Resounding Through the Ages: The Seven Last Words of Christ

Pro Musica Sacra Pub Date : 2023-11-03 DOI:10.15633/pms.2103
Jacob Benda
{"title":"Resounding Through the Ages: The Seven Last Words of Christ","authors":"Jacob Benda","doi":"10.15633/pms.2103","DOIUrl":null,"url":null,"abstract":"The life, death, and resurrection of Jesus Christ has served as the source for innumerable musical creations spanning the centuries, including a colorful array of compositions inspired by The Seven Last Words of Christ. This musico-theological analysis is an attempt to describe how Part I of Pamela Decker’s epic work for solo organ, The Seven Last Words and Triumph of Christ, artfully communicates the power, depth, and beauty of Christ’s timeless words by way of pitch, rhythm, texture, registration, and use of pre-existing melody.","PeriodicalId":150691,"journal":{"name":"Pro Musica Sacra","volume":"33 17","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Pro Musica Sacra","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15633/pms.2103","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

The life, death, and resurrection of Jesus Christ has served as the source for innumerable musical creations spanning the centuries, including a colorful array of compositions inspired by The Seven Last Words of Christ. This musico-theological analysis is an attempt to describe how Part I of Pamela Decker’s epic work for solo organ, The Seven Last Words and Triumph of Christ, artfully communicates the power, depth, and beauty of Christ’s timeless words by way of pitch, rhythm, texture, registration, and use of pre-existing melody.
响彻千古:基督最后的七句话
几个世纪以来,耶稣基督的生、死和复活一直是无数音乐创作的源泉,包括一系列受《基督最后的七句话》启发的丰富多彩的作品。这篇音乐神学分析试图描述帕梅拉·德克尔(Pamela Decker)为独奏风琴创作的史诗作品《最后的七句话和基督的胜利》(The Seven Last Words and Triumph of Christ)的第一部分是如何通过音高、节奏、织体、音域和对已有旋律的使用,巧妙地传达了基督永恒话语的力量、深度和美丽。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信