Pro Musica Sacra最新文献_第5页

Dyplomy licencjackie i magisterskie Międzyuczelnianego Instytutu Muzyki Kościelnej w Krakowie w roku akademickim 2017/2018

Pro Musica Sacra Pub Date : 2019-04-15 DOI: 10.15633/PMS.2590

A. Kopińska, Dawid Kusz

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Sprawozdanie z działalności Koła Naukowego Congaudeant Międzyuczelnianego Instytutu Muzyki Kościelnej w roku akademickim 2017–2018

Pro Musica Sacra Pub Date : 2019-04-15 DOI: 10.15633/pms.2587

Dariusz Szczepan Skowron

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Kościół, sztuka i muzyka: doświadczenie poszukiwań i odnajdywania zawsze nowych horyzontów

Pro Musica Sacra Pub Date : 2019-04-15 DOI: 10.15633/PMS.2576

Vincenzo De Gregorio

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Zadania organów i posługa organisty w Musicam sacram. Bilans i perspektywy

Pro Musica Sacra Pub Date : 2019-04-15 DOI: 10.15633/PMS.2577

Gilberto Sesantini

{"title":"Zadania organów i posługa organisty w Musicam sacram. Bilans i perspektywy","authors":"Gilberto Sesantini","doi":"10.15633/PMS.2577","DOIUrl":"https://doi.org/10.15633/PMS.2577","url":null,"abstract":"The role of a pipe organ and the service of an organist in Musicram sacram . An account and prospects The position of a pipe organ in the liturgy of the Roman Catholic Church has been precisely clarified nowadays. Its major role is to support singing of the faithful, accompa-ny choral bands and to perform solo music conformed with the character of a given feast or celebration. The instruction Musicam sacram of 1957 most clearly specifies when and on what occasions the organ ought to be used during liturgy and when its involvement is undesirable. These regulations appertain as well to organist’s service, defining its crucial role in building the community of the faithful. The instruction Musicam sacram , issued 50 years ago, is not only a document of his-torical value. It has also become a launch pad for many subsequent documents regarding the church music. What is more, many specifications included in Musicam sacram are still relevant today. Recounting and analyzing some of its directions referring to the organ and organ playing allowed the author of this study to conclude that: “Nowadays, the liturgy still cannot cope without the organ and the organ cannot cope without liturgy. The dictum of Musicam sacram is clear, so is its mens (the so called «spirit»). As always, it is the hearts of people who are supposed to implement these regulations and who need repentance”.","PeriodicalId":150691,"journal":{"name":"Pro Musica Sacra","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130547792","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Odnowione pojmowanie roli chórów w liturgii

Pro Musica Sacra Pub Date : 2019-04-15 DOI: 10.15633/PMS.2578

Marius Linnenborn

{"title":"Odnowione pojmowanie roli chórów w liturgii","authors":"Marius Linnenborn","doi":"10.15633/PMS.2578","DOIUrl":"https://doi.org/10.15633/PMS.2578","url":null,"abstract":"The renewed understanding of the role of a choir in liturgy The author indicates a few crucially significant issues arisen after the Second Vatican Council, namely the revival of music and singing in liturgy, particularly the role of a choir, and the questions of a repertoire, choir composition and voice arrangement during liturgy entailing the problem of women’s inclusion into the choir. Through his most exhaustive, against the paper limitations, historical analysis, the author demonstrates how the role of the choir in liturgy was understood at the beginning and how this understanding has evolved over the years. According to the reformatory movement of sacred music and liturgy, the so called cecilianism, it is singing itself which is part of liturgy and not merely the music decoration of the latter, that is why “choir dignity” derives from the unity with a celebrant occurring while singing the antiphony through which the choir represents the faithful. The advocates of the cecilian movement claimed that the choir could consist solely of boys and men, which was later confirmed by the decisions of diocesan synods. Motu proprio Tra le sollecitudini issued by Pope Pius X in 1903, the 1928 Apostolic Constitution Divini cultus of Pope Pius XI or the encyclical Musicae sacrae disciplina of Pius XII from 1955, all addressing the issue of liturgical singing, even proposed the exclusive men’s choir composition. The Instruction on Sacred Music and Sacred Liturgy published in 1958 by the Congregation for Rites provided as well a precise definition of a singing choir: although the baptized laity take an active part in liturgy: “the direct, albeit symbolic service” may be delivered only by the laity of the male sex – boys, young men or adults. In its Constitution on Sacred Liturgy Sacrosanctum concilium of 4 December 1963, in the chapter devoted to church music, Vatican Council II postulated, on the one hand the promotion of boy’s choirs (“particularly in cathedral churches”), on the other hand it imposed upon the bishops and other ecclesiastical executives the obligation of guaranteeing that „whenever the sacred action is to be celebrated with song, the whole body of the faithful may be able to contribute that active participation which is rightly theirs“. The Instruction Musicam sacram of 5 March 1967 specified the role of a choir naming it capella musica or schola cantorum which is “to ensure the proper performance of the parts which belong to it, according to the different kinds of music sung, and to encourage the active participation of Odnowione pojmowanie roli chórów w liturgii 111 the faithful in the singing”. Although article 22 stipulates that a choir should consist of men, yet there is no quality differentiation with regard to liturgical service between boy’s and men-women’s or even solely women’s choirs. In this way the process of clericalisation of a singing choir finally reached its end. The author emphasizes as well a vital role of children cho","PeriodicalId":150691,"journal":{"name":"Pro Musica Sacra","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121429674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Śpiew wiernych w liturgii w świetle watykańskiej instrukcji Musicam sacram

Pro Musica Sacra Pub Date : 2019-04-15 DOI: 10.15633/PMS.2579

W. Kałamarz

引用次数: 1