collaboration, during the staging of the Figlia di Iorio in 1934. And yet, the Pirandellian work reveals withdrawals from the d’Annunzian one.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"12 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Pirandello vs d’Annunzio\",\"authors\":\"P. Puppa\",\"doi\":\"10.30687/ADA/2421-292X/2018/05/006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay analyses the critical hatred shown by Pirandello against d’Annunzio. And especially in the private letters sent to his beloved actress, the hostility maintains all his aversion, although in public the relationship has been transformed into collaboration, during the staging of the Figlia di Iorio in 1934. And yet, the Pirandellian work reveals withdrawals from the d’Annunzian one.\",\"PeriodicalId\":170358,\"journal\":{\"name\":\"Archivio d’Annunzio\",\"volume\":\"12 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-11-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Archivio d’Annunzio\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30687/ADA/2421-292X/2018/05/006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Archivio d’Annunzio","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/ADA/2421-292X/2018/05/006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
本文分析了皮兰德娄对达农齐奥所表现出的批判仇恨。尤其是在写给他心爱的女演员的私人信件中,敌意保持着他所有的厌恶,尽管在公开场合,他们的关系已经转变为合作,在1934年的Figlia di Iorio的舞台上。然而,皮兰德利的作品揭示了从达农兹的作品中提取出来的东西。
This essay analyses the critical hatred shown by Pirandello against d’Annunzio. And especially in the private letters sent to his beloved actress, the hostility maintains all his aversion, although in public the relationship has been transformed into collaboration, during the staging of the Figlia di Iorio in 1934. And yet, the Pirandellian work reveals withdrawals from the d’Annunzian one.