Pangastuti舞蹈:巴厘和日惹文化的文化适应

Ni Nyoman Seriati
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引用次数: 1

摘要

印尼的文化适应现象发展迅速。这是由人口从一个地区迁移到另一个地区造成的,包括散布到印度尼西亚全国各地的巴厘人。文化适应现象通过艺术,特别是舞蹈可以通过Pangastusi舞蹈来研究。本研究的目的是对Pangastusi舞蹈进行民族志描述,以便对其构成要素的背景和方面进行阐述。本研究的数据是通过观察Pangastuti舞蹈视频收集的。这样做是为了在Pangastuti舞蹈表演中找到女性日惹风格的动作,服装和音乐的多样性。在Pangastuti舞蹈中发现的数据进行了分析和描述。同时,对舞蹈中存在的动作位置、服装和音乐进行了诠释。在分析数据时使用了语言描述。研究结果表明,Pangastuti舞蹈中使用的日惹风格舞蹈动作有十种,包括lembeyan, kenser, trisik, ombak banyu, gajah ngoling, seblak sampur, tumpang tali, jengkeng jeblosan和ngelayang。然后,服装和配饰包括pending, centung, gelangkono naga, sari ayu, pelik, untaian melati和gelung bokor。此外,音乐涵盖了在Pangastuti舞蹈的开始(sembahan)和结束(pakaad)中使用的gending kemanak。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Pangastuti Dance: The Acculturation of Balinese and Yogyakartan Cultures
The phenomenon of cultural acculturation in Indonesia grows rapidly. This is caused by the migration of the population from one to another area, including the Balinese people who spread to various parts of the country in Indonesia. The phenomenon of cultural acculturation through art, especially dance can be studied through a Pangastusi dance. The aim of this study is to describe the Pangastusi dance ethnographically, so that the background, and aspects of its constituent elements can be elaborated. The data in this study were collected through observations on Pangastuti dance videos. This was done to find the variety of movements, costumes, and music of the female Yogyakartan style in the Pangastuti dance performance. The data found in the Pangastuti dance were analyzed, and described. Also, the position of movement, costume, and music that exists in the dance were interpreted. Verbal descriptions were used in analyzing the data. The results of the study show that there are ten types of Yogyakartan-style dance movements used in the Pangastuti dance, including the movements of lembeyan, kenser, trisik, ombak banyu, gajah ngoling, seblak sampur, tumpang tali, jengkeng jeblosan, and ngelayang. Then, the costume and accessories include pending, centung, gelangkono naga, sari ayu, pelik, untaian melati, and gelung bokor. In addition, the music covers gending kemanak used in the presentation (sembahan) and at the end (pakaad) of the Pangastuti dance.
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