The Effect of “Sinar Purnama” Badui Art on Social Life of the People of Banjarharjo Village, Kulon Progo

Abstract

As the era goes by, Badui art has emerged with various variations as a form of defense to preserve. The history of Badui art tells about the journey of an Islamic religious leader named Abdul Qadir Jaelani. This art was developed in the village of Banjarharjo, Kalibawang sub-district, Kulon Progo District which influenced by Badui art from Bligo village, Magelang District. Changes in the form of the presentation of this art occur slowly, little by little, and planned that is influenced by factors within and outside the community. The existence of this artistry has an influence on society to eliminate the boundaries of the layers of society, so that the community has a soul of a) mutual cooperation; b) cooperation and c) mutual respect. In the present, the Badui arts are supported by the younger generation who are directly involved in the arts in order to implement regeneration that loves their own culture. The forms of performance include name, performers, dance movements, accompaniments, makeup and clothing, showtimes, and venues. Banjarharjo Badui art has a form of presentation similar to Badui Bakalan, although there are some new variations, but it is not much different from the original form.