Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)最新文献_第2页

Philosophical Paradigms Errors Entangled the Development of Student Research and Scientific Arts Education 哲学范式的错误纠缠着学生研究与科学艺术教育的发展

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 2020-07-03 DOI: 10.2991/assehr.k.200703.064

A. Pradoko

{"title":"Philosophical Paradigms Errors Entangled the Development of Student Research and Scientific Arts Education","authors":"A. Pradoko","doi":"10.2991/assehr.k.200703.064","DOIUrl":"https://doi.org/10.2991/assehr.k.200703.064","url":null,"abstract":"The scientific paradigm developed from the era of mythic society around before the 15th century and then stepped on modern society in the early 17th century. In this modern era the rapid development of science with the paradigm of logical empiricism, realistic observation through the senses and the laboratory and precise calculations. In this era the industrial world, technology and technology are growing rapidly. In the social world sociology emerged with the character Auguste Comte. The world of education also follows the tradition of modern thought with the positivistic thought of Comte. The era of philosophical thought has developed again, weaknesses in the modern era are criticized with the emergence of postmodern philosophical thoughts. In this paper describes the misuse of the paradigm so that the positivistic paradigm is applied to the world of cultural meaning. Formatting guidelines for writing research thesis, inappropriate thesis or dissertation presented in this paper are: (a) identification of objects to be studied, (b) research questions in chapter II (c) priority judgment (d) data description format and discussion in chapter four. Glossary of terms: research subjects, research instruments, expert validity and the emergence of the term respondent in qualitative research.","PeriodicalId":143160,"journal":{"name":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","volume":"105 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115764327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Jathilan Deconstruction to Face the Modern Age 面对现代的解构主义

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 2020-07-03 DOI: 10.2991/assehr.k.200703.065

Kuswarsantyo

{"title":"Jathilan Deconstruction to Face the Modern Age","authors":"Kuswarsantyo","doi":"10.2991/assehr.k.200703.065","DOIUrl":"https://doi.org/10.2991/assehr.k.200703.065","url":null,"abstract":"Society's understanding of Jathilan art has not shifted from the roots of tradition. However, the fact nowadays is that Jathilan has developed rapidly with various types and styles of presentation and orientation. The diversity of the types of Jathilan created has the aim to provide attraction, so that the Millennial generation remains interested in traditional art, even though the choreography has been developed. The method used to provide an understanding of Derrida's deconstruction theory provides more opportunities for the development of art. Second, the atmosphere of the dance work that arouses from the Jathilan Gaul form emphasized the importance of innovation in art. These two theories were used as a means of proving whether the phenomenon of the deconstruction of the creation of Jathilan art can be accepted by society today, especially the millennial generation. The result of the concept of cultural deconstruction is the creation of several forms of innovative work in the world of Jathilan art. First, Jathilan Gaul arises because of the demands of the times. Secondly, it is due to the artist's anxiety over the stagnation of traditional art. Third, it is regarded as an effort to preserve the traditional arts of Jathilan; it is necessary to have alternative performances that are relevant to the time. Thus, the greater recognition of the Jathilan ar ts by the wider community will automatically realize the regeneration of Jathilan dancers in the future and motivate the rise of new forms of choreography that are more dynamic and varied. Keyword: jathilan, traditional arts, choreography, cultural deconstruction","PeriodicalId":143160,"journal":{"name":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124825141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Visual Character Implementation of Wayang Figures in Branding Design in Vocational High School Through Students’ Critical Thinking Ability and Creativity 高职品牌设计中大阳人物视觉个性的运用对学生批判性思维能力和创造力的培养

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 2020-07-03 DOI: 10.2991/assehr.k.200703.040

Gunawan, T. Retnowati

{"title":"The Visual Character Implementation of Wayang Figures in Branding Design in Vocational High School Through Students’ Critical Thinking Ability and Creativity","authors":"Gunawan, T. Retnowati","doi":"10.2991/assehr.k.200703.040","DOIUrl":"https://doi.org/10.2991/assehr.k.200703.040","url":null,"abstract":"Branding is one of the competencies that must be mastered by vocational students, especially students majoring in Visual Communication Design. In the current era of globalization, Brand s are needed to give an identity as well as to introduce something, both the products and companies. Brand s from various parts of the world enter many countries freely, and vice versa, the consumers or target markets can freely search for the product or company they want. In the process of designing Branding within the scope of vocational education, students must be competent in creating a Brand through a selection of names, logo designs, and application media. The concept of logo design must also have characteristics that distinguish it from that of the competitor companies. The application of visual character of wayang figures that is synchronized with the character of the product or company through the 21 st -century skills is also intended to welcome the industrial era 4.0 in which the creative process and critical thinking of students are expected to bring up a Brand concept that is both unique and original. The visual character of the wayang figures is seen as having local wisdom and has many philosophies of meaning so that when applied in the design of Branding , it will produce a Brand with characters.","PeriodicalId":143160,"journal":{"name":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133631099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Kembang Endhog Arts Study and Creation in the Mauludan Tradition in Banyuwangi 班育旺吉毛鲁丹传统中的康邦Endhog艺术研究与创作

