Literatura i Kultura Popularna最新文献_第10页

Czytankowy heroizm, niewygodny rewizjonizm czy historyczny realizm? O różnych drogach polityki pamięci we współczesnym polskim kinie historycznym — rekonesans

Literatura i Kultura Popularna Pub Date : 2021-09-16 DOI: 10.19195/0867-7441.26.17

Piotr Kurpiewski

{"title":"Czytankowy heroizm, niewygodny rewizjonizm czy historyczny realizm? O różnych drogach polityki pamięci we współczesnym polskim kinie historycznym — rekonesans","authors":"Piotr Kurpiewski","doi":"10.19195/0867-7441.26.17","DOIUrl":"https://doi.org/10.19195/0867-7441.26.17","url":null,"abstract":"This paper aims to reflect on various aspects of memory politics present in contemporary historical cinema. All films depicting the past carry certain theses or thoughts of a political nature meant to strengthen the contemporary discourse on Polish (and not only) history. The paper presents analyses of three sorts of memory politics: pedagogy of pride, pedagogy of shame and visual historiography (historiophoty). The black-and-white heroism referred to as the reading book heroism presented in Caroline (Karolina), History of Roj (Historia Roja), Broken ear of grain (Zerwany kłos) and in The Outcast (Wyklęty) are examples of pedagogy of pride, favoured by the current Polish authorities from the Law and Justice party (Prawo i Sprawiedliwość). Such works as the Oscar-winning Ida, Summer solstice (Letnie przesilenie) and Consent (Zgoda) are, in turn, emanations of the so-called pedagogy of shame and can be seen as a reference to the message of ambiguous masterpieces from the period of the ‘Polish film school’, in particular to the artistic output of Andrzej Munk. A separate place is to be dedicated to historical works by Wojciech Smarzowski, who in Rose (Róża) and Volhynia (Wołyń) consistently creates visually credible tales of history in order to reflect in a general manner on the non-existent world of the past and ordinary people living therein. \u0000The main conclusion of the article is the statement that historical politics functioning in films depicting the past is meant to be a temporary intervention which may function in a long-term perspective only, given the high artistic quality of the artwork. Otherwise the movie quickly falls into oblivion and loses its influence on the collective social memory.","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130763046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Kartezjusz — Lyotard — Dukaj. „Perfekcyjna niedoskonałość” jako propozycja oświecenia po uznaniu końca paradygmatu wielkich narracji

Literatura i Kultura Popularna Pub Date : 2021-09-16 DOI: 10.19195/0867-7441.26.13

Gerard Ronge

{"title":"Kartezjusz — Lyotard — Dukaj. „Perfekcyjna niedoskonałość” jako propozycja oświecenia po uznaniu końca paradygmatu wielkich narracji","authors":"Gerard Ronge","doi":"10.19195/0867-7441.26.13","DOIUrl":"https://doi.org/10.19195/0867-7441.26.13","url":null,"abstract":"The paper explores the philosophical statements emerging from the plot of Jacek Dukaj’s science-fiction novel Perfekcyjna niedoskonałość [The Perfect Imperfection]. The argument of the article states that the Polish novel proposes a complete philosophical model of possible ways of imagining the future which is unique, yet fully coherent with the Enlightenment paradigm. \u0000After recapitulating the most important arguments of the mid-century’s discussion about the end of the grand narratives and brief recall of most canonical texts of the period of the Enlightenment, the author analyses ontological presuppositions hidden after the structure of the fictional world created by Dukaj. The novel appears to fully acknowledge the Cartesian dualistic model of the human being (which strongly separates its biological and mental roots) and sets plots in times when all biological limitations have been transgressed. Despite that, both optimistic scenarios of eighteenth-century utopians and catastrophic visions of twentieth-century sci-fi authors have never been fulfilled and the fictional world of the twenty-ninth century appears to be just the same as ours in its core, despite being totally different in terms of its phenomenological appearance.","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115645584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

„Szekspir uważał, że należałoby ich wszystkich powiesić…” — czyli o tym, jak wielka sztuka służy morderstwu. Cykl powieściowy Alana Bradleya wobec twórczości Williama Szekspira

Literatura i Kultura Popularna Pub Date : 2021-09-16 DOI: 10.19195/0867-7441.26.7

Alicja Mazan-Mazurkiewicz

引用次数: 1

Jaki kraj, taki Superman

Literatura i Kultura Popularna Pub Date : 2021-09-16 DOI: 10.19195/0867-7441.26.15

Jerzy Szyłak

引用次数: 0

„Praca widma w epoce mechanicznej reprodukcji”. China Miéville: koncepcje „haute weird” i „abcanny”

