Sunggingan Art in Purwa Srikandi Puppet of Surakartan Style

D. Prastiwi, Zulfi Hendri
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Abstract

This paper aims to describe the arts of tatah sungging (carving and decorating) in puppetry. Tatah sungging has become arts with high cultural value. Puppets, as one of the educational media, also have character values to teach. Up to now, a small portion of the community is still pursuing the practice of tatah sungging, and in terms of creation, there certainly exist forms of creative works that artists do. This research was conducted by using qualitative methods, and its data were obtained through leather puppet figures and craftsmen in Gogon Arts Center in Surakarta, Central Java, Indonesia. The identifying artistic features of Surakarta style Purwa leather puppets of Srikandi are depicted through their finely detailed shapes and harmonious (monochromatic) colors. The technique employed for crafting these arty leather puppets involves coloring with the precise brush strokes using acrylic paint. Keywords—Sungging, Wayang Purwa, Srikandi, Surakarta
Surakartan风格的Purwa Srikandi木偶中的Sunggingan艺术
本文旨在描述木偶戏中他他唱(雕刻和装饰)的艺术。塔塔歌已成为具有较高文化价值的艺术。木偶作为一种教育媒介,也具有人格价值。时至今日,社会上仍有一小部分人在追求他唱的实践,而在创作方面,也确实存在艺术家创作作品的形式。本研究采用定性方法,数据来源于印度尼西亚中爪哇省苏拉卡塔Gogon艺术中心的皮人木偶和工匠。Surakarta风格的普瓦皮木偶的艺术特征是通过其精细的形状和和谐的(单色)颜色来描绘的。制作这些艺术皮革木偶的技术包括使用丙烯酸颜料精确的笔触着色。关键词:sunsing, Wayang Purwa, Srikandi, Surakarta
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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