K. Kaczor, Barbara Świąder-Puchowska
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引用次数: 0

摘要

《The Artists》系列作为优质电视的一个例子,试图从Jane Feuer定义的优质电视模型的决定因素的角度来分析paweowdemirski和Monika Strzępka的原创电视连续剧《The Artists》[Artyści](2016)。研究人员认为,这部电视剧的作者既不是电影艺术家,也不是电视艺术家,而是波兰批判性戏剧的代表,是波兰电视文化中第一次全面实施高质量电视。这篇文章的作者首先分析了波兰第一批具有高品质电视元素的作品(从2003年的《Cop》[Glina]系列开始),并综合定义了其决定因素。这些类型决定因素将在接下来的章节中从对《艺术家》系列电影的分析角度进行深化,将电影的主题聚焦在当下;构建不同层次、不同环境的人物剧本,打破常规;作者作为高质量艺术系列作品的保障;文体手段;互文性层。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Serial „Artyści” jako przykład telewizji jakościowej
The article The series “The Artists” as an example of quality television is an attempt to analyse the original TV series The Artists [Artyści] (2016) by Paweł Demirski and Monika Strzępka from the perspective of the determinants of the quality television model defined by Jane Feuer. The researchers consider the series, whose authors are neither film nor television artists, but are representing critical theatre in Poland, to be the first such full implementation of quality television in Polish TV culture. The authors of the article begin their analysis with the first Polish productions that featured elements of quality television (starting from The Cop [Glina] series from 2003) and defining synthetically its determinants. These genre determinants are deepened in the following sections in the perspective of the analysis of the series The Artists in terms of focusing the theme of the movie on the present; constructing the script of the series about characters from different layers and environments, in opposition to accepted norms; the author(s) as a guarantee of a high-quality artistic series; stylistic means; intertextual layer.
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