Literatura i Kultura Popularna Pub Date : 2021-09-16 DOI: 10.19195/0867-7441.26.14

Maciej Dajnowski

{"title":"„Praca widma w epoce mechanicznej reprodukcji”. China Miéville: koncepcje „haute weird” i „abcanny”","authors":"Maciej Dajnowski","doi":"10.19195/0867-7441.26.14","DOIUrl":"https://doi.org/10.19195/0867-7441.26.14","url":null,"abstract":"The aim of the paper is presentation and discussion of China Miéville’s theoretic approach to the issue of horror’s subgenres, including classical Victorian ghost story and Lovecraftian weird fiction. “The abcanny” — in a way a subversive, theoretical category, that Miéville coins in his critical writings — is crucial for both his own speculations and the problems considered here. As it is decisively opposite to Freudian “uncanny” and Kristevian “abject”, it constitutes a relatively new approach to the question of distinction among the aforementioned horror literary genres. The Victorian ghost story, as Miéville sees it, is deeply rooted in the experience of the uncanny, and so it presupposes the “return of the repressed” from the individual or collective/cultural unconsciousness. Hence ghost stories are — just for example — susceptible to hauntological interpretations. Weird fiction — on the contrary — implies the experience of something radically new, something so far non-existent and therefore unacceptable and dreadful. If a classical ghost story can be perceived as an expression of the nineteenth–century fear of the irrationality returning from the past preceding the revolution of the Enlightenment, haute weird narrative embodies modernistic anxiety of the upcoming future, its uncertain nature, cognitive and moral relativism, and — what is most important here — the dubious status of man facing a boundless chasm of time and space.","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123662096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Serial „Artyści” jako przykład telewizji jakościowej

Literatura i Kultura Popularna Pub Date : 2021-09-16 DOI: 10.19195/0867-7441.26.20

K. Kaczor, Barbara Świąder-Puchowska

引用次数: 0

The heroic temper in “Hamlet” and “Taxi Driver” 《哈姆雷特》和《出租车司机》中的英雄气质

Literatura i Kultura Popularna Pub Date : 2021-09-16 DOI: 10.19195/0867-7441.26.19

Maria Joana Melo

引用次数: 0

Slovanská fantasy globálnym popkultúrnym fenoménom

Literatura i Kultura Popularna Pub Date : 2021-09-16 DOI: 10.19195/0867-7441.26.10

Juraj Malíček

引用次数: 0

O tym, jak dzieciom opowiedzieć o wszystkim. Moc metafory w norweskiej książce obrazkowej „Blekkspruten” Gro Dahle i Sveina Nyhusa

Literatura i Kultura Popularna Pub Date : 2021-09-16 DOI: 10.19195/0867-7441.26.16

Hanna Dymel-Trzebiatowska

{"title":"O tym, jak dzieciom opowiedzieć o wszystkim. Moc metafory w norweskiej książce obrazkowej „Blekkspruten” Gro Dahle i Sveina Nyhusa","authors":"Hanna Dymel-Trzebiatowska","doi":"10.19195/0867-7441.26.16","DOIUrl":"https://doi.org/10.19195/0867-7441.26.16","url":null,"abstract":"The article discusses how the taboo theme of incest is narrated both visually and verbally in the controversial Norwegian picturebook Blekkspruten (The Squid) from 2016, authored by the famous Norwegian artists Gro Dahle, a writer, and Svein Nyhus, an illustrator. The duo had previously tackled numerous contentious themes in their books, such as domestic abuse, gender disparity and mental illness, but this time the subject seems particularly problematic to present in a children’s book. Since both Dahle and Nyhus explicitly advocate a concept of allalderlitteratur (literature for all age groups), the implied readership of Blekkspruten includes young, inexperienced readers, too. The analysis focused on the mode in which the artists acquainted children with incest, and the answer was the intricate metaphorical message rendered both in the text and in the images. Their pregnant, yet subtle imagery and sophisticated interaction made it possible to narrate the difficult, challenging theme for children. Furthermore, the investigation responds to Dorte Karrebæk’s suggestion to devote more reflection to the illustrators’ work as a continuum. It juxtaposes Nyhus’ illustrations from Blekkspruten with his previous works, showing both his new artistic solutions (different lines, shapes and colours) and references to some visual symbols employed before (open or closed containers, a monkey toy, a key). They recur in an intervisual, self-referential play, often participating in construction of open endings and implying the impossibility of giving unequivocal answers.","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129336370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Od legendy do faktu — od faktu do legendy. Wczesne romanse podróżnicze H. Ridera Haggarda

Literatura i Kultura Popularna Pub Date : 2021-09-16 DOI: 10.19195/0867-7441.26.9

J. Kokot

引用次数: 0