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引用次数: 0
摘要
这篇文章试图诊断选定的文化和社会威胁，并将它们与教会音乐家的日常生活和他们的职业联系起来。在这方面，反思是基于Kłopot za kłopotem一书中提出的分析。dryfującej欧洲语[麻烦接踵而来。《漂泊欧洲的天主教徒》，作者:马西耶神父Zięba OP.在第二部分中，文章提到了由杰出神学家、宗座神学院成员、伊诺斯·比菲教授提出的由情感、美学和神秘组成的圣乐三位一体的模式。这个模式应该为我们感兴趣的问题提供答案:一个基督教音乐家如何规划和塑造他的职业未来?他能面对日益严重的问题吗?如果能，又该如何面对?
The Called. Church Musicians in the Face of Cultural Changes
The article is an attempt to diagnose selected cultural and social threats and to relate them to the everyday life of church musicians and their profession. In this regard, the reflection is based on the analysis presented in the book Kłopot za kłopotem. Katolik w dryfującej Europie [Trouble follows trouble. A Catholic in a drifting Europe] by Fr Maciej Zięba OP. In the second part, the article refers to the tripartite model of sacred music, consisting of feeling, aesthetics and mystery, proposed by an eminent theologian, member of the Pontifical Academy of Theology, Professor Inos Biffi. This model should provide answers to quetions of interest to us: How can a Christian musician plan and shape his professional future? Can he face the growing problems, and if so, then how?
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