郎娘娘礼舞在别里塘孟伽窑传统仪式中的作用

H. Pangestu, Kuswarsantyo
{"title":"郎娘娘礼舞在别里塘孟伽窑传统仪式中的作用","authors":"H. Pangestu, Kuswarsantyo","doi":"10.2991/assehr.k.200703.011","DOIUrl":null,"url":null,"abstract":"The Lang Nginang dance is a traditional ritual dance of the Dayak Mualang tribe in the Belitang District, Sekadau Regency. This study aims to depict the main functions of the Lang Nginang dance as a part of the Mengayau traditional rite. This study uses a descriptive qualitative approach based on Roland Barthes ’ semiotics as the theoretical foundation. Barthes ’ semiotics is used to identify the sign system from denotative to connotative meaning. The findings show that the Lang Nginang dance serves as a means of communication with the spirits of the ancestors, a means of affecting natural forces, especially those related to the safety of the pengayau , as well as a means to legitimate tradition in the mengayau ceremony. The dance has distinctive features. For example, it can only be performed by a strong dancer dressed in Kapuak tree barks, and the setting must be in a place selected in sacred time, namely the central pillar in a Panjai House with offerings as a part of the mengayau traditional ceremony.","PeriodicalId":143160,"journal":{"name":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Functions of Lang Nginang Ritual Dance in Mengayau Traditional Rite in Belitang\",\"authors\":\"H. Pangestu, Kuswarsantyo\",\"doi\":\"10.2991/assehr.k.200703.011\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Lang Nginang dance is a traditional ritual dance of the Dayak Mualang tribe in the Belitang District, Sekadau Regency. This study aims to depict the main functions of the Lang Nginang dance as a part of the Mengayau traditional rite. This study uses a descriptive qualitative approach based on Roland Barthes ’ semiotics as the theoretical foundation. Barthes ’ semiotics is used to identify the sign system from denotative to connotative meaning. The findings show that the Lang Nginang dance serves as a means of communication with the spirits of the ancestors, a means of affecting natural forces, especially those related to the safety of the pengayau , as well as a means to legitimate tradition in the mengayau ceremony. The dance has distinctive features. For example, it can only be performed by a strong dancer dressed in Kapuak tree barks, and the setting must be in a place selected in sacred time, namely the central pillar in a Panjai House with offerings as a part of the mengayau traditional ceremony.\",\"PeriodicalId\":143160,\"journal\":{\"name\":\"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2991/assehr.k.200703.011\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2991/assehr.k.200703.011","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

Lang Nginang舞是位于色卡都摄政Belitang区的Dayak Mualang部落的传统仪式舞蹈。本研究旨在描述郎女舞作为蒙伽瑶传统仪式的一部分的主要功能。本研究以罗兰·巴特的符号学为理论基础,采用描述性定性方法。巴尔特的符号学用于识别符号系统从外延意义到内蕴意义。研究结果表明,郎女舞是与祖先的精神交流的一种手段,是影响自然力量的一种手段,特别是与彭加瑶的安全有关的力量,也是使孟加瑶仪式传统合法化的一种手段。这种舞蹈有鲜明的特点。例如,它只能由身披卡普克树皮的强壮舞者表演,并且必须在神圣的时间选择一个地方,即Panjai房屋的中心柱子上,作为mengayau传统仪式的一部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Functions of Lang Nginang Ritual Dance in Mengayau Traditional Rite in Belitang
The Lang Nginang dance is a traditional ritual dance of the Dayak Mualang tribe in the Belitang District, Sekadau Regency. This study aims to depict the main functions of the Lang Nginang dance as a part of the Mengayau traditional rite. This study uses a descriptive qualitative approach based on Roland Barthes ’ semiotics as the theoretical foundation. Barthes ’ semiotics is used to identify the sign system from denotative to connotative meaning. The findings show that the Lang Nginang dance serves as a means of communication with the spirits of the ancestors, a means of affecting natural forces, especially those related to the safety of the pengayau , as well as a means to legitimate tradition in the mengayau ceremony. The dance has distinctive features. For example, it can only be performed by a strong dancer dressed in Kapuak tree barks, and the setting must be in a place selected in sacred time, namely the central pillar in a Panjai House with offerings as a part of the mengayau traditional ceremony.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信