Aminah Fitria Marinda, Martono, Tarenaksa S Babat Nufus
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引用次数: 0
摘要
本土智慧不能受到全球化和后现代挑战的影响。Sulam Usus工艺是南榜不断发展的当地智慧形式。本研究旨在深入探讨(1)Rahayu画廊的suam Usus kebaya(印尼传统服饰)主题,以及(2)Rahayu画廊的suam Usus kebaya在后现代时期的功能。这项研究是在南榜Rahayu画廊的Sulam Usus kebaya上进行的。这是描述性质的研究。本研究的主要工具是研究者,辅助观察指南、访谈和文献。该研究的辅助工具包括mp3、数码相机和文具。数据收集技术包括文件、访谈和观察。通过详细观测和资源三角剖分获得数据有效性。然后通过数据缩减、陈述和结论对数据进行分析。研究结果表明:(1)拉哈尤画廊的苏拉姆·乌苏斯·克巴亚由各种各样的图案组成,这些图案从建立到现在一直在不断发展;(2) Sulam Usus kebaya的功能已经从最初的传统仪式服装转变为聚会服装。
Study on Aesthetic Characteristics of Sulam Usus Motif on Party Kebaya Dress (Postmodernism Era Perspective)
Local wisdom must not be affected by globalization and challenges in the postmodern era. The Sulam Usus craft is a form of local wisdom from Lampung that is continuously developing. This study aims to present an in-depth examination of (1) the Sulam Usus kebaya (traditional Indonesian attire) motif at Rahayu Gallery, and (2) the function of Sulam Usus kebaya at Rahayu Gallery in the postmodern era. This study was conducted on the Sulam Usus kebaya in Rahayu Gallery, Lampung. This was descriptive qualitative research. The main instrument in this study was the researcher, assisted with observation guides, interviews, and documentation. The study ’ s supporting tools include mp3, digital camera, and stationeries. The data collection technique involves documentation, interviews, and observations. Data validity was obtained through detailed observation and resource triangulation. Data were then analyzed through data reduction, presentation, and conclusion. The findings reveal that: (1) the Sulam Usus kebaya in Rahayu Gallery consists of various kinds of motifs that are continuously developing from the time it was established up to now; (2) the function of Sulam Usus kebaya has shifted from its initial use as a traditional ceremony getup to a party dress.