赛巴丁族南榜弹吉他的地方智慧

Syahrul Faizin, A. Pradoko, Citra Rahma El Kautsar
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引用次数: 0

摘要

吉他抚摸是一种传统的楠榜音乐,用吉他独奏来伴奏歌曲。这种吉他演奏是楠榜族传统游行中常用的。总的来说,这种吉他演奏总是伴随着使用楠榜语的歌曲。这是一项采用民族志方法的定性研究。吉他在楠榜社区的作用是作为男孩和女孩之间的交流手段和娱乐。吉他抚摸是由一根一根拨动的弦或按升序或降序弹奏的断和弦来演奏的。楠榜吉他抚摸可以由一个吉他手和一个歌手来演奏,也可以由两个吉他手和一个歌手来演奏。沿海部落的吉他爱抚使用原始标准和古典调音和弗里吉亚模式。这种吉他抚摸伴奏采用即兴创作,因此演奏者可以在弹吉他和歌曲中包含的和弦上变化。使用的和弦是iii, v和vi和弦。楠蓬海岸部落的吉他抚摸也使用了slur技术,他们制作的伴奏节奏包括slimpat。这种节奏与dangdut模式几乎相同,但有所不同。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Local Wisdom of Lampung Guitar Petting Performed by Saibatin Ethnic
Guitar petting is a genre of traditional Lampung music with solo guitar performance used to accompany songs. This guitar play is commonly used in Lampung traditional processions. Overall, this guitar play always goes along with by songs using the Lampung language. This is a qualitative research with an ethnographic approach. The function of the guitar in the Lampung community is as a communication means between a boy and a girl and as an entertainment. Guitar petting is played by strings picked one by one or broken chords played in a rising or descending order. Lampung guitar petting can be played by one person as a guitar player and a singer or can be performed by two people with one guitarist and one vocalist. The coastal tribal guitar petting uses original standard and classical tuning and the Phrygian mode. This guitar petting accompaniment uses improvisation, so that a player can vary in strumming the guitar and on the chords contained in the song. Chords used are the iii, v, and vi chords. Lampung coastal tribe’s guitar petting also uses slur technique, and the accompaniment rhythm they make includes slimpat. This rhythm is almost the same as the dangdut pattern but different.
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