巴兰加博物馆室内设计中的大雅文化美学

Ika Yuni Purnama
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引用次数: 0

摘要

2012年,政府对巴兰加民族志博物馆进行了复兴,其内部布局遵循了传统达雅克部落生活的氛围。藏品是根据生命周期组织的,从出生、结婚到仪式的最后阶段,即提华仪式的独特性。这里也有独特的传统武器,如筷子,Duhung, Mandau,微型长屋称为Betang,鱼邀请称为Mihing, Sapundu和Hampatung Karuhei雕像,海龟护身符,各种铜器,各种明朝和清朝的中国陶瓷罐,称为Balanga和Malawen菜。巴兰加博物馆还收到了大约1000件被没收的武器,这些武器是2001年Sampit种族冲突期间使用的,作为历史收藏品。本研究的目的是获得与达雅族文化生活历史相关的室内布局形式的数据,从而增加对巴兰加博物馆室内设计的了解和保护,作为一种文化遗产,展示了中部加里曼丹的传统达雅族文化。研究者对艺术品的特点进行了阐述和阐述,并对展厅中色彩的运用进行了详细的探讨。研究者使用了定性和符号学方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dayak Culture Aesthetic in the Interior Design Balanga Museum
This research is In 2012 the government revitalized the Ethnographic Museum of Balanga, the interior layout created following the atmosphere of traditional Dayak tribal life. Collections are organized based on the life cycle, starting from the ceremonies of the birth, marriage and final stages of the ceremony, namely the uniqueness of the Tiwah ceremony. Here there are also unique traditional weapons such as Chopsticks, Duhung, Mandau, miniature long houses called Betang, fish invitations called Mihing, Sapundu and Hampatung Karuhei statues, Turtle charms, various brassware, various Chinese ceramic jars from the Ming dynasty and Ching called Balanga and Malawen dishes. The Balanga Museum also received around one thousand confiscated weapons which were used during the ethnic conflict in Sampit in 2001 as a historical collection.The purpose of this study was to obtain data on the forms of interior layout related to the history of Dayak cultural life, so as to increase the knowledge and preservation of the interior design of the Balanga Museum as a cultural heritage that presents traditional Dayak tribal culture in Central Kalimantan.The researcher articulated, elaborated the characteristics of art objects, and explored in detail the use of color in showroom. The researcher used qualitative and semiotic methods.
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