Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)最新文献_第4页

Symbolic Meanings of the Sancaya Kusumawicitra Dance Costumes Designed by S. Ngaliman Tjondropangrawit S. Ngaliman Tjondropangrawit设计的sanaya Kusumawicitra舞蹈服装的象征意义

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 2020-07-03 DOI: 10.2991/assehr.k.200703.041

Herlinah

{"title":"Symbolic Meanings of the Sancaya Kusumawicitra Dance Costumes Designed by S. Ngaliman Tjondropangrawit","authors":"Herlinah","doi":"10.2991/assehr.k.200703.041","DOIUrl":"https://doi.org/10.2991/assehr.k.200703.041","url":null,"abstract":"This article aims to describe the Symbolic Meanings of the Sancaya Kusumawicitra Dance Costume. This article is part of the research that had been carried out, entitled “the development of interactive multimedia in learning the sancaya kusumawicitra dance based on the elaboration theory.” Sancaya Kusumawicitra dance is a form of male partner Surakartan style dance developed by S. Ngaliman Tjondropangrawit. The dance symbolically depicts a war between the evil characters of Sancaya and the good characters of Kusumawicitra. Another element that supports the Sancaya Kusumawicitra dance, besides the motion, accompaniment, cosmetology, and property is the costume. Costume is an important element to strengthen the role and character. It is because characteristics can also be seen from the colors of the costumes worn. The results of the analysis show that the costumes worn by Sancaya and Kusumawicitra figures have different colors. Sancaya wears the red costume and Kusumawicitra uses the green costume. Based on the Javanese culture, the red color has a symbolic meaning of hard temper and anger, while green has symbolic meanings of calm and peace.","PeriodicalId":143160,"journal":{"name":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131026753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Resistance of Rebo Pungkasan Traditional Ceremony in Industrial Revolution 4.0 工业革命4.0背景下热布蓬卡山传统仪式的反抗

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 2020-07-03 DOI: 10.2991/assehr.k.200703.024

Wahyu Surbono, Sutiyono

{"title":"Resistance of Rebo Pungkasan Traditional Ceremony in Industrial Revolution 4.0","authors":"Wahyu Surbono, Sutiyono","doi":"10.2991/assehr.k.200703.024","DOIUrl":"https://doi.org/10.2991/assehr.k.200703.024","url":null,"abstract":"Rebo pungkasan is one of the cultural heritages of Pendoworejo village located in Kulon Progo regency. This traditional ceremony survives because as a local wisdom, it can integrate members of societies into one although it faces problems in this 4.0 Industrial Revolution. Nowadays, the products of the era profoundly affect various aspects of human life including the aspects of technology, industry, economy, and culture. The traditional ceremony experiences regeneration problems because of the emergence of the Industrial Revolution. This study aims to investigate the efforts of Pendoworejo societies to resist the changes which go along with the Industrial Revolution. It is a qualitative descriptive study that uses qualitative methods to collect data through observations, interviews, and documentation. The interactive data analysis was conducted, and it was found that: (1) Jathilan has an important role in attracting people’s attention during rebo pungkasan traditional ceremonies, and (2) to cherish the tradition, formal education including elementary schools in Pendoworejo Village should ask their students take part in the traditional ceremony.","PeriodicalId":143160,"journal":{"name":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133619040","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Role of Rampak Yakso Dance in Cutting Dreadlocks Ritual Ceremony in Dieng Banjarnegara Central Java 中爪哇Dieng Banjarnegara剪脏辫仪式中Rampak Yakso舞蹈的作用

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 2020-07-03 DOI: 10.2991/assehr.k.200703.050

Renistiara Medilianasari, T. Retnowati

{"title":"Role of Rampak Yakso Dance in Cutting Dreadlocks Ritual Ceremony in Dieng Banjarnegara Central Java","authors":"Renistiara Medilianasari, T. Retnowati","doi":"10.2991/assehr.k.200703.050","DOIUrl":"https://doi.org/10.2991/assehr.k.200703.050","url":null,"abstract":"Art closely grows within the community, holding the function of both entertainment and ritual. The art presented in the ceremony does not only have an aesthetic meaning but function as a ceremony comprising myths. Dieng communities in Central Java, Indonesia has an annual dreadlock cutting ritual with Rampak Yakso dance accompanying. The dance features a group of men dressed in a traditional costume to bodyguards the ceremony to the end. This study aims to describe 1) the dreadlocks cutting rituals, 2) the role and function of the Rampak Yakso dance in the rituals, and 3) the meaning and symbol of the Rampak Yakso dance. This study employs a qualitative approach with a semiotic method derived from Roland Barthes's theory. Data were obtained through observation and interviews and analyzed qualitatively. The results suggest that 1) dreadlocks cutting ceremonies have been the tradition of Dieng community performed once a year for children with dreadlocks. 2) The role and function of the Rampak Yakso dance in this ritual acts as a safeguard in the ceremonial process, and 3) it symbolizes heroism, clearly exposed by the dance moves and the costume worn.","PeriodicalId":143160,"journal":{"name":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131948059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Analogy of Game and Imagination in Art: Paul Ricoeur and Gilles Deleuze’s Philosophical Analyses 艺术中游戏与想象的类比:保罗·里科和吉尔·德勒兹的哲学分析