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 2020-07-03 DOI: 10.2991/assehr.k.200703.014

Henny Rahma Dwiyanti, I. K. Sunarya

{"title":"Kembang Endhog Arts Study and Creation in the Mauludan Tradition in Banyuwangi","authors":"Henny Rahma Dwiyanti, I. K. Sunarya","doi":"10.2991/assehr.k.200703.014","DOIUrl":"https://doi.org/10.2991/assehr.k.200703.014","url":null,"abstract":"Kembang Endhog tradition is a hereditary tradition of the Osing community in Banyuwangi. This tradition, usually called the Mauludan tradition, is celebrated on the 12th of Rabiul Awal every year to commemorate the birth of the Prophet Muhammad, called Mauludan. The purpose of this research is to find out the meaning of the unique Mauludan Tradition in Banyuwangi and also to know the forms of the Kembang Endhog which is visualized in the form of eggs which are decorated in such a way. This research uses descriptive qualitative research using data collection methods by interview, observation and direct observation. The results of this study are that the Mauludan celebration in Banyuwangi has not changed until now, it still uses customary methods for generations, namely using Kembang Endhog as a visualization whose meaning is symbolizing a birth, mutual cooperation, cooperation and gratitude have been given life by Allah S.W.T. Visually, the form of the Kembang Endhog presented usually follows the development of the era with unique and beautiful forms, so that people can be more interested in being able to participate, watch and be involved in it.","PeriodicalId":143160,"journal":{"name":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","volume":"76 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127677698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Local Wisdom of Lampung Guitar Petting Performed by Saibatin Ethnic 赛巴丁族南榜弹吉他的地方智慧

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 2020-07-03 DOI: 10.2991/assehr.k.200703.023

Syahrul Faizin, A. Pradoko, Citra Rahma El Kautsar

{"title":"Local Wisdom of Lampung Guitar Petting Performed by Saibatin Ethnic","authors":"Syahrul Faizin, A. Pradoko, Citra Rahma El Kautsar","doi":"10.2991/assehr.k.200703.023","DOIUrl":"https://doi.org/10.2991/assehr.k.200703.023","url":null,"abstract":"Guitar petting is a genre of traditional Lampung music with solo guitar performance used to accompany songs. This guitar play is commonly used in Lampung traditional processions. Overall, this guitar play always goes along with by songs using the Lampung language. This is a qualitative research with an ethnographic approach. The function of the guitar in the Lampung community is as a communication means between a boy and a girl and as an entertainment. Guitar petting is played by strings picked one by one or broken chords played in a rising or descending order. Lampung guitar petting can be played by one person as a guitar player and a singer or can be performed by two people with one guitarist and one vocalist. The coastal tribal guitar petting uses original standard and classical tuning and the Phrygian mode. This guitar petting accompaniment uses improvisation, so that a player can vary in strumming the guitar and on the chords contained in the song. Chords used are the iii, v, and vi chords. Lampung coastal tribe’s guitar petting also uses slur technique, and the accompaniment rhythm they make includes slimpat. This rhythm is almost the same as the dangdut pattern but different.","PeriodicalId":143160,"journal":{"name":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128498133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Dayak Culture Aesthetic in the Interior Design Balanga Museum 巴兰加博物馆室内设计中的大雅文化美学

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 2020-07-03 DOI: 10.2991/assehr.k.200703.063

Ika Yuni Purnama

{"title":"Dayak Culture Aesthetic in the Interior Design Balanga Museum","authors":"Ika Yuni Purnama","doi":"10.2991/assehr.k.200703.063","DOIUrl":"https://doi.org/10.2991/assehr.k.200703.063","url":null,"abstract":"This research is In 2012 the government revitalized the Ethnographic Museum of Balanga, the interior layout created following the atmosphere of traditional Dayak tribal life. Collections are organized based on the life cycle, starting from the ceremonies of the birth, marriage and final stages of the ceremony, namely the uniqueness of the Tiwah ceremony. Here there are also unique traditional weapons such as Chopsticks, Duhung, Mandau, miniature long houses called Betang, fish invitations called Mihing, Sapundu and Hampatung Karuhei statues, Turtle charms, various brassware, various Chinese ceramic jars from the Ming dynasty and Ching called Balanga and Malawen dishes. The Balanga Museum also received around one thousand confiscated weapons which were used during the ethnic conflict in Sampit in 2001 as a historical collection.The purpose of this study was to obtain data on the forms of interior layout related to the history of Dayak cultural life, so as to increase the knowledge and preservation of the interior design of the Balanga Museum as a cultural heritage that presents traditional Dayak tribal culture in Central Kalimantan.The researcher articulated, elaborated the characteristics of art objects, and explored in detail the use of color in showroom. The researcher used qualitative and semiotic methods.","PeriodicalId":143160,"journal":{"name":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130725612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Effect of “Sinar Purnama” Badui Art on Social Life of the People of Banjarharjo Village, Kulon Progo “Sinar Purnama”八堆艺术对Banjarharjo村人民社会生活的影响，Kulon Progo

