{"title":"郎娘娘礼舞在别里塘孟伽窑传统仪式中的作用","authors":"H. Pangestu, Kuswarsantyo","doi":"10.2991/assehr.k.200703.011","DOIUrl":null,"url":null,"abstract":"The Lang Nginang dance is a traditional ritual dance of the Dayak Mualang tribe in the Belitang District, Sekadau Regency. This study aims to depict the main functions of the Lang Nginang dance as a part of the Mengayau traditional rite. This study uses a descriptive qualitative approach based on Roland Barthes ’ semiotics as the theoretical foundation. Barthes ’ semiotics is used to identify the sign system from denotative to connotative meaning. The findings show that the Lang Nginang dance serves as a means of communication with the spirits of the ancestors, a means of affecting natural forces, especially those related to the safety of the pengayau , as well as a means to legitimate tradition in the mengayau ceremony. The dance has distinctive features. For example, it can only be performed by a strong dancer dressed in Kapuak tree barks, and the setting must be in a place selected in sacred time, namely the central pillar in a Panjai House with offerings as a part of the mengayau traditional ceremony.","PeriodicalId":143160,"journal":{"name":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Functions of Lang Nginang Ritual Dance in Mengayau Traditional Rite in Belitang\",\"authors\":\"H. Pangestu, Kuswarsantyo\",\"doi\":\"10.2991/assehr.k.200703.011\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Lang Nginang dance is a traditional ritual dance of the Dayak Mualang tribe in the Belitang District, Sekadau Regency. This study aims to depict the main functions of the Lang Nginang dance as a part of the Mengayau traditional rite. This study uses a descriptive qualitative approach based on Roland Barthes ’ semiotics as the theoretical foundation. Barthes ’ semiotics is used to identify the sign system from denotative to connotative meaning. The findings show that the Lang Nginang dance serves as a means of communication with the spirits of the ancestors, a means of affecting natural forces, especially those related to the safety of the pengayau , as well as a means to legitimate tradition in the mengayau ceremony. The dance has distinctive features. For example, it can only be performed by a strong dancer dressed in Kapuak tree barks, and the setting must be in a place selected in sacred time, namely the central pillar in a Panjai House with offerings as a part of the mengayau traditional ceremony.\",\"PeriodicalId\":143160,\"journal\":{\"name\":\"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2991/assehr.k.200703.011\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2991/assehr.k.200703.011","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
Lang Nginang舞是位于色卡都摄政Belitang区的Dayak Mualang部落的传统仪式舞蹈。本研究旨在描述郎女舞作为蒙伽瑶传统仪式的一部分的主要功能。本研究以罗兰·巴特的符号学为理论基础,采用描述性定性方法。巴尔特的符号学用于识别符号系统从外延意义到内蕴意义。研究结果表明,郎女舞是与祖先的精神交流的一种手段,是影响自然力量的一种手段,特别是与彭加瑶的安全有关的力量,也是使孟加瑶仪式传统合法化的一种手段。这种舞蹈有鲜明的特点。例如,它只能由身披卡普克树皮的强壮舞者表演,并且必须在神圣的时间选择一个地方,即Panjai房屋的中心柱子上,作为mengayau传统仪式的一部分。
Functions of Lang Nginang Ritual Dance in Mengayau Traditional Rite in Belitang
The Lang Nginang dance is a traditional ritual dance of the Dayak Mualang tribe in the Belitang District, Sekadau Regency. This study aims to depict the main functions of the Lang Nginang dance as a part of the Mengayau traditional rite. This study uses a descriptive qualitative approach based on Roland Barthes ’ semiotics as the theoretical foundation. Barthes ’ semiotics is used to identify the sign system from denotative to connotative meaning. The findings show that the Lang Nginang dance serves as a means of communication with the spirits of the ancestors, a means of affecting natural forces, especially those related to the safety of the pengayau , as well as a means to legitimate tradition in the mengayau ceremony. The dance has distinctive features. For example, it can only be performed by a strong dancer dressed in Kapuak tree barks, and the setting must be in a place selected in sacred time, namely the central pillar in a Panjai House with offerings as a part of the mengayau traditional ceremony.