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 2020-07-03 DOI: 10.2991/assehr.k.200703.067

Haryatmoko

{"title":"The Analogy of Game and Imagination in Art: Paul Ricoeur and Gilles Deleuze’s Philosophical Analyses","authors":"Haryatmoko","doi":"10.2991/assehr.k.200703.067","DOIUrl":"https://doi.org/10.2991/assehr.k.200703.067","url":null,"abstract":"Philosophical discourse on arts by artists can be deemed unnecessary because arts by themselves have been eloquent. However, the present writer is convinced that the cognitive dimension of art is inseparable from discourse. In that way art can trigger intellectual arguments to increase the effectiveness of its expressions through the comparison between art and reasoning. Art has its own rationality, which among others includes the elaboration of the criteria, methods and instruments of its development. In this context, the epistemology of art is very relevant to bridge the gap between art and its rationality. The epistemology of art cannot be ignored in arts education because its object deals with the foundation of art, the conditions of its plausibility, its definitions, the concept of artworks, the relationship between art and its social condition, and particularly the issues of its creativity. In order to examine the genealogy of creativity, the present writer offers two concepts for analyzing the conditions of plausible creativity in art: Paul Ricoeur’s games and Gilles Deleuze’s deterritorialization with the purpose to explain the relation between imagination and creativity in art.","PeriodicalId":143160,"journal":{"name":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126521417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

I La Galigo’s Theater Performance in Postmodern Aesthetic Review 后现代美学评论中的拉加利戈戏剧表演

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 2020-07-03 DOI: 10.2991/assehr.k.200703.030

Sumaryadi, Fitrya Ali Imran

{"title":"I La Galigo’s Theater Performance in Postmodern Aesthetic Review","authors":"Sumaryadi, Fitrya Ali Imran","doi":"10.2991/assehr.k.200703.030","DOIUrl":"https://doi.org/10.2991/assehr.k.200703.030","url":null,"abstract":"The arrival of contemporary theater performance art in Indonesia cannot be separated with the history of theater performance arts in various regions in Indonesia. The term “contemporary” refers to the current scope and time, as well as a way to indicate that there are developments and changes in theater. The I La Gligo performance is a part of a global art that is made possible in the contemporary theatrical elements. The global state of art, in the postdramatic framework, is a result of theater aesthetics that is in one breath with the globalization phenomenon. I La Galigo is one of the traditional cultural forms of South Sulawesi, which is also one of the longest literatures that inspires the performance that has been recognized by the UNESCO. It delivers the noble values of Indonesian culture such as courage, cultural diversity, as well as the shyness and empathy of the Indonesian people to the international stage. This study is aimed to identify the forms, contributing factors and meaning of the Indonesian postmodern practices through the I La Galigo theater that is directed by Robert Wilson. The findings suggest that in the concrete process of work in the postmodern culture, there is an aesthetic idiom that is developed through dance, visual forms, music, and poetry which are then manifested in the form of a theatrical performance that puts the emphasis on the use of gesture acting.","PeriodicalId":143160,"journal":{"name":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129284837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Sunggingan Art in Purwa Srikandi Puppet of Surakartan Style Surakartan风格的Purwa Srikandi木偶中的Sunggingan艺术

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 1900-01-01 DOI: 10.2991/assehr.k.200703.007

D. Prastiwi, Zulfi Hendri

引用次数: 0

Functions of Lang Nginang Ritual Dance in Mengayau Traditional Rite in Belitang 郎娘娘礼舞在别里塘孟伽窑传统仪式中的作用

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 1900-01-01 DOI: 10.2991/assehr.k.200703.011

H. Pangestu, Kuswarsantyo

引用次数: 0

Pangastuti Dance: The Acculturation of Balinese and Yogyakartan Cultures Pangastuti舞蹈:巴厘和日惹文化的文化适应

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 1900-01-01 DOI: 10.2991/assehr.k.200703.019