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 2020-07-03 DOI: 10.2991/assehr.k.200703.047

Okta Sanjarwati Priutami, T. Retnowati

{"title":"The Effect of “Sinar Purnama” Badui Art on Social Life of the People of Banjarharjo Village, Kulon Progo","authors":"Okta Sanjarwati Priutami, T. Retnowati","doi":"10.2991/assehr.k.200703.047","DOIUrl":"https://doi.org/10.2991/assehr.k.200703.047","url":null,"abstract":"As the era goes by, Badui art has emerged with various variations as a form of defense to preserve. The history of Badui art tells about the journey of an Islamic religious leader named Abdul Qadir Jaelani. This art was developed in the village of Banjarharjo, Kalibawang sub-district, Kulon Progo District which influenced by Badui art from Bligo village, Magelang District. Changes in the form of the presentation of this art occur slowly, little by little, and planned that is influenced by factors within and outside the community. The existence of this artistry has an influence on society to eliminate the boundaries of the layers of society, so that the community has a soul of a) mutual cooperation; b) cooperation and c) mutual respect. In the present, the Badui arts are supported by the younger generation who are directly involved in the arts in order to implement regeneration that loves their own culture. The forms of performance include name, performers, dance movements, accompaniments, makeup and clothing, showtimes, and venues. Banjarharjo Badui art has a form of presentation similar to Badui Bakalan, although there are some new variations, but it is not much different from the original form.","PeriodicalId":143160,"journal":{"name":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131347330","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Indung Art Work in Connectedness 连通性中的印度艺术作品

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 2020-07-03 DOI: 10.2991/assehr.k.200703.051

Rini Maulina, S. Sabana, N. Damayanti

{"title":"Indung Art Work in Connectedness","authors":"Rini Maulina, S. Sabana, N. Damayanti","doi":"10.2991/assehr.k.200703.051","DOIUrl":"https://doi.org/10.2991/assehr.k.200703.051","url":null,"abstract":"The fourth industrial revolution is the era of connectedness where information technology connects societies in the world. The Internet as a technology innovation maintains the world connected to become a \"placeless connectivity\". It also makes people more dependent on information technology, connectivity, and its advantages, and, as a result they need to stay connected to the network. In daily life, people commonly used internet-based systems, for example, e-government, e-commerce, e-education, e-medicine, e-laboratory, etc. Moreover, the Internet helps artists present their artworks to societies through an online exhibition in e-gallery. This study is about the creation of research-based artworks in the form of Indung with the Sundanese culture. The artworks represent the value of culture combined with contemporary works. By utilizing the internet network, the works are then presented in websites and social media, namely Instagram and YouTube. In this study, Art-Based Research was used to create the literature-based artworks, and to find the meaning of Indung, observations and interviews were conducted. This study focused on presenting Indung as an artwork to societies using websites and social media","PeriodicalId":143160,"journal":{"name":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","volume":"157 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133767769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Angklung in the Era of Industry 4.0 工业4.0时代的昂格隆

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 2020-07-03 DOI: 10.2991/assehr.k.200703.021

Priyo Wibowo, F. Setyawan, K. Astuti

引用次数: 0

Analysis of the Mawar Gentong Surakarta Batik Motif in A Charles Sanders Peirce’s Semiotic Study 皮尔斯符号学研究中的Mawar Gentong Surakarta蜡染母题分析

Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) Pub Date : 2020-07-03 DOI: 10.2991/assehr.k.200703.012

Alifia Zahra Khoirunnisa, I. K. Sunarya

{"title":"Analysis of the Mawar Gentong Surakarta Batik Motif in A Charles Sanders Peirce’s Semiotic Study","authors":"Alifia Zahra Khoirunnisa, I. K. Sunarya","doi":"10.2991/assehr.k.200703.012","DOIUrl":"https://doi.org/10.2991/assehr.k.200703.012","url":null,"abstract":"Batik is a work of art that contains a depiction of meaning based on the motifs that exist on the batik itself, describing the meaning can be analyzed from the parts of existing motifs, and make a story or expression of taste. Batik motif acts as a basis or principle for drawing patterns, which is the midpoint of the design. One of the batik motifs that became the icon of CV. Batik Morinda is Mawar Gentong. This study aims to describe the creation and meaning of Mawar Gentong batik motifs made by Muhammad Sahid in CV. Batik Morinda. It is qualitative research with Peirce's theory of semiotic approach in the form of three main elements, namely representant, object, and interpretant. Research data were collected through observation, interview, and documentation and analyzed by data reduction, data presentation, and conclusion. The results show that (1) the form of the Mawar Gentong batik motif was inspired by the round rose buds and earthen pots combined and refined into the Mawar Gentong motif; and (2) the meaning of the motif itself is that the shape of the rose has a beautiful aesthetic meaning as a form of love and friendship, while gentong is an interpretation of a clay container to hold water which means as a symbol of patience and sincerity. The overall meaning of Mawar gentong batik motif is to sincerely knit affection or friendship to fellow human beings so that they will be able to spread goodness as fragrant as that of roses.","PeriodicalId":143160,"journal":{"name":"Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019)","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125385797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0