Pro Musica Sacra最新文献

Resounding Through the Ages: The Seven Last Words of Christ 响彻千古:基督最后的七句话

Pro Musica Sacra Pub Date : 2023-11-03 DOI: 10.15633/pms.2103

Jacob Benda

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Mandatum rite in the 14th century “Ceremoniale et Pontificale Episcoporum” (AKKK, Ms. 11) from the Archives and Library of the Krakow Cathedral Chapter 克拉科夫大教堂分会档案馆和图书馆收藏的 14 世纪 "Ceremoniale et Pontificale Episcoporum"（AKKK，女士 11）中的 Mandatum 仪式

Pro Musica Sacra Pub Date : 2023-11-03 DOI: 10.15633/pms.2107

Katarzyna Danilewicz

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Lauds by Krzysztof Penderecki – a musical transmission of a spiritual message: Поем Твою, Христе, спасительную Страсть, и славим Твое воскресение 《Krzysztof Penderecki的音乐翻译》:唱你的救恩，基督，赞美你的复活

Pro Musica Sacra Pub Date : 2023-11-03 DOI: 10.15633/pms.2105

Stanisław Krawczyński

{"title":"Lauds by Krzysztof Penderecki – a musical transmission of a spiritual message: Поем Твою, Христе, спасительную Страсть, и славим Твое воскресение","authors":"Stanisław Krawczyński","doi":"10.15633/pms.2105","DOIUrl":"https://doi.org/10.15633/pms.2105","url":null,"abstract":"The centre of research interest described in the article is the analysis of the relationship of the work of the eminent Polish composer Krzysztof Penderecki, LAUDS I – Złożenie do grobu (Laying in the Tomb) and LAUDS II – Zmartwychwstanie (Resurrection), with the texts of the Orthodox rite of Good Friday and Holy Week Saturday. The first part of the article presents the political and historical context of the work, its influence on the choice of content and form of composition. The liturgical coherence of Penderecki’s three works is presented: St Luke’s Passion and both Lauds, as a unity combining the cohesiveness of the Paschal themes. The construction of the work itself according to the division into individual parts is discussed. Each is placed within the liturgical, timbral and semantic layers of the Holy Week liturgy and discussed in terms of its musical construction, which makes use of extremely varied and often unconventional means of artistic expression. The article concludes that Krzysztof Penderecki’s Lauds, being an artistic – not liturgical – work, subordinates the text of the service to musical needs, using it as an inspiration for the spiritual values subsequently contained in the music. It is difficult, therefore, to find in it the preservation of the liturgical canon, or its setting in the direct course of an Orthodox Paschal service. Rather, one should seek, translated into musical language, the values contained in the prayer layer of the Good Friday and Saturday rites. Crucial for all the considerations carried out in the article are the rela[1]tions between the verbal layer of the service and the form and musical layer of the work, which is an unprecedented, until then, artistic approach to the Easter rite. The whole is illustrated with examples taken from the scores of the work, referring to the descrip[1]tions presented in the article.","PeriodicalId":150691,"journal":{"name":"Pro Musica Sacra","volume":"27 29","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135819148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Henryk Mikołaj Górecki’s road to the Oratorio “Sanctus Adalbertus” in the context of the composer’s fascination with the person and teaching of St. John Paul II 亨利克Mikołaj Górecki的道路清唱剧“Sanctus Adalbertus”在作曲家的迷恋的人和教学的背景下，圣约翰保罗二世

Pro Musica Sacra Pub Date : 2023-11-03 DOI: 10.15633/pms.2104

Teresa Malecka

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The Liturgical Music in the Italian Church 意大利教堂的礼拜音乐

Pro Musica Sacra Pub Date : 2023-11-03 DOI: 10.15633/pms.2102

Ivan Losio

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La musica per la liturgia nel nostro tempo: quale linguaggio? 我们这个时代的礼拜音乐:什么语言?

Pro Musica Sacra Pub Date : 2023-11-03 DOI: 10.15633/pms.2101

Pietro Panzetti

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25 years of the Archdiocesan Music School in Krakow. History and the present 在克拉科夫大主教管区音乐学校学习了25年。历史与现在

Pro Musica Sacra Pub Date : 2023-11-03 DOI: 10.15633/pms.2108

Marek Dolewka