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Inspiracja pieśnią roratnią Rorate caeli desuper w Koncercie na altówkę i orkiestrę smyczkową
Pro Musica Sacra Pub Date : 2019-04-15 DOI: 10.15633/PMS.2583
Ewa Fabiańska-Jelińska
{"title":"Inspiracja pieśnią roratnią Rorate caeli desuper w Koncercie na altówkę i orkiestrę smyczkową","authors":"Ewa Fabiańska-Jelińska","doi":"10.15633/PMS.2583","DOIUrl":"https://doi.org/10.15633/PMS.2583","url":null,"abstract":"Inspiration of early morning advent mass song Rorate caeli desuper in the Concerto for viola and string orchestra The author describes the inspiration for and background to the creation of the Concerto for viola and string orchestra. It elaborates the sphere of the composer’s inspiration: the religious period of Advent (rorate mass and its song Rorate caeli desuper) with the accompanying reflection on the symbolism of luminosity and darkness. The basic idea of sound in the concerto for viola and string orchestra was inspired by a musical quotation from the initial motif of the rorate song Rorate caeli desuper. The opening tunes of the song became the foundation for the development and shaping of the sound material in the subsequent movements of the viola concerto. The musical architecture and dramatic content of the entire piece rests on the aforementioned quote, which integrates the particular movements in accordance with the concept of unity in diversity understood as coherent input sound material whose narration is enriched by being presented in various sound contexts.","PeriodicalId":150691,"journal":{"name":"Pro Musica Sacra","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127669983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Zerkając na „20 spojrzeń…” – zza kulis ogólnopolskiego konkursu wiedzy
Pro Musica Sacra Pub Date : 2019-04-15 DOI: 10.15633/PMS.2586
Marek Dolewka
{"title":"Zerkając na „20 spojrzeń…” – zza kulis ogólnopolskiego konkursu wiedzy","authors":"Marek Dolewka","doi":"10.15633/PMS.2586","DOIUrl":"https://doi.org/10.15633/PMS.2586","url":null,"abstract":"","PeriodicalId":150691,"journal":{"name":"Pro Musica Sacra","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133153307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sprawozdanie z XIII Dni Muzyki Kościelnej w Archidiecezji Krakowskiej 17–22 XI 2017
Pro Musica Sacra Pub Date : 2019-04-15 DOI: 10.15633/PMS.2588
Marcin Miotelka
{"title":"Sprawozdanie z XIII Dni Muzyki Kościelnej w Archidiecezji Krakowskiej 17–22 XI 2017","authors":"Marcin Miotelka","doi":"10.15633/PMS.2588","DOIUrl":"https://doi.org/10.15633/PMS.2588","url":null,"abstract":"","PeriodicalId":150691,"journal":{"name":"Pro Musica Sacra","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129004329","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Recenzja płyty Missa est Recenzja włyty希特勒是
Pro Musica Sacra Pub Date : 2019-04-15 DOI: 10.15633/PMS.2585
Kama Hawryszków
{"title":"Recenzja płyty Missa est","authors":"Kama Hawryszków","doi":"10.15633/PMS.2585","DOIUrl":"https://doi.org/10.15633/PMS.2585","url":null,"abstract":"","PeriodicalId":150691,"journal":{"name":"Pro Musica Sacra","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114658750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Międzyuczelniany Instytut Muzyki Kościelnej w Krakowie. Dziesięć lat działalności (2008–2018)
Pro Musica Sacra Pub Date : 2019-04-15 DOI: 10.15633/PMS.2575
A. Zając
{"title":"Międzyuczelniany Instytut Muzyki Kościelnej w Krakowie. Dziesięć lat działalności (2008–2018)","authors":"A. Zając","doi":"10.15633/PMS.2575","DOIUrl":"https://doi.org/10.15633/PMS.2575","url":null,"abstract":"The article presents various forms of the activity performed by the Intercollegiate Institute of Church Music in Cracow over the span of 10 years (2008–2018) with regard to scientific-and-didactic and to artistic aspects. The scientific-and-didactic performance is mainly the result of the activities regulated with a teaching curriculum, of scientific conferences and symposia, the outcome of the journal “Pro Musica Sacra”, devoted to church music, as well as of the activity of the Student Research Club, BA and MA theses be the effect of scientific seminars, and of post-graduate studies of liturgical monody. The artistic activity of the institute is best manifested through concerts, master courses and music workshops, through diploma organ recitals and liturgical diploma performances, CD recordings and music-related publications. The author of the article emphasizes that the major educational aim of all the educational, artistic and formative activities of the institute is to prepare competent and professional musicians who will undertake the jobs at various pastoral institutions of the church. And it is them on whom the music of the liturgical rituals shall represent a required standard, dignity and a desired form. The article concludes with the account of a tremendously important event for the history of the Institute, namely conferring upon the pope emeritus Benedict XVI the honoris causa doctorate by the John Paul II University and the Music Academy in Cracow in 2015. Keywords Intercollegiate Institute of Church Music in Cracow, John Paul II University, Music Academy, pope emeritus Benedict XVI, Mons. Robert Tyrala, Witold Zalewski, church music, pipe organ, BA and MA seminars, concerts, organ recitals, scientific conferences, Student Research Club, master courses, music workshops, journal “Pro Musica Sacra”","PeriodicalId":150691,"journal":{"name":"Pro Musica Sacra","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130058194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Muzyczna ilustracja tekstu w XVIII-wiecznych cyklach nieszpornych kompozytorów jasnogórskich
Pro Musica Sacra Pub Date : 2019-04-15 DOI: 10.15633/PMS.2582
D. Ślusarczyk
{"title":"Muzyczna ilustracja tekstu w XVIII-wiecznych cyklach nieszpornych kompozytorów jasnogórskich","authors":"D. Ślusarczyk","doi":"10.15633/PMS.2582","DOIUrl":"https://doi.org/10.15633/PMS.2582","url":null,"abstract":"Musical illustration of the text in the 18th century Vesper cycles by the composers of Jasna Góra Monastery The Vespers attracted the interest of many church composers and were – apart from the Mass – the second most frequently chosen service text. The musical setting of this part of officium divinum became richer in the course of time, especially in the monastic rite. The Vespers of Jasna Góra were of special nature since the prayer of the monks was accompanied by the Pauline monastery music ensemble. Its repertoire included works by composers connected with Częstochowa, who were instrumentalists or kapellmeisters in the monastery. The article presents seven composers connected with Jasna Góra in the 1700’s. The material was analyzed in terms of the relationship between the liturgical text and the musical setting, which was the very core of the 18th century art of composition. The musical works studied show features characteristic for the music of early Classical period, at the Muzyczna ilustracja tekstu w XVIII-wiecznych cyklach nieszpornych... 189 same time retaining some elements typical of the Baroque rhetoric. The Vespers of Jasna Góra are valuable evidence of Polish cultural heritage – one of the few preserved works of this kind.","PeriodicalId":150691,"journal":{"name":"Pro Musica Sacra","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125591178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Góreckiego Beatus vir wobec nauczania Josepha kard. Ratzingera (Jezus z Nazaretu). Teologiczna interpretacja
Pro Musica Sacra Pub Date : 2019-04-15 DOI: 10.15633/PMS.2581
Mateusz Ziemlewski
{"title":"Góreckiego Beatus vir wobec nauczania Josepha kard. Ratzingera (Jezus z Nazaretu). Teologiczna interpretacja","authors":"Mateusz Ziemlewski","doi":"10.15633/PMS.2581","DOIUrl":"https://doi.org/10.15633/PMS.2581","url":null,"abstract":"","PeriodicalId":150691,"journal":{"name":"Pro Musica Sacra","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124514684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Biblijne i systematyczne źródła teologii muzyki Josepha Ratzingera / Benedykta XVI
Pro Musica Sacra Pub Date : 2019-04-15 DOI: 10.15633/PMS.2580
Tomasz Samulnik
{"title":"Biblijne i systematyczne źródła teologii muzyki Josepha Ratzingera / Benedykta XVI","authors":"Tomasz Samulnik","doi":"10.15633/PMS.2580","DOIUrl":"https://doi.org/10.15633/PMS.2580","url":null,"abstract":"In this article there are described fundamental ideas in cardinal Joseph Ratzinger’s / pope Benedict XVI’s theology of music. We begin with a description of the context of Ratzinger’s theology of music which is the faith expressed in the liturgy. The biblical and patristic sources of his theological thought will be described subsequently. In the next section the theological-systematic basis (christological, pneumatological and eschatological) of Ratzinger’s musical-theological thought is studied.","PeriodicalId":150691,"journal":{"name":"Pro Musica Sacra","volume":"119 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123477464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Zabytkowe organy w Polsce na znaczkach Poczty Polskiej
Pro Musica Sacra Pub Date : 2019-04-15 DOI: 10.15633/PMS.1849
J. Janicki
{"title":"Zabytkowe organy w Polsce na znaczkach Poczty Polskiej","authors":"J. Janicki","doi":"10.15633/PMS.1849","DOIUrl":"https://doi.org/10.15633/PMS.1849","url":null,"abstract":"W dniu 3 czerwca 2018 roku Poczta Polska wprowadziła do obiegu znaczek pocztowy w formie bloku o wartości 6,80 zł, w emisji zatytułowanej Zabytkowe organy w Polsce1. Na znaczku na tle wnętrza świątyni zostały przedstawione manierystyczno-barokowe organy franciszkańskiego kościoła Świętej Trójcy w Gdańsku. Autorką projektu znaczka jest artystka Marzanna Dąbrowska, która zaprojektowała dwa poprzednie znaczki tej emisji (2016, 2017) oraz wydaną z tej okazji kopertę Pierwszego Dnia Obiegu (FDC). Znaczek wydrukowano techniką offsetową z suchym tłoczeniem na papierze fluorescencyjnym w nakładzie 100 tysięcy sztuk. Format znaczka to 51 × 79 mm, format bloku – 75 × 100 mm2.","PeriodicalId":150691,"journal":{"name":"Pro Musica Sacra","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129035494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Śpiew Vere, vere hodierna dies z rękopisu akkk 241 (1447–1456) Archiwum Krakowskiej Kapituły Katedralnej na Wawelu
Pro Musica Sacra Pub Date : 2019-04-15 DOI: 10.15633/PMS.2584
Anita Pyrek-Nąckiewicz
{"title":"Śpiew Vere, vere hodierna dies z rękopisu akkk 241 (1447–1456) Archiwum Krakowskiej Kapituły Katedralnej na Wawelu","authors":"Anita Pyrek-Nąckiewicz","doi":"10.15633/PMS.2584","DOIUrl":"https://doi.org/10.15633/PMS.2584","url":null,"abstract":"","PeriodicalId":150691,"journal":{"name":"Pro Musica Sacra","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126172323","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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