Ni Nyoman Seriati

{"title":"Pangastuti Dance: The Acculturation of Balinese and Yogyakartan Cultures","authors":"Ni Nyoman Seriati","doi":"10.2991/assehr.k.200703.019","DOIUrl":"https://doi.org/10.2991/assehr.k.200703.019","url":null,"abstract":"The phenomenon of cultural acculturation in Indonesia grows rapidly. This is caused by the migration of the population from one to another area, including the Balinese people who spread to various parts of the country in Indonesia. The phenomenon of cultural acculturation through art, especially dance can be studied through a Pangastusi dance. The aim of this study is to describe the Pangastusi dance ethnographically, so that the background, and aspects of its constituent elements can be elaborated. The data in this study were collected through observations on Pangastuti dance videos. This was done to find the variety of movements, costumes, and music of the female Yogyakartan style in the Pangastuti dance performance. The data found in the Pangastuti dance were analyzed, and described. Also, the position of movement, costume, and music that exists in the dance were interpreted. Verbal descriptions were used in analyzing the data. The results of the study show that there are ten types of Yogyakartan-style dance movements used in the Pangastuti dance, including the movements of lembeyan, kenser, trisik, ombak banyu, gajah ngoling, seblak sampur, tumpang tali, jengkeng jeblosan, and ngelayang. Then, the costume and accessories include pending, centung, gelangkono naga, sari ayu, pelik, untaian melati, and gelung bokor. In addition, the music covers gending kemanak used in the presentation (sembahan) and at the end (pakaad) of the Pangastuti dance.","PeriodicalId":143160,"journal":{"name":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124947238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Study on Aesthetic Characteristics of Sulam Usus Motif on Party Kebaya Dress (Postmodernism Era Perspective) 苏兰姆·乌苏斯主题在Party Kebaya服饰上的审美特征研究(后现代时代视角)

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 1900-01-01 DOI: 10.2991/assehr.k.200703.029

Aminah Fitria Marinda, Martono, Tarenaksa S Babat Nufus

{"title":"Study on Aesthetic Characteristics of Sulam Usus Motif on Party Kebaya Dress (Postmodernism Era Perspective)","authors":"Aminah Fitria Marinda, Martono, Tarenaksa S Babat Nufus","doi":"10.2991/assehr.k.200703.029","DOIUrl":"https://doi.org/10.2991/assehr.k.200703.029","url":null,"abstract":"Local wisdom must not be affected by globalization and challenges in the postmodern era. The Sulam Usus craft is a form of local wisdom from Lampung that is continuously developing. This study aims to present an in-depth examination of (1) the Sulam Usus kebaya (traditional Indonesian attire) motif at Rahayu Gallery, and (2) the function of Sulam Usus kebaya at Rahayu Gallery in the postmodern era. This study was conducted on the Sulam Usus kebaya in Rahayu Gallery, Lampung. This was descriptive qualitative research. The main instrument in this study was the researcher, assisted with observation guides, interviews, and documentation. The study ’ s supporting tools include mp3, digital camera, and stationeries. The data collection technique involves documentation, interviews, and observations. Data validity was obtained through detailed observation and resource triangulation. Data were then analyzed through data reduction, presentation, and conclusion. The findings reveal that: (1) the Sulam Usus kebaya in Rahayu Gallery consists of various kinds of motifs that are continuously developing from the time it was established up to now; (2) the function of Sulam Usus kebaya has shifted from its initial use as a traditional ceremony getup to a party dress.","PeriodicalId":143160,"journal":{"name":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131258448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Beber Puppet Existence and Its Implementation in Character Education in SMK 贝贝木偶的存在及其在SMK人格教育中的实施

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 1900-01-01 DOI: 10.2991/assehr.k.200703.039

Ferdhia Sanityasa Mulya, T. Retnowati

{"title":"Beber Puppet Existence and Its Implementation in Character Education in SMK","authors":"Ferdhia Sanityasa Mulya, T. Retnowati","doi":"10.2991/assehr.k.200703.039","DOIUrl":"https://doi.org/10.2991/assehr.k.200703.039","url":null,"abstract":"Beber puppet is a type of Indonesian puppets which is shown not in the form of a shadow image but a picture show. Because what is shown is a series of drawings drawn on a rectangular paper or canvas, the paper or canvas can be rolled up and stretched. The series of drawings depict scenes from a play, and a play consists of several acts. Beber Puppet is one of the arts and cultures of Indonesia that is apt to be forgotten. Indonesian cultural and arts education is one of the appropriate subjects to reintroduce the arts and cultures of Indonesia which are likely to become extinct like Wayang Beber. Cultural arts subjects are closely related to character education. Character education aims to form and train individual abilities continuously for self-improvement towards a better life. Developmental efforts need to be made in Wayang Beber so that character education can be easily understood, and Wayang Beber is easily recognized by students. The development of Wayang Beber as a learning material in the subjects of Indonesian cultural arts will result in a product called Creative Wayang Beber.","PeriodicalId":143160,"journal":{"name":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115684